Important Art by Ibram Lassaw
After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. Sculpture in Steel, composed of biomorphic forms, reflects the important influence Surrealists such as Alberto Giacometti and Joan Miró had on Lassaw. This sculpture, Lassaw's first crafted from welded sheet metal, also reveals the distinct influence of Alexander Calder's mobiles. Around this time, Lassaw was also creating shadowbox sculptures and other works shaped around similar rectangular frames, beginning to develop pieces that depended on and created empty space as a structural element.
Milky Way is notable for signaling a new direction in Lassaw's mature open space style. He considered it his breakthrough sculpture. Here Lassaw was able to work without the rigid framework he had used to support more delicate organic forms. Previous efforts to work in this style has failed due to the use of structurally poor materials such as plaster and metalized compounds. The work is made from a plastic-metal paste which could be applied and shaped by a palette knife over sturdy wire before it hardened. Although this was not the most perfect material for sculpture, Milky Way still stands strong sixty-six years after it was created. Lassaw had a life long interest in all sciences and astronomy, and he used titles with cosmological references because he wanted viewers to experience the work directly without the conceptual baggage a recognizable name would have.
In 1951, after making his first sale, Lassaw was at last able to buy oxyacetylene welding equipment to create sculptures in metal. This work, which followed the morphology of his first 18 welded sculptures was created by first bending and shaping galvanized wire and then fusing molten bronze in layers to build up thickness and strength. The title, Kwannon is the Japanese name for the Buddhist Goddess of mercy and compassion.