American Art
Started: 1600
"...the most distinctive, and perhaps the most impressive, characteristic of American scenery is its wilderness."
Summary of American Art
The United States' rich artistic history stretches from the earliest indigenous cultures to the more recent globalization of contemporary art. Centuries before the first European colonizers, Native American peoples had crafted ritual and utilitarian objects that reflected the natural environment and their beliefs. After the arrival of Europeans, artists looked to European tendencies in portraiture and landscape painting to craft representations of the new land, but it was not until the middle of the 19th century with the Hudson River School that American artists were considered to have launched a cohesive movement. Through the early 20th century, artists still took cues from European avant-garde groups but increasingly focused on the denizens of American urban centers and the more rural Midwest. After World War II, the artists that comprised the Abstract Expressionist movement found international fame and notoriety, and for the first time, American artistic influence moved abroad, and later Minimalism and Pop Art greatly impacted the art world. Subsequently, with various global art centers and international connections, it is now more difficult to point to a specific American art trend, although one can still chart the influence of American artists in the global art sphere.
Key Ideas
"What constitutes American painting?... things may be in America, but it's what is in the artist that counts. What do we call 'American' outside of painting? Inventiveness, restlessness, speed, change.." said the innovative Arthur Dove. Here is your guide to the innovations in the arts made by Americans over the last 400 years.
The Most Important Art in American Art | |
  | A Wild Scene (1831-32)Artist: Thomas Cole Artwork description & Analysis: This dramatic landscape exemplifies the work of the Hudson River School. A stunning vista of rocky outcrops and precipitous mountains opens upon a waterfall, in the center right, breaking into a luminous pool that flows into the ocean on the left. A craggy ancient tree frames the right border, its twisted limbs curving vertically toward the darkly portentous sky. Native American figures, dressed in animal hides and armed with bows, occupy the lower third of the canvas, one outlined against the pink and blue patch of sky on the left, the others located beneath the two prominent trees. As art historians Elizabeth Mankin Kornhauser and Tim Baring wrote, the work is "a fine essay in the sublime: the rough, uncultivated landscape and dark, rolling clouds...convincingly represents an untamed wilderness." Precise detail reflects the influence of Naturalism, while what the artist described as its "flashing chiaroscuro and a spirit of motion pervading the scene, as though nature was just waking from chaos," reflects a Romanticist inspiration. Oil on canvas - Baltimore Museum of Art, Baltimore, Maryland |
 | Cliff Dwellers (1913)Artist: George Bellows Artwork description & Analysis: Bellows' Cliff Dwellers, with its depiction of the gritty vitality of slum life, exemplifies the Ashcan School. In a neighborhood of tenement buildings, its denizens crowd into the streets, engaged in a variety of activities; some women and children sit on the steps, a mother admonishes her child at center, while working men and a street vendor throng in the background. Only a touch of horizon and sky remains between the vertical rows of apartments and the network of clotheslines that diagonally cross the street from building to building. As the people gather outside to avoid the heat in the stifling apartments, the brushwork, vibrant and vigorous, creates a sense of physicality. Apartment dwellers can be glimpsed in the upper levels of the buildings, as they seem to be caught up in private conversations or lean out of their apartment windows. The work reflects the impact of immigration in the era, as recent arrivals were densely crowded into slum neighborhoods. Yet as art critic Michael Kimmelman writes, "the joylessness of the subject is undercut by the soft light that streams into the scene and by the characters on the stoops and in the streets whom Bellows endows with more charm than misery." Oil on canvas - Los Angeles County Museum of Art |
 | The Steerage (1907)Artist: Alfred Stieglitz Artwork description & Analysis: This photograph has become famous both as a cultural document of immigration to America and as a pioneering work of American modernism and Straight Photography. The image is cropped to emphasize the diagonals of the gangplank horizontally crossing the frame while intersecting the massive column on the left, echoed by the stairway on the right intersecting the horizontal planes of the upper deck. The upper level, reserved for the well-to-do, seems peopled primarily by men, the shape of their hats catching the light as they look down into the steerage, where women and children, along with clothing hanging up at the left, create a sense of a lived-in space like a crowded tenement. Though the work highlights class and gender divisions, Stieglitz was primarily interested in its formal qualities, as its sharp focus converged on intersecting planes, shapes, and angles. Photogravure - Metropolitan Museum of Art, New York |
More American Art Artwork and Analysis:
Content compiled and written by Rebecca Seiferle
Edited and published by The Art Story Contributors
" Definition Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Rebecca Seiferle
Edited and published by The Art Story Contributors
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First published on 13 Feb 2019. Updated and modified regularly. 
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