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Artists Lee Miller
Lee Miller Photo

Lee Miller

American Photographer

Movements and Styles: Surrealism, Photojournalism

Born: April 23, 1907 - Poughkeepsie, New York

Died: July 21, 1977 - Chiddingly, East Sussex, United Kingdom

Lee Miller Timeline

Quotes

"Being a good photojournalist is a matter of getting out on a damn limb and sawing it off behind you."
Lee Miller
"It seems to me that women have a bigger chance at success in photography than men... Women are quicker and more adaptable than men. And I think they have an intuition that helps them understand personalities more quickly than men."
Lee Miller
"I want the Utopian combination of security and freedom and emotionally I need to be completely absorbed in some work or man I love."
Lee Miller
"Something crawled across my foot in the darkroom and I let out a yell and turned on the light. I never did find out that it was, a mouse or what. Then, I quickly realized that the film was totally exposed...Man [Ray] grabbed them, put them in hypo and looked at them later. He didn't even bother to bawl me out, since I was so sunk. When he looked at them, the unexposed parts of the negative, which had been the black background, had been exposed by this sharp light that had been turned on and they had developed and came right up to the edge of the white, nude body. But the background and the image couldn't heal together, so there was a line left which he called a "solarization." -Miller on the "rediscovery" of solarization
Lee Miller
"I won't be the first woman journalist in Paris, but I'll be the first dame photographer...unless someone parachutes in."
Miller at the liberation of Paris
"Paris had gone mad. The long, graceful, dignified avenues were crowded with flags and filled with screaming, cheering, pretty people. Girls, bicycles, kisses and wine, and around the corner sniping, a bursting grenade and a burning tank. The bullet holes in the windows were like jewels, the barbed wire in the boulevards a new decoration."
Lee Miller

"I looked like an angel, but I was a fiend inside."

Synopsis

Lee Miller was a female American artist who refused to be defined by her gender, beauty or age. Not content to be limited in her personal life or artistic practice, she was a model and muse to several of the great Surrealists, a photographer, actor and one of the only female war correspondents to be credentialed during WWII. Miller was a fiercely independent and bohemian woman when society was still deeply restricted by traditional gender roles, and her life and work is a staggeringly varied, innovative, and extraordinary story.

Miller's artistic practice was grounded in the medium of photography, and her unique visual style documented the sights and landscapes she encountered on her travels around the world in a manner influenced by a Surrealist eye for the uncanny or strange. She also maintained a close relationship with many other artists, particularly those resident in pre-war Paris. She performed in films by Jean Cocteau, was painted by Picasso and was muse to Man Ray during their time living together. After her experiences as a war correspondent she retired to her farm in Sussex (England) and was largely unremembered as an artist until after her death, when her son Antony Penrose rediscovered her archive. Through his establishment of the Lee Miller Archive she then began to be acknowledged as an important artist in relation to both the Surrealist movement and the development of photography as an art form.

Key Ideas

Millers photographic style combines techniques and formal qualities of Surrealism, such as the recontextualisation of the everyday, carefully manipulated framing to force new perspectives, and the unusual juxtaposition of objects and concepts. Her portrait of the Great Pyramid at Giza (Egypt), for example, is taken from the summit and consists only of its huge triangular shadow across the town below. It is undoubtedly a landscape dominated by the pyramid, but we do not see it - a decidedly surreal prospect.
This Surrealist-influenced and irreverent photographic style, particularly as it began to be deployed by Miller in her coverage of the Blitz in London, had a lasting impact on the world of fashion photography. Miller's work that appeared in British Vogue during the war often included models wearing finery amongst the destruction and dilapidation caused by bombing, a juxtaposition that has now become a familiar high-fashion trope. The commonplace image of beautiful models wearing high fashion in ruins, junkyards or against other incongruous backdrops derives significantly from Miller's pioneering work.
Miller's life and work are almost inseparable - like many Surrealists her mode of living was as much a rejection of convention as her artistic work. Miller's bohemian circle, particularly in Paris, was hedonistic and free in its attitudes to money, sex, marriage and respectability. This was doubly significant for the women who were part of the group, for whom this rejection of conventional society was made even more complete by the rigid expectations of their gender. Miller's life revolved around her artistic practice, and her artistic practice documented and reflected her extraordinary life in great detail.
The ease with which Miller's own artistic practice was forgotten until its rediscovery by her son raises questions about pervasive narratives of (male) genius, and the minimization of female contributions to the development of key artistic movements like Surrealism. Miller was both muse and artist in her own right, yet was largely overlooked in favor of her male mentors and collaborators. Her collaborations with Man Ray were often credited to him alone, for example, and their eventual break stemmed from Ray's jealousies of Lee's work, but more particularly, her relationships.

Biography

Lee Miller Photo

Childhood

Elizabeth "Lee" Miller was born in Poughkeepsie, New York. She was the middle child of Florence and Theodore Miller, a mechanical engineer and avid amateur photographer. Theodore introduced his daughter to the craft of photography, teaching her the basics using his Kodak Brownie camera. Theodore also took regular portraits of Miller throughout her early life. Along with taking photographs, she and her brothers enjoyed tinkering with machines to learn how things worked, and she had a mostly pleasant and privileged childhood in an upper-middle-class and progressive household. Her youth was marred, however, when she was raped by the guest of a family friend when she was seven. Scholars have frequently viewed her later photography through a lens tinted by this early trauma.

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Lee Miller Biography Continues

Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Lee Miller
Interactive chart with Lee Miller's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

Theodore Miller
Edward SteichenEdward Steichen
George Hoyningen-Huene

Personal Contacts

Man RayMan Ray
Max ErnstMax Ernst
Paul Elouard
Dorothea TanningDorothea Tanning
Jean CocteauJean Cocteau

Movements

Documentary PhotographyDocumentary Photography
Straight PhotographyStraight Photography
Dada and Surrealist PhotographyDada and Surrealist Photography

Influences on Artist
Lee Miller
Lee Miller
Years Worked: 1929 - 1953
Influenced by Artist

Artists

Martha RoslerMartha Rosler
Holly Davey
Michael Herz
Graeme Fidler

Personal Contacts

Man RayMan Ray
Max ErnstMax Ernst
Dorothea TanningDorothea Tanning
Joseph CornellJoseph Cornell
Leonora CarringtonLeonora Carrington

Movements

Straight PhotographyStraight Photography
Dada and Surrealist PhotographyDada and Surrealist Photography
PhotojournalismPhotojournalism

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Cite this page

Content compiled and written by Felicia Wivchar

Edited and revised, with Synopsis and Key Ideas added by Lewis Church

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Felicia Wivchar
Edited and revised, with Synopsis and Key Ideas added by Lewis Church
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