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Artists Claes Oldenburg
Claes Oldenburg Photo

Claes Oldenburg

American Sculptor

Movement: Pop Art

Born: January 28, 1929 - Stockholm, Sweden

Claes Oldenburg Timeline

Quotes

"If I didn't think what I was doing had something to do with enlarging the boundaries of art, I wouldn't go on doing it."
Claes Oldenburg
"I'd like to get away from the notion of a work of art as something outside of experience, something that is located in museums, something that is terribly precious."
Claes Oldenburg
"It isn't that I have any opinions about ice cream cones or hamburgers or that kind of stuff. It just seems that that is what I see."
Claes Oldenburg
"I am for an art that grows up not knowing it is art at all. I am for an artist who vanishes."
Claes Oldenburg
"Art is a technique of communication. The image is the most complete technique of all communication."
Claes Oldenburg
"My single-minded aim is to give existence to fantasy."
Claes Oldenburg
"I am for the art of underwear and the art of taxicabs. I am for the art of ice cream cones dropped on concrete."
Claes Oldenburg

"I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum."

Claes Oldenburg Signature

Synopsis

With his saggy hamburgers, colossal clothespins and giant three-way plugs, Claes Oldenburg has been the reigning king of Pop sculpture since the early 1960s, back when New York was still truly gritty. In 1961 he rented a storefront, called it The Store, and stocked it with stuffed, crudely-painted forms resembling diner food, cheap clothing, and other mass-manufactured items that stupefied an audience accustomed to the austere, non-representational forms in Abstract Expressionist sculpture. These so-called "soft-sculptures" are now hailed as the first sculptural expressions in Pop art. While his work has continued to grow in scale and ambition, his focus has remained steadfast: everyday items are presented on a magnified scale that reverses the traditional relationship between viewer and object. Oldenburg shrinks the spectator into a bite-sized morsel that might be devoured along with a giant piece of cake, or crushed by an enormous ice pack. His work shows us just how small we are, and serves as a vehicle for his smart, witty, critical, and often wickedly funny insights on American culture over the past half-century.

Key Ideas

Whereas Pop artists had imitated the flat language of billboards, magazines, television, etc., working in two-dimensional mediums, Oldenburg's three-dimensional papier maches, plaster models, and soft fabric forms brought Pop art into the realm of sculpture, a key innovation at the time.
Oldenburg's objects, no matter how apparently insignificant in themselves, become expressive entities, almost like characters in a stage play. This is partly due to their dramatically outsized scale and partly due to the soft forms he chooses, like fabric or latex. This distances Oldenburg from the cool detachment of Warhol or Lichtenstein, and makes his sculptures, almost like portraits, highlight the absurdity of American culture with a gentler cynicism than his Pop art peers.
The notion of enlarging a diminutive, everyday object and placing it in a landscape - an idea integral to Oldenburg's monumental public art - comes to us from the Surrealists such as Magritte, Dalí, and Ernst). In this respect, Oldenburg is the most Surreal of the Pop artists and his sculptures are like Surrealist dreams made real.
Oldenburg's unconventionally squishy, rearrangable sculpture challenged the hard, vertical orientation that persisted through Abstract Expressionism. His was a true breakthrough in the history of sculpture.
No matter how ordinary his subjects may seem to be, for Oldenburg, a clothespin is never just a clothespin. The process of fine tuning and adjustment, typical of his approach to large-scale commissions, reflects an unwavering interest in the impact of form that aligns him with earlier masters in the tradition of sculpture, from Michelangelo to Brancusi.

Biography

Claes Oldenburg Photo

Childhood and Education

The son of a diplomat, Oldenburg was born in Stockholm, Sweden in 1929 and settled with his family in Chicago in 1936. He and his younger brother, Richard, were educated at Yale and Harvard, respectively. Richard would later become the Director of the Museum of Modern Art in New York City for over two decades (1972-1995). After graduating from Yale in 1950, where he studied literature and art history as well as studio art, Oldenburg took a job with the City News Bureau of Chicago and also intermittently attended the Art Institute of Chicago.

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Claes Oldenburg Biography Continues

Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Claes Oldenburg
Interactive chart with Claes Oldenburg's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

Robert RauschenbergRobert Rauschenberg
Marcel DuchampMarcel Duchamp
René MagritteRené Magritte
Jean DubuffetJean Dubuffet
Jasper JohnsJasper Johns

Personal Contacts

Allan KaprowAllan Kaprow
Jim DineJim Dine
Donald JuddDonald Judd
Leo CastelliLeo Castelli

Movements

Abstract ExpressionismAbstract Expressionism
Art BrutArt Brut

Influences on Artist
Claes Oldenburg
Claes Oldenburg
Years Worked: 1960s - present
Influenced by Artist

Artists

Jeff KoonsJeff Koons
Damien HirstDamien Hirst

Personal Contacts

Hannah WilkeHannah Wilke
Frank GehryFrank Gehry

Movements

Pop ArtPop Art
Neo Pop ArtNeo Pop Art

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Cite this page

Content compiled and written by The Art Story Contributors

Edited and revised, with Synopsis and Key Ideas added by Ruth Epstein

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by The Art Story Contributors
Edited and revised, with Synopsis and Key Ideas added by Ruth Epstein
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