Summary of Robert Rauschenberg
Considered by many to be one of the most influential American artists due to his radical blending of materials and methods, Robert Rauschenberg was a crucial figure in the transition from Abstract Expressionism to later modern movements. One of the key Neo-Dada movement artists, his experimental approach expanded the traditional boundaries of art, opening up avenues of exploration for future artists. Although Rauschenberg was the enfant terrible of the art world in the 1950s, he was deeply respected and admired by his predecessors. Despite this admiration, he disagreed with many of their convictions and literally erased their precedent to move forward into new aesthetic territory that reiterated the earlier Dada inquiry into the definition of art.
- Engaged in questioning the definition of a work of art and the role of the artist, Rauschenberg shifted from a conceptual outlook where the authentic mark of the brushstroke described the artist's inner world towards a reflection on the contemporary world, where an interaction with popular media and mass-produced goods reflected a unique artistic vision.
- Rauschenberg merged the realms of kitsch and fine art, employing both traditional media and found objects within his "combines" by inserting appropriated photographs and urban detritus amidst standard wall paintings.
- Rauschenberg believed that painting related to "both art and life. Neither can be made." Following from this belief, he created artworks that move between these realms in constant dialogue with the viewers and the surrounding world, as well as with art history.
- Preferring to leave the interpretation of the works to his viewers, Rauschenberg allowed chance to determine the placement and combination of the different found images and objects in his artwork such that there were no predetermined arrangements or meanings embedded within the works.
Biography of Robert Rauschenberg
Robert Rauschenberg was born Milton Ernest Rauschenberg in the small refinery town of Port Arthur, Texas. His father, Ernest, was a strict and serious man who worked for the Gulf State Utilities power company. His mother, Dora, was a devout Christian and a frugal woman. She made the family's clothes from scraps, a practice that embarrassed her son, but possibly influenced his later work with assemblages and collage. Rauschenberg drew frequently and copied images from comics, but his talent as a draughtsman went largely unappreciated, except by his younger sister Janet. Until he was 13, he planned to become a minister - a career of high standing in his conservative community. However, Rauschenberg discovered that his church called dancing a sin, and, as a skilled dancer himself, was dissuaded from a career in the ministry. He asked for and received a store-bought shirt for his high school graduation present, the very first in his young life.