Georges Braque was a modern French painter who, along with Pablo Picasso, developed analytic Cubism and Cubist collage in the early twentieth century.
Picasso dominated European painting in the first half of the last century, and remains perhaps the century's most important, prolifically inventive, and versatile artist. Alongside Georges Braque, he pioneered Cubism. He also made significant contributions to Surrealist painting and media such as collage, welded sculpture, and ceramics.
Juan Gris was a Spanish painter and sculptor, and one of the few pioneers of Cubism. Along with Matisse, Léger, Braque and Picasso, Gris was among the elite visual artists working in early-twentieth-century France.
Francis Picabia was a French artist who worked in Dada, Surrealist, and abstract modes, often employing language and mechanical imagery. He published the Dada journal 391 in Barcelona and America.
Kurt Schwitters was a German artist who was particularly influential in the development of Dada movement and his own offshoot of Dada that he called Merz. Schwitters was heavily involved in the international avant-garde, with artists like El Lissitzky, Hans Arp, and Tristan Tzara.
Hannah Hoch was a German-born Dada artist. She and Raoul Hausmann were among the first artists to work in photomontage. Hoch is most famous for her works dating from the Weimar years, most notably 1919's 'Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany,' which critiqued Weimar Germany.
John Heartfield was a German graphic designer and political activist, most renowned for creating a number of anti-Fascist propaganda photomontages. Heartfield is also noted for his contributions to the Dada movement, creating stage designs, book covers, and altogether merging politics and art.
George Grosz was a German Dada and Neue Sachlichkeit artist. He was enamored of America and highly critical of Weimar society. Grosz immigrated to the United States just as Hitler came to power and opened a private art school in Des Moines.
Hans Arp (also known as Jean Arp) was a German-French artist who incorporated chance, randomness, and organic forms into his sculptures, paintings, and collages. He was involved with Zurich Dada, Surrealism, and the Abstraction-Creation movement.
Man Ray was an American artist in Paris whose photograms, objects, drawings, and other works played an important role in Dada, Surrealism, modern photography, and avant-garde art at large.
Max Ernst was a German Dadaist and Surrealist whose paintings and collages combine dream-like realism, automatic techniques, and eerie subject matter.
Salvador Dalí was a Spanish Surrealist painter who combined a hyperrealist style with dream-like, sexualized subject matter. His collaborations with Hollywood and commercial ventures, alongside his notoriously dramatic personality, earned him scorn from some Surrealist colleagues.
Joseph Cornell was an American artist, best known for his collage work and "shadow boxes," which were highly complex diorama-like constructions. Cornell incorporated found objects, old photos, newspaper clippings and other objects into these boxes, resulting in uniquely surreal, three-dimensional worlds. Cornell was one of the few American artists associated with Surrealism.
Eileen Agar was one of the most adventurous and influential Surrealists in Britain, emphasizing the germinal power of the imagination.
Robert Motherwell was a first-generation Abstract Expressionist whose paintings use hulking shapes, large-scale strokes and calligraphy, and wide expanses of muted color. Eloquent and well-educated, he wrote extensively on theories of art.
Conrad Marca-Relli was a Boston-born painter and sculptor who belonged to the early generation of New York School Abstract Expressionist artists. Marca-Relli made a critical breakthrough with large-scale collage paintings that frequently drew inspiration from the human form to create abstract compositions of interlocking curves and angles.
Lee Krasner was an American abstract painter and a prominent first-generation Abstract Expressionist. A student of Hans Hofmann's, and a pioneer in the all-over technique of painting that later influenced Color Field artists such as Helen Frankenthaler, Morris Louis, and her husband, Jackson Pollock.
Richard Hamilton is an English painter and collage artist, and is best known as a founding member of the British Independent Group, which launched the mid-century Pop art movement. Hamilton's 1956 collage 'Just What Is It That Makes Today's Homes So Different, So Appealing?' is widely considered one of the first works of Pop art.
Eduardo Paolozzi was a Scottish sculptor, printmaker and multi-media artist, and a pioneer in the early development of Pop art. His 1947 print 'I Was a Rich Man's Plaything' is considered the very first work of the movement. He was also a founder of the Independent Group in 1952.
Peter Blake is a British Pop artist that has made many iconic images including the cover for the Beatles' Sgt. Pepper's Lonely Hearts Club Band album.
Robert Rauschenberg, a key figure in early Pop art, admired the textural quality of Abstract Expressionism but scorned its emotional pathos. His famous "Combines" are part sculpture, part painting, and part installation.
Rosler's work with performance, video, and photography has garnered wide attention in the postmodern era for its feminist connotations, addressing body image issues and domesticity. Rosler's work has also explored the imagery of war, from Vietnam to Iraq.
Nancy Spero was an American painter, printmaker and collagist, and the wife of artist Leon Golub. Renowned for her unwavering political beliefs and for being an early feminist activist, Spero made art that was inseparable from politics.
Paula Rego often depicts the human figure predominately from life, but packs in unsettling, complex, and typically sexually charged undertones.
Kara Walker is a contemporary African-American artist who explores race, gender, sexuality, violence and identity in her work. She is best known for her room-size tableaux of black silhouettes.
The Chapman Brothers are infamous for their creation of anatomically and pornographically grotesque mannequins, along with their reimaginings and subversions of famous existing artworks.