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Artists Stephen Shore
Stephen Shore Photo

Stephen Shore

American Photographer

Movements and Styles: Straight Photography, Documentary Photography

Born: October 8, 1947 - New York City

Stephen Shore Timeline

Quotes

"With a painting, you're taking basic building blocks and making something that's more complex than what you started with. It is a synthetic process. A photograph does the opposite: It takes the world, and puts an order on it, simplifies it."
Stephen Shore
"A photograph has edges the world does not."
Stephen Shore
"What I derived from Warhol was a delight in our culture, a kind of ambiguous delight."
Stephen Shore
"I think that in a certain way, mine is maybe a reaction to being a strongly stated, or visually stated view, and so there is a kind of restraint in the way I worked. But also I just saw a complexity in what I was drawn to that could not be expressed simply in terms of this is bad, this is not."
Stephen Shore
"I think it is the intention of the photographer that makes one surface transparent and one opaque regardless of scale. Some are meant to be seen, I believe, just as a surface to be looked at and others you step into and enter the analytic problem of the picture."
Stephen Shore
"So much of the "taste" of a picture comes from the light or the sense of clarity or the sense of vividness. A lot of these subtler qualities have to do with the light and it is not just, is this a nice day, it is the absolute specifics of the light reflecting off this object at exactly this angle at exactly this moment."
Stephen Shore

"I'd thought about this in a certain way before - about this idea of how to make a picture look natural. In a way I deconstructed all of that over a period of years and made pictures that were almost the opposite, very intensely structured."

Stephen Shore Signature

Synopsis

Stephen Shore has achieved widespread recognition for the way in which his work has moved documentary and landscape photography beyond the monumental and newsworthy and toward explorations of everyday life and the emotions with which people see. Shore was heavily influenced by his time spent at Andy Warhol's Factory as a teenager, developing into a photographer with a persistent interest in serialization and the quotidian across a practice embracing experimentation and new technologies. Shore's best-known work, taken over the course of long drives across the United States and Canada, reconsiders the North American interior, showing these countries through overlooked details rather than romantic formulas and challenging the photographic establishment's dismissal of color through unapologetic use of bright shades and unusual tonal contrasts. In recent years, Shore has continued to innovate, exploring new forms of street photography, portraiture and the possibilities of digital cameras.

Key Ideas

Shore's photographs often appear as unstudied snapshots before revealing themselves, on closer examination, to be carefully calculated and balanced. His images show a deep consideration of framing, with lines and colors chosen to emphasize the formal qualities of the places or objects within the frame, heightening the viewer's focus.
Shore's images are structured around the experience of seeing, seeking to communicate the way in which the everyday might register to an outsider. He has regularly used his work as a form of visual diary, communicating his own experiences through his photographs. Shore's photographic choices suggest emotional states to the audience, often drawing power through the ways in which light and composition evoke feelings that the viewer cannot name.
Color, prior to Shore's use of it, was regularly dismissed by artistic photographers, who believed that it distracted audiences from considerations of form and light. It was additionally disparaged due to its connection with commercial activities, associated with advertising and the snapshots that tourists took while on holidays. Shore, along with others working at around the same time, including William Eggleston, Joel Sternfeld and Richard Misrach, used color to add depth and complexity to his images, at once questioning the established rules of the discipline and the distinctions made between the snapshot and fine art.

Biography

Stephen Shore Photo

Childhood

Stephen Shore was born in 1947 and grew up on New York City's Upper East Side. Shore was the only child of Jewish parents running a handbag company and lived a privileged existence, with annual trips to Europe and regular exposure to art and other forms of culture. He was given a darkroom set by an uncle when he was six, which he used to develop his family's snapshots, taken with a simple and inexpensive Kodak Brownie, often experimenting with different ways of printing the images using cardboard masks. Shore had little practice taking his own photographs, however, until the age of nine, when his parents bought him a 35 mm camera.

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Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Stephen Shore
Interactive chart with Stephen Shore's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

Walker EvansWalker Evans
Ed RuschaEd Ruscha
William EgglestonWilliam Eggleston
Jonas Mekas
Andy WarholAndy Warhol

Personal Contacts

Joel Sternfeld
Bernd and Hilla BecherBernd and Hilla Becher
Garry WinograndGarry Winogrand
Lee FriedlanderLee Friedlander
Dennis OppenheimDennis Oppenheim

Movements

Social RealismSocial Realism
New ObjectivityNew Objectivity
Conceptual ArtConceptual Art
Pop ArtPop Art

Influences on Artist
Stephen Shore
Stephen Shore
Years Worked: 1961 - present
Influenced by Artist

Artists

Nan GoldinNan Goldin
Andreas GurskyAndreas Gursky
Martin Parr
Joel Sternfeld
Thomas StruthThomas Struth

Personal Contacts

Bernd and Hilla BecherBernd and Hilla Becher
Gregory Crewdson
Taryn Simon
Jeff WallJeff Wall

Movements

New Topographics
New American Color Photography

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Content compiled and written by Alexandra Duncan

Edited and published by The Art Story Contributors

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Alexandra Duncan
Edited and published by The Art Story Contributors
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