Summary of Lee Krasner
An ambitious and important artist in New York City during Abstract Expressionism's heyday, Lee Krasner's own career often was compromised by her role as supportive wife to Jackson Pollock, arguably the most significant postwar American painter, as well as by the male-dominated art world. Krasner was intimately involved in the synthesis of abstract form and psychological content, which announced the advent of Abstract Expressionism. Her desire to revise her aesthetic or what she called "breaks," led to her innovative Little Imageseries of the late 1940s, her bold collages of the 1950s, and, later, her large canvases, brilliant with color, of the 1960s. Krasner was "rediscovered" by feminist art historians during the 1970s and lived to see a greater recognition of her art and career, which continues to grow to this day.
- Krasner was a key transitional figure within abstraction, who connected early-20th-century art with the new ideas of postwar America. Inspired by artist Piet Mondrian's "grid," Krasner helped devise the "all-over" technique, which in turn influenced Pollock's revolutionary "drip paintings."
- Krasner was remarkable for her artistic versatility and advanced skill, which, coupled with her intensive training in art theory, enabled her to revise her style and technique multiple times over the course of her career. Krasner purposefully initiated these "breaks" in order to distance herself from such artists as Mark Rothko and Barnett Newman, whose work she found too "rigid" and repetitive, and also to express herself more fully.
- Krasner's incredibly high standards led her to cut up her older canvases that she found lacking. She recycled and reconfigured these scraps and pieces as collages, a practice that suggests that she was inspired by the work of Henri Matisse, whose work also inspired her colorful, decorative, large paintings of the 1960s. Because she reused her earlier canvases in this way, only a small body of Krasner's early work remains.
Biography of Lee Krasner
Lee Krasner was the sixth of seven children born to Russian-Jewish immigrants on October 27, 1908, who emigrated from Bessarabia. Growing up in immigrant, Jewish neighborhoods in Brooklyn, New York, Krasner was born Lena Krassner, but changed her name several times in the early portion of her life, eventually settling on Lee Krasner by the late 1940s. Art historians have pondered if Krasner used the abbreviated "Lee" as an attempt to disguise her gender.