Modern Movements and Styles - Full List Movements and Styles in Early and Pre-War Modern Art

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Movements and Styles in Early and Pre-War Modern Art

This section provides information about important movements, styles, tendencies, groups, and schools of Modern and Contemporary Art.

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Early and Pre-War Modern Art: 55 of 107 Total Movements
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Not relying on the usual facets of photography - focus, composition, and theme - abstract photography uses color, shade and form as its subject matter, much the way abstract painters do.

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Started: 1860

Ended: 1900

The Aesthetic Movement emerged first in Britain by a rejection of previous styles in both the fine and decorative arts, its adherents were committed to the pursuit of beauty and the doctrine of 'art for art's sake'. Believing that art had declined in an era of utility and rationalism, they claimed that art deserved to be judged on its own terms alone.

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Started: 1880

Ended: 1920

American Impressionism was a painting style borrowed from French Impressionism, practiced by artists in the US and abroad from the late-nineteenth century to the early twentieth century.

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Started: 1900

Ended: 1945

Art Deco was an eclectic style that flourished in the 1920s and '30s and influenced art, architecture and design. It blended a love of modernity - expressed through geometric shapes and streamlined forms - with references to the classical past and to exotic locations.

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Started: 1890

Ended: 1905

Art Nouveau was a movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries. Artists drew inspiration from both organic and geometric forms, evolving elegant designs that united flowing, natural forms with more angular contours.

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Started: 1860

Ended: 1920

The Arts and Crafts Movement was an international design movement that originated in Great Britain and had a strong following in the United States. It advocated truth to materials and traditional craftsmanship using simple forms and often medieval, romantic or folk styles of decoration. It also proposed economic and social reform and has been seen as essentially anti-industrial.

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Started: 1900

Ended: 1915

The Ashcan Realist artists painted in a more naturalistic and socially-engaged manner than their early American avant-garde peers.

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Started: 1830

Ended: 1870

Named after the village of Barbizon, France where the artists gathered, the group of outdoor, Naturalist painters included Jean-Baptiste Camille Corot, Theodore Rousseau, and Jean-Francois Millet.

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Started: 1919

Ended: 1933

Bauhaus is a style and movement associated with the Bauhaus school, an extremely influential art and design school in Weimar Germany that emphasized the functionality and efficiency of design alongside its material properties. Prominent teachers include Josef Albers, Walter Gropius, Wassily Kandinsky, Ludwig Mies van der Rohe, and Paul Klee.

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Started: 1909

Ended: 1940

The artists of the Bloomsbury Group were innovative British painters, designers, and art critics Bell, Grant, Wood+ breathed fresh life into the stuffy 1900's art scene.

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Started: 1915

Ended: Late 1930s

Contructivism was a movement that emerged in Revolutionary Russia among such artists as Vladimir Tatlin, Aleksander Rodchenko, Antoine Pevsner, and Naum Gabo. Celebrating 'art as machine,' it emphasized space, construction, and industrial materials.

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Started: 1907

Ended: 1922

Cubism was first developed by Pablo Picasso and Georges Braque between 1907-1911. Its classic phase has two stages: 'Analytic', in which forms seem to be 'analyzed' and fragmented; and 'Synthetic', in which foreign materials such as newspaper and wood veneer are collaged to the surface of the canvas. The style attracted many adherents, both in Paris and abroad, and it would later influence the Abstract Expressionists, particularly Willem de Kooning.

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Started: 1916

Ended: 1924

Dada emerged in the early twentieth century as a literary and artistic movement that celebrated random chance, readymade artworks, and outragous performances. Its practitioners, including Hugo Ball, Tristan Tzara, and Marcel Duchamp, scorned bourgeois conventions of high culture, especially the appreciation for artistic intention and skill.

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Started: 1917

Ended: 1931

De Stijl was an avant-garde group dedicated to isolating a single visual style that would be appropriate to all aspects of modern life, from art to design to architecture.

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Started: 1911

Ended: 1914

Der Blaue Reiter (The Blue Rider) was a group of Expressionist painters in Munich, Germany consisting principally of Wassily Kandinsky, Alexej von Jawlensky,Germans Auguste Macke, and Franz Marc. Key interests among them were the aesthetics of primitivism and spiritualism, as well as growing trends in Fauvism and Cubism, which led Kandinsky, chief among the Expressionist artists, to experiment more with abstract art.

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Started: 1905

Ended: 1913

Die Brücke (The Bridge) was a group of German Expressionist artists that banded together in Dresden in 1905. The group, which includes artists such as Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde, had a major impact on the evolution of modern art in the twentieth century and the creation of Expressionism. Die Bruke artists' used bold colors to depicts gritty scene of city life.

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Started: 1905

Ended: 1933

Expressionism is a broad term for a host of movements in early twentieth-century Germany, from Die Brücke (1905) and Der Blaue Reiter (1911) to the early Neue Sachlichkeit painters in the 20s and 30s. Many German Expressionists used vivid colors and abstracted forms to create spiritually or psychologically intense works, while others focused on depictions of war, alienation, and the modern city.

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Started: 1899

Ended: 1908

Fauvism was an early twentieth-century art movement founded by Henri Matisse and André Derain. Labeled "les fauves" or "wild beasts" by critic Louis Vauxcelles, the artists favored vibrant colors and winding gestural strokes across the canvas.

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Started: 1909

Ended: Late 1920s

Futurism developed in interwar Italy as an ideology that celebrated the speed, movement, machinery, and violence of modern times. Blending realism with collage and Cubist abstraction, its visual components include lines of force and dynamism to indicate objects moving through space.

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Started: 1826

Ended: 1870

The Hudson River School was a nineteenth century American art movement that celebrated the wilderness and great outdoors. The Hudson River School artists were influenced by the Romantics, using dramatic scenes of nature to express the American ideals of their time: discovery and exploration.

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Early and Pre-War Modern Art: 55 of 107 Total Movements

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