- The King's Artists: The Royal Academy of Arts and the Politics of British Culture 1760-1840By Holger Hoock
- Art and the Academy in the Nineteenth CenturyBy Rafael Cardoso Denis
- Academies, Museums and Canons of ArtOur PickBy Gill Perry, Colin Cunningham
- The Academy and French Painting in the 19th CenturyBy Albert Boime
The Important Artists and Works of The Academy of Art
The idea of an academy has its roots in the school Plato established to teach philosophy in Athens in the fourth century BC. When Raphael painted four stanzas representing various branches of knowledge for the Vatican, he devoted one to philosophy and represented many ancient Greek thinkers. But he included a self-portrait on the right of the picture, as an assertion of Renaissance artists' claim to be deserving of a new and higher education than that which was once provided by the guild system.
Zoffany's group portrait shows a scene from the life drawing room at Old Somerset House, the old home of London's Royal Academy. Rather than emphasize the technical ability of drawing, he shows the academicians discussing the nude, underlining instead their intellectual credentials. Some have seen the picture as a mock-heroic version of Raphael's School of Athens (1509-10).
David's subject comes from the Roman tale of the three sons of Horatius who were selected to represent their city against the Curiatii, champions from a neighboring city. The oath was lent drama by the fact that the two families were related by marriage. Many have read it as an outstanding example of the teaching of the French Academy - its clarity, respected classical source, and stern moral message making it the perfect model. It was one of several pictures that propelled David to the front ranks of French painting and into official positions within the state.