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Modern Art


"The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public."
Paul Gauguin
"Art is a line around your thoughts."
Gustav Klimt
"There is no such thing as good painting about nothing."
Mark Rothko
"Art is a harmony parallel with nature."
Paul Cézanne
"Only that subject matter is valid (for making art) which is tragic and timeless."
Mark Rothko and Adolph Gottlieb
"The time has passed for our sensations in painting to be whispered. We wish them in the future to sing and re-echo upon our canvasses in deafening and triumphant flourishes."
Umberto Boccioni

"Art cannot be modern. Art is primordially eternal."

Egon Schiele Signature


Modern art represents an evolving set of ideas among a number of painters, sculptors, writers, and performers who - both individually and collectively - sought new approaches to art making. Although modern art began, in retrospect, around 1850 with the arrival of Realism, approaches and styles of art were defined and redefined throughout the 20th century. Practitioners of each new style were determined to develop a visual language that was both original and representative of the times.

Most Important Art

Modern Art Famous Art

Impression, Sunrise (1873)

Artist: Claude Monet
In this seminal work of modern art, Monet's loose handling of paint and his focus on light and atmosphere within the landscape scene are all key characteristics of Impressionism, which is widely considered the first fully modern movement. Monet's use of abstraction evokes what the artist sensed or experienced while painting the scene, which was a highly unusual approach for a painter to adopt at the time. The title of the work, Impression, Sunrise not only provided critics with the name that the movement would later receive, but also conveys the transitory, fleeting and subjective nature of the painting. It is Monet's visual impression of what he observed during that sunrise.
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Modern Art Artworks in Focus:

Definition of Modern Art

Modern art is the creative world's response to the rationalist practices and perspectives of the new lives and ideas provided by the technological advances of the industrial age that caused contemporary society to manifest itself in new ways compared to the past. Artists worked to represent their experience of the newness of modern life in appropriately innovative ways. Although modern art as a term applies to a vast number of artistic genres spanning more than a century, aesthetically speaking, modern art is characterized by the artist's intent to portray a subject as it exists in the world, according to his or her unique perspective and is typified by a rejection of accepted or traditional styles and values.

The Beginnings of Modern Art

Classical and Early Modern Art

The Eiffel Tower was a symbol of modernity for Paris, and beyond

The centuries that preceded the modern era witnessed numerous advancements in the visual arts, from the humanist inquiries of the Renaissance and Baroque periods to the elaborate fantasies of the Rococo style and the ideal physical beauty of 18th-century European Neoclassicism. However, one prevalent characteristic throughout these early modern eras was an idealization of subject matter, whether human, natural, or situational. Artists typically painted not what they perceived with subjective eyes but rather what they envisioned as the epitome of their subject.

Age of Modernism and Art

The modern era arrived with the dawn of the industrial revolution in Western Europe in the mid-19th century, one of the most crucial turning points in world history. With the invention and wide availability of such technologies as the internal combustion engine, large machine-powered factories, and electrical power generation in urban areas, the pace and quality of everyday life changed drastically. Many people migrated from the rural farms to the city centers to find work, shifting the center of life from the family and village in the country to the expanding urban metropolises. With these developments, painters were drawn to these new visual landscapes, now bustling with all variety of modern spectacles and fashions.

A major technological development closely-related to the visual arts was photography. Photographic technology rapidly advanced, and within a few decades a photograph could reproduce any scene with perfect accuracy. As the technology developed, photography became increasingly accessible to the general public. The photograph conceptually posed a serious threat to classical artistic modes of representing a subject, as neither sculpture nor painting could capture the same degree of detail as photography. As a result of photography's precision, artists were obliged to find new modes of expression, which led to new paradigms in art.

The Artist's Perspective and Modern Art

In the early decades of the 19th century, a number of European painters began to experiment with the simple act of observation. Artists from across the continent, including portraitists and genre painters such as Gustave Courbet and Henri Fantin-Latour, created works that aimed to portray people and situations objectively, imperfections and all, rather than creating an idealized rendition of the subject. This radical approach to art would come to comprise the broad school of art known as Realism.

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Modern Art Overview Continues

Also early in the 19th century, the Romantics began to present the landscape not necessarily as it objectively existed, but rather as they saw and felt it. The landscapes painted by Caspar David Friedrich and J.M.W. Turner are dramatic representations that capture the feeling of the sublime that struck the artist upon viewing that particular scene in nature. This representation of a feeling in conjunction with a place was a crucial step for creating the modern artist's innovative and unique perspective.

Early Abstraction and Modern Art

Nocturne in Black and Gold: The Falling Rocket by James McNeill Whistler

Similarly, while some artists focused on objective representation, others shifted their artistic focus to emphasize the visual sensation of their observed subjects rather than an accurate and naturalistic depiction of them. This practice represents the beginnings of abstraction in the visual arts. Two key examples of this are James McNeill Whistler's Nocturne in Black and Gold: The Falling Rocket (1874) and Claude Monet's Boulevard des Capucines (1873). In the former, the artist couples large splatters and small flecks of paint to create a portrait of a night sky illuminated by fireworks that was more atmospheric than representational. In the latter, Monet provides an aerial view of bustling modern Parisian life. In portraying this scene, Monet rendered the pedestrians and cityscape as an "impression," or in other words, a visual representation of a fleeting, subjective, and slightly abstracted, perspective.

Modern Art Themes and Concepts

Modern Artists

Vincent van Gogh by John Peter Russell, 1886

The history of modern art is the history of the top artists and their achievements. Modern artists have strived to express their views of the world around them using visual mediums. While some have connected their work to preceding movements or ideas, the general goal of each artist in the modern era was to advance their practice to a position of pure originality. Certain artists established themselves as independent thinkers, venturing beyond what constituted acceptable forms of "high art" at the time which were endorsed by traditional state-run academies and the upper-class patrons of the visual arts. These innovators depicted subject matter that many considered lewd, controversial, or even downright ugly.

The first modern artist to essentially stand on his own in this regard was Gustave Courbet, who in the mid-19th century sought to develop his own distinct style. This was achieved in large part with his painting from 1849-1850, Burial at Ornans, which scandalized the French art world by portraying the funeral of a common man from a peasant village. The Academy bristled at the depiction of dirty farm workers around an open grave, as only classical myths or historical scenes were fitting subject matter for such a large painting. Initially, Courbet was ostracized for his work, but he eventually proved to be highly influential to subsequent generations of modern artists. This general pattern of rejection and later influence has been repeated by hundreds of artists in the modern era.

Modern Art Movements

The discipline of art history tends to classify individuals into units of like-minded and historically connected artists designated as the different movements and "schools." This simple approach of establishing categories is particularly apt as it applies to centralized movements with a singular objective, such as Impressionism, Futurism, and Surrealism. For example, when Claude Monet exhibited his painting Impression, Sunrise (1872) as part of a group exhibition in 1874, the painting and the exhibition as a whole were poorly received. However, Monet and his fellow artists were ultimately motivated and united by the criticism. The Impressionists thus set a precedent for future independently minded artists who sought to group together based on a singular objective and aesthetic approach.

This practice of grouping artists into movements is not always completely accurate or appropriate, as many movements or schools consist of widely diverse artists and modes of artistic representation. For example, Vincent van Gogh, Paul Gauguin, and Paul Cézanne are considered the principal artists of Post-Impressionism, a movement named so because of the artists' deviations from Impressionist motifs as well as their chronological place in history. Unlike their predecessors, however, the Post-Impressionists did not represent a cohesive movement of artists who united under a single ideological banner. Furthermore, the case can be made that some artists do not fit into any particular movement or category. Key examples include the likes of Auguste Rodin, Amadeo Modigliani, and Marc Chagall. Despite these complications, the imperfect designation of movements allows the vast history of modern art to be broken down into smaller segments separated by contextual factors that aid in examining the individual artists and works.

The Avant-Garde and The Progression of Modern Art

The avant-garde is a term that derives from the French "vanguard," the lead division going into battle, literally advance guard, and its designation within modern art is very much like its military namesake. Generally speaking, most of the successful and creative modern artists were avante-gardes. Their objective in the modern era was to advance the practices and ideas of art, and to continually challenge what constituted acceptable artistic form in order to most accurately convey the artist's experience of modern life. Modern artists continually examined the past and revalued it in relation to the modern.

Modern, Contemporary, and Postmodern Art

Generally speaking, contemporary art is defined as any form of art in any medium that is produced in the present day. However, within the art world the term designates art that was made during and after the post-Pop art era of the 1960s. The dawn of Conceptualism in the late 1960s marks the turning point when modern art gave way to contemporary art. Contemporary art is a broad chronological delineation that encompasses a vast array of movements like Earth art, Performance art, Neo-Expressionism, and Digital art. It is not a clearly designated period or style, but instead marks the end of the periodization of modernism.

Postmodernism is the reaction to or a resistance against the projects of modernism, and began with the rupture in representation that occurred during the late 1960s. Modernism became the new tradition found in all the institutions against which it initially rebelled. Postmodern artists sought to exceed the limits set by modernism, deconstructing modernism's grand narrative in order to explore cultural codes, politics, and social ideology within their immediate context. It is this theoretical engagement with the ideologies of the surrounding world that differentiates postmodern art from modern art, as well as designates it as a unique facet within contemporary art. Features often associated with postmodern art are the use of new media and technology, like video, as well as the technique of bricolage and collage, the collision of art and kitsch, and the appropriation of earlier styles within a new context. Some movements commonly cited as Postmodern are: Conceptual art, Feminist art, Installation art and Performance art.

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Content compiled and written by Justin Wolf

Edited and published by The Art Story Contributors

" Definition Overview and Analysis". [Internet]. . TheArtStory.org
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Useful Resources on Modern Art


Special Features




Shock of the New (1980) ► 57:53 Shock of the New (1980)

8 episodes series by legendary critic Robert Hughes

This Is Modern Art (1999) ► 49:45 This Is Modern Art (1999)

6 part TV series by English art critic Matthew Collings. Compares Modern art of the past and connecting to contemporary art practices

The Power of Art (2006) ► 54:05 The Power of Art (2006)

Episodes on Van Gogh, Picasso, and Rothko by art historian Simon Schama

Leo Castelli: The First Global Gallerist ► 1:16:35 Leo Castelli: The First Global Gallerist

Professor and historian Annie Cohen-Solal overviews the life and brilliance of Leo Castelli, the gallerist that brought many Pop artists to fame from Rauschenberg to Rosenquist

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Modern Art Movements

All major modern art movements, as well as a number of related styles and tendencies

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Comprehensive guide to the most important modern and contemporary artists

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This timeline is a guide to the 50 most important and groundbreaking works of art from the modern era

The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.
The Shock of the New

By Robert Hughes

Art Since 1900 Recomended resource

By Hal Foster, Rosalind Krauss, Yve-Alain Bois, Benjamin Buchloh

Theories of Modern Art: A Source Book by Artists and Critics

By Herschel B. Chipp, Peter Selz, Joshua C. Taylor

Art in Theory, 1900-2000: An Anthology of Changing Ideas Recomended resource

By Charles Harrison and Dr. Paul J. Wood, eds.

More Interesting Books about Modern Art
Museum of Modern Art's Library and Archives

MoMA's physical and online archives provide among the world's most comprehensive surveys of modern and contemporary art

The San Francisco Museum of Modern Art Collection

The SFMoMA collection features 30,000 works, with interactive educational resources for special topics in modern art

Modern Art Notes

Modern art and Contemporary art blog by Tyler Green


The Contemporary and the Historical Recomended resource

By Donald Kuspit

Modernist Painting

By Clement Greenberg

African Influences in Modern Art

By Denise Murrell
Department of Art History and Archaeology, Columbia University

Art, Philosophy, and the Philosophy of Art

By Arthur C. Danto

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