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Artists Claude Cahun
Claude Cahun Photo

Claude Cahun

French Photographer, Writer, and Political Activist

Movements and Styles: Modern Photography, Dada, Surrealism, Proto-Feminist Artists

Born: October 25, 1894 - Nantes, France

Died: December 8, 1954 - St Helier, Jersey, Great Britain

Claude Cahun Timeline

Quotes

"Realities disguised as symbols are, for me, new realities that are immeasurably preferable. I make an effort to take them at their word. To grasp, to carry out the diktat of images to the letter."
Claude Cahun
"If there is horror, it is for those who speak indifferently of the next war. If there is hate, it is for hateful qualities, not nations. If there is love, it is because this alone kept me alive."
Claude Cahun
"If I vibrate with vibrations other than yours, must you conclude that my flesh is insensitive?"
Claude Cahun
"Individualism? Narcissism? Of course. It is my strongest tendency, the only intentional constancy [fidelity] I am capable of.... Besides, I am lying; I scatter myself too much for that."
Claude Cahun
"Shuffle the cards. Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me."
Claude Cahun
"Until I see everything clearly I want to hunt myself down, struggle with myself."
Claude Cahun
"Permit me to warn reckless young women: seeing the trap doesn't prevent you from getting caught in it and that doubles the pleasure."
Claude Cahun
"It is only after many attempts . . . that we can firm up the moulds of our masks."
Claude Cahun
"I is another - and always multiple."
Claude Cahun
"The lens tracks the eyes, the mouth, the wrinkles skin deep... the expression on the face is fierce, sometimes tragic. And then calm - a knowing calm, worked on, flashy. A professional smile - and voilà!
The hand-held mirror reappears, and the rouge and the eye shadow. A beat. Full stop. New paragraph."
Claude Cahun

"Under this mask, another mask. I will never be finished removing all these faces."

Synopsis

Claude Cahun's photographic self-portraits present a dizzying kaleidoscopic mix of mystery, exuberance, and sobriety. Born in France, she lived most of her life on the island of Jersey with her stepsister and long-term love, Marcel Moore. Also known as Lucy Schwob and Suzanne Malherbe, both women adopted their preferred gender-neutral pseudonyms during early adulthood. Moore, although often invisible, was always present - typically taking the photographs and also authoring collages - and in this sense was as much artist collaborator as she was Cahun's personal support. Described in her own words as a "hunt", through a combination of text and imagery, Cahun's exploration of self is relentless and at times unsettling. From circus performer, clothed in layers of artifice, to a stripped-down Buddhist monk grounded by integrity, Cahun is engaged in an ongoing dialogue with multiplicity. Tragically in line with the fragmentary nature of her outlook, much of the artist's work was destroyed following her arrest and subsequent imprisonment for resistance against the Nazis. What remains bares interesting parallel to the title of Cahun's diaristic publication Aveux Non Avenus, translated as Disavowels, which enigmatically suggests that for all that is revealed and given, much is still hidden or has been lost.

Key Ideas

Themes of melancholy, futility, and uncertainty run deep through Cahun's career. She does not make 'complete' artworks but rather all of her photographs and writings combine to become part of a bigger and yet still unfinished whole. She says herself that she does not have the answers to her questions, and as such unusually makes visible the rawness, torment, and distress of not knowing.
The introductory question of André Breton's novel Nadja (1928), 'Who Am I?' repeats with intense scrutiny, whilst collages made with Moore reveal the same love of symmetry and prismatic vision found in the book's illustrations. In general, Cahun shares an interest in certain motifs such as hair, hands, and animal familiars (for instance, her cat) with other female Surrealists, and similarly uses techniques of doubling and reflection to call into question fixed notions of gender and identity.
Cahun's work looks forward to that of Francesca Woodman, Cindy Sherman, and Gillian Wearing. Influenced by Cahun's theatrical works, Sherman and Wearing both later explore the assumption of multiple 'masked' personas, recalling together Joan Rivière's classic paper on women who employ "womanliness as masquerade" (1929). Woodman however, followed on from Cahun's later, more organic, outdoor photographs. Entwined by seaweed, enveloped in vegetation, and submerged in water, both artists exquisitely combine eros and thanatos in the grand setting of nature.
There is an obscurity surrounding Cahun that has made her an isolated figure. In character she was an obsessive loner, and yet she was also inextricable from Moore. From 1937 onwards, moving away from the artistic circles of Paris to the remote island of Jersey, the couple became somewhat awkward, ostracized, and inaccessible. Furthermore, with much of Cahun's work destroyed in 1944, the overall body of her production became relatively small further heightening her mystery. The original works that survive are very small, as though they have been left as clues for a much bigger treasure hunt.

Biography

Claude Cahun Photo

Childhood

Claude Cahun was born as Lucy Schwob in Nantes, France, to a middle-class Jewish family in 1894. She later became Claude Cahun to appear gender neutral as an artist and as a writer. She had a brother, George, and her uncle, Marcel Schwob, was a well-known writer who was part of the Symbolist movement. Marcel Schwob was famous throughout Paris and became a good friend of Oscar Wilde. Cahun's grandfather, David Leon Cahun, was also an important intellectual figure from the Orientalist movement, and thus already in childhood the artist was immersed in a creative and intellectual environment.

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Claude Cahun Biography Continues

Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Claude Cahun
Interactive chart with Claude Cahun's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

André BretonAndré Breton
Marcel DuchampMarcel Duchamp
Hannah HöchHannah Höch
Max ErnstMax Ernst
Hans ArpHans Arp

Personal Contacts

Marcel Moore
Henri Michaux

Movements

DadaDada
SurrealismSurrealism

Influences on Artist
Claude Cahun
Claude Cahun
Years Worked: 1920 - 1954
Influenced by Artist

Artists

Gillian WearingGillian Wearing
Cindy ShermanCindy Sherman
Nan GoldinNan Goldin
Tacita Dean
Francesca WoodmanFrancesca Woodman

Personal Contacts

Marcel Moore

Movements

SurrealismSurrealism
Feminist ArtFeminist Art

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Cite this page

Content compiled and written by Anna Souter

Edited and revised, with Synopsis and Key Ideas added by Rebecca Baillie

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Anna Souter
Edited and revised, with Synopsis and Key Ideas added by Rebecca Baillie
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