Jack Tworkov
American Painter
Movements and Styles: Abstract Expressionism, Works Progress Administration
Born: August 15, 1900 - Biala Podlaska, Poland
Died: September 4, 1982 - Provincetown, Massachusetts
Table of contents
> Summary> Key Ideas
> Artworks
> Biography & Legacy
Influences and Connections
Resources
Summary of Jack Tworkov
Not necessarily a household name, Jack Tworkov nonetheless inhabited a central position in the formation of Abstract Expressionism in the middle of the 20th century. He was not known for the carousing and drinking of some of his more famous colleagues, but his dedication to self-exploration through the painting process embodied the ethos and intellectual curiosity of the downtown art scene. Using bold gestural strokes, Tworkov explored the gray areas between figuration and abstraction and flatness and illusionistic depth. A dedicated teacher for many decades, his later forays into more geometric and linear compositions sparked dialogues with younger artists and artistic styles such as Minimalism and Post-Minimalism.
Key Ideas
Jack Tworkov, born Yakov Tworkovsky, was born to tailor Hyman Tworkovsky and Ester Singer in Biala Podlaska, a village on the border of Poland and the Russian Empire. Tworkov's father was a widower with five children, while his mother was a divorceé with no children. This made childhood tense for Tworkov, as there was significant hostility toward his mother from her stepchildren. Biala Podlaska was a garrison town at the time, and Tworkov's father worked for the Russian Army. Tworkov's father emigrated to start a tailor shop on Ludlow Street in Manhattan, followed in September 1913 by Tworkov, his mother, and younger sister, Janice.
Important Art by Jack Tworkov | |
 Artwork Images | Seated Woman (Wally) (1934-36)Artwork description & Analysis: In this figure study, Tworkov depicts his wife, Wally. Wearing pink and white, she sits, leaning on a table to her side with her hands clasped, facing the viewer. Her skirt rests on her thighs, revealing knee-high stockings on her slightly spread legs. The indistinct background consists of grays and ochres and gives no clue as to the setting. The chair, or bench, on which she sits has a light blue color, and one can see the shadows of the table legs on the mustard-colored floor. Oil on canvas - Private Collection |
 Artwork Images | Untitled (Study for Christmas Morning) (1951)Artwork description & Analysis: Bold strokes of red and black hover before a light blue and gray background and bare canvas to create an abstract space in Untitled (Study for Christmas Morning) (1951). The strokes seem to outline indistinct shapes, even objects, that appear to rise above the blue ground in a three-dimensional arrangement, and the straight black stroke brushed across the canvas, two-thirds of the way up, suggests a horizon line. Tworkov succeeds in creating a pictorial ambiguity that gives the composition dynamism. The red form on the left seems more calligraphic than object-like, but the black stroke underneath it is suggestive of a shadow cast by a three-dimensional form. Oil on canvas - Newark Museum of Art, New Jersey |
 Artwork Images | House of the Sun (1952-53)Artwork description & Analysis: Yellow strokes dominate the central area of the canvas in House of the Sun. The whole composition, with the interspersed red and blue strokes, has a centripetal motion that keeps the viewer's eye moving. Tworkov's paintings were never created in a vacuum. They were in dialogue with the paintings that had come before and that were painted by others. Tworkov began a series of paintings based on drawings he had made while teaching at Black Mountain College in the summer of 1952, and they harkened back to a subject Tworkov had often evoked: the Greek classic The Odyssey. Profiled in a 1953 article, "Tworkov Paints a Picture," critic and painter Fairfield Porter explained that Tworkov was thinking about Futurism here and "showed figures in definitely ambiguous space - form more than one point of view at once. As the figures began to develop, the subject tended to become erotic. This is the internal origin of the subject and also the origin of the turbulence of the form." Oil on canvas - Private Collection |
More Jack Tworkov Artwork and Analysis:
Influences and Connections
Artists
| Personal Contacts
| Movements
|
Influences on Artist
Artists
| Personal Contacts
| Movements
|
Content compiled and written by Charlotte Davis
Edited and published by The Art Story Contributors
" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Charlotte Davis
Edited and published by The Art Story Contributors
Available from:
First published on 26 Sep 2018. Updated and modified regularly. 
[Accessed ]
