Summary of Carolee Schneemann
Throughout her career Carolee Schneemann has used her body to examine the role of female sensuality in connection to the possibilities of political and personal liberation from predominantly oppressive social and aesthetic conventions. Drawing on the expressive possibilities of film, performance, photography, and installation, among other media, she has explored themes of generation and goddess imagery, sexuality, and everyday erotics, as well as personal biography and loss. Although renowned for her work in performance and other media, Schneemann began her career as a painter, stating, "I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas." She continues to perform, film, and record through the present day, and has been acknowledged by many as progenitor of Feminist art, as well as performance and multimedia art.
- While still in college, Schneemann adopted a feminist perspective, citing the hierarchal ideals of the 1950s American gallery system, the negative attitudes of male teachers, and the erasure of women's art history as influences. She incorporates feminist ideas into her art as well as her writing, teaching and lecturing, constantly reaffirming her position as a pivotal figure in the feminist movement.
- Schneemann's explorations in the early 1960s opened performance art to include inquiries about sensuality and sexuality. Prior to her works, the majority of performance art was formal experimentation, rather than a specific investigation into the taboo realm of the liberating possibilities of the sexual female body.
- By using her body as her primary medium, Schneemann emphasized women's agency, situating women as both the creator and an active part of the creation itself, giving the female form in art a subjectivity it previously lacked. She firmly established her practice in opposition to the traditional representation of women merely as nude objects.
Biography of Carolee Schneemann
Carolee Schneemann was born and raised in Fox Chase, Pennsylvania. She began drawing at a young age and cites this as an early premonition about her future career. She visited the Philadelphia Museum of Art as a young adult and recalls feeling a strong connection to the artwork. She was the first woman in her family to attend college and received a full scholarship to Bard, where she completed her Bachelor of Arts degree. While at Bard, she studied painting at Columbia University, where she met her first husband, James Tenney, an experimental music composer. She received her MFA from the University of Illinois in 1962 and she and Tenney returned to New York.