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Artists Francis Picabia
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Francis Picabia

French Designer, Illustrator, Painter, and Writer

Movement: Dada

Born: January 22, 1879 - Paris, France

Died: November 30, 1953 - Paris, France

Francis Picabia Timeline

Quotes

"New York is the cubist, the futurist city. It expresses in its architecture, its life, its spirit, the modern thought."
Francis Picabia
"What I like is to invent, to imagine, to make myself a at every moment a new man, and then, to forget him, forget everything."
Francis Picabia
"Each artist is a mold. I aspire to be many. One day I'd like to write on the wall of my house: Artist in all genres."
Francis Picabia
"The world is divided into two categories: failures and unknowns."
Francis Picabia
"Only useless things are indispensable."
Francis Picabia
"If you want to have clean ideas, change them as often as your shirt."
Francis Picabia
"[Picabia's career is] a kaleidoscopic series of art experiences."
Marcel Duchamp

"Artists, so they say, make fun of the bourgeoisie; me, I make fun of the bourgeoisie and the artists."

Francis Picabia Signature

Synopsis

Once known as "Papa Dada," Francis Picabia was one of the principle figures of the Dada movement both in Paris and New York. A friend and associate of Marcel Duchamp, he became known for a rich variety of work ranging from strange, comic-erotic images of machine parts to text-based paintings that foreshadow aspects of Conceptual art. Even after Dada had been supplanted by other styles, the French painter and writer went on to explore a diverse and almost incoherent mix of styles. He shifted easily between abstraction and figuration at a time when artists clung steadfastly to one approach, and his gleeful disregard for the conventions of modern art encouraged some remarkable innovations even later in his career, from the layered Transparency series of the 1920s to the kitsch, erotic nudes of the early 1940s. Picabia remains revered by contemporary painters as one of the century's most intriguing and inscrutable artists.

Key Ideas

In the 1910s, Picabia shared the interests of a number of artists who emerged in the wake of Cubism, and who were inspired less by the movement's preoccupation with problems of representation than by the way the style could evoke qualities of the modern, urban, and mechanistic world. Initially, these interests informed his abstract painting, but his attraction to machines would also shape his early Dada work, in particular his Mechanomorphs - images of invented machines and machine parts that were intended as parodies of portraiture. For Picabia, humans were nothing but machines, ruled not by their rational minds, but by a range of compulsive hungers.
Picabia was central to the Dada movement when it began to emerge in Paris in the early 1920s, and his work quickly abandoned many of the technical concerns that had animated his previous work. He began to use text in his pictures and collages and to create more explicitly scandalous images attacking conventional notions of morality, religion, and law. While the work was animated by the Dada movement's rage against the European culture that had led to the carnage of World War I, Picabia's attacks often have the sprightly, coarse comedy of the court jester. They reflect an artist with no respect for any conventions, not even art, since art was just another facet of the wider culture he rejected.
Figurative imagery was central to Picabia's work from the mid-1920s to the mid-1940s, when he was inspired by Spanish subjects, Romanesque and Renaissance sources, images of monsters, and, later, nudes found in soft porn magazines. Initially he united many of these disparate motifs in the Transparency pictures, complexly layering them and piling them on top of each other to provoke confusion and strange associations. Some critics have described the Transparencies as occult visions, or Surrealist dream images, and although Picabia rejected any association with the Surrealists, he steadfastly refused to explain their content. Picabia always handled these motifs with the same playful and anarchic spirit that had animated his Dada work.
Picabia learned early on that abstraction could be used to evoke not only qualities of machines, but also to evoke mystery and eroticism. This ensured that abstract painting would be one of the mainstays of his career. He returned to it even in his last years, during which he attributed his inspiration to the obscure recesses of his mind, as he had always done.

Biography

Francis Picabia Photo

Childhood

Francis Picabia was born in 1879 in Paris, the only child of a Cuban-born Spaniard, Francisco Vicente Martinez Picabia, and a Frenchwoman, Marie Cecile Davanne. Both his parents came from prominent European families, and Picabia was raised in an affluent household. Throughout his life, the family fortune allowed him to study, travel, and enjoy a luxury lifestyle. However, at the age of seven, his mother passed away of tuberculosis, and the following year his grandmother died. These losses ensured that Picabia's childhood would be a lonely one, and he was left in the care of his father, the chancellor to the Cuban Embassy, his uncle, Maurice Davanne, a curator of the Bibliotheque Sainte Geneviève, and his maternal grandfather, Alphonse Davanne, a wealthy businessman. Their house was known as the house of quatre sans femmes (four without women).

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Francis Picabia Biography Continues

Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Francis Picabia
Interactive chart with Francis Picabia's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

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Personal Contacts

André BretonAndré Breton
Marcel DuchampMarcel Duchamp
Man RayMan Ray
Alfred StieglitzAlfred Stieglitz
Guillaume ApollinaireGuillaume Apollinaire

Movements

ImpressionismImpressionism
CubismCubism
DadaDada
RealismRealism
Abstract ArtAbstract Art

Influences on Artist
Francis Picabia
Francis Picabia
Years Worked: 1905 - 1951
Influenced by Artist

Artists

Andy WarholAndy Warhol
David SalleDavid Salle
Sigmar PolkeSigmar Polke
Gerald MurphyGerald Murphy
Konrad KlapheckKonrad Klapheck

Personal Contacts

Marcel DuchampMarcel Duchamp

Movements

FuturismFuturism
Pop ArtPop Art

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Edited and published by The Art Story Contributors

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