André Breton

Summary of André Breton

André Breton was an original member of the Dada group who went on to start and lead the Surrealist movement in 1924. In New York, Breton and his colleagues curated Surrealist exhibitions that introduced ideas of automatism and intuitive art making to the first Abstract Expressionists. He worked in various creative media, focusing on collage and printmaking as well as authoring several books. Breton innovated ways in which text and image could be united through chance association to create new, poetic word-image combinations. His ideas about accessing the unconscious and using symbols for self-expression served as a fundamental conceptual building block for New York artists in the 1940s.

Accomplishments

• Breton was a major member of the Dada group and the founder of Surrealism. He was dedicated to avant-garde art-making and was known for his ability to unite disparate artists through printed matter and curatorial pursuits.
• Breton drafted the Surrealist Manifesto in 1924, declaring Surrealism as "pure psychic automatism," deeply affecting the methodology and origins of future movements, such as Abstract Expressionism.
• One of Breton's fundamental beliefs was in art as an anti-war protest, which he postulated during the First World War. This notion re-gained potency during and after World War II, when the early Abstract Expressionist artists were creating works to demonstrate their outrage at the atrocities happening in Europe.

Biography of André Breton

André Breton was born in a small village, although his family relocated to a Parisian suburb soon after. He excelled in school and developed literary interests quite early. Breton read the French Decadents, such as Charles Baudelaire, J.K. Huysmans, Stephane Mallarme, and the German Romantic writers, all of whom informed his early thoughts on avant-gardism. By 1912, Breton had a cultivated knowledge of Contemporary art and begun to study Anarchism as a political movement. While he loved the French Decadent artists, such as Gustave Moreau, he began to separate himself from their belief in "art for art's sake," in favor of art that appealed to the masses.

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