Summary of David Hockney
David Hockney's bright swimming pools, split-level homes and suburban Californian landscapes are a strange brew of calm and hyperactivity. Shadows appear to have been banished from his acrylic canvases of the 1960s, slick as magazine pages. Flat planes exist side-by-side in a patchwork, muddling our sense of distance. Hockney's unmistakable style incorporates a broad range of sources from Baroque to Cubism and, most recently, computer graphics. An iconoclast obsessed with the Old Masters, this British Pop artist breaks every rule deliberately, delighting in the deconstruction of proportion, linear perspective, and color theory. He shows that orthodoxies are meant to be shattered, and that opposites can coexist, a message of tolerance that transcends art and has profound implications in the political and social realm.
- Like other Pop artists, Hockney revived figurative painting in a style that referenced the visual language of advertising. What separates him from others in the Pop movement is his obsession with Cubism. In the spirit of the Cubists, Hockney combines several scenes to create a composite view, choosing tricky spaces, like split-level homes in California and the Grand Canyon, where depth perception is already a challenge.
- Hockney insists on personal subject matter - another thing that separates him from most other Pop artists. He depicts the domestic sphere - scenes from his own life and that of friends. This aligns him with Alice Neel, Alex Katz, and others who depicted their immediate surroundings in a manner that transcends a particular category or movement.
- Hockney was openly gay, and has remained a staunch advocate for gay rights. In the context of a macho art scene that dismissed "pretty color" as effeminate, Hockney's bright greens, purples, pinks, and yellows are declarative statements in support of sexual freedom.
- In actively seeking to imitate photographic effects in his work, Hockney is a forerunner of the Photorealists. He is also a heretic among purists who feel that painting should rely only on the artist's direct observations from nature. Though not universally accepted, Hockney's research into the history of art has shown that Old Masters, from Vermeer to Canaletto, frequently used the camera obscura (an early form of camera) to enhance their optical effects. If the revered Old Masters could use cameras, he implies, why can't we?
Biography of David Hockney
Britain's beloved David Hockney has a career of breaking taboos and leading the avant-garde - to the point of being recognized as the most important artist to revitalized painting. And in his eighties, Hockney continues to be active and to make headlines.