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Artists John Graham
John Graham Photo

John Graham

Ukranian-American Painter

Movements and Styles: Surrealism, Cubism, Abstract Expressionism

Born: Disputed (August 7, 1881 or 1886-1888) - Kiev, Ukraine

Died: 1961 - London, UK

John Graham Timeline

Quotes

"Abstract painting is the highest and most difficult form of painting because it requires of the artist the ability to take full stock of reality and the ability to make a departure from it."
John Graham
"Starting a painting is starting an argument in terms of canvas and paint."
John Graham
"Graham was very important and he discovered Pollock. I make that very clear. It wasn't anybody else, you know."
Willem de Kooning

Synopsis

John Graham was a Russian-born painter whose work as an organizer and writer helped bring widespread recognition to the New York School. His style was influenced by his acquaintances among the European avant-garde. He also embraced Surrealism, especially the dreamlike mystery and strange juxtaposition of objects characteristic of Giorgio de Chirico, and later the flattened forms and multiple vantage points of Cubism, drawing most heavily from the compositions of Pablo Picasso. Graham did not develop a signature style until he rejected modernism in the early 1940s; for the remaining 20 years of his career, Graham drew inspiration from Renaissance art and became devoted to painting realistic - though highly expressive - portraits of women. However, Graham's legacy within the New York School extends beyond his work as a painter. His lasting influence was in transmitting progressive ideas to younger artists in his circle and in his close friendship and role as mentor to painters like Willem de Kooning. As an early proponent of Surrealist techniques, like automatic writing, and his use of analytic Cubism's reduction of images to two-dimensional forms, his influence laid the groundwork for the development of Abstract Expressionism.

Key Ideas

Graham traveled to Europe frequently and was personally associated with members of the French avant-garde between the World Wars; he helped to spread Surrealist techniques, like automatic writing, to young American painters, including Stuart Davis and Arshile Gorky. Additionally, Graham brought back copies of Parisian journals like Cahiers d'Art, which provided American artists with their first glimpse of the groundbreaking Cubist work of their European contemporaries.
Graham was interested in African art and its connection to modern painting, especially Cubism. Graham believed that so-called "primitive" art - especially African sculpture -was free from the traditional constraints of Western art history, and through its abstraction of the forms of the natural world it revealed the "inner truth" of its subject. Graham thought that abstract painting could achieve the same expressive effect, and believed that the work of Pablo Picasso best embodied this concept; he published an influential essay called "Primitive Art and Picasso" articulating this belief in 1937.
Graham organized a major exhibition in 1942 at New York's McMillen Gallery called French and American Painters; this landmark show provided the first public exposure for Jackson Pollock and Willem de Kooning, who became the most influential painters of the New York School.
Graham's own painting was overshadowed by his work as an organizer and as a writer. His 1937 work System and Dialectics of Art defined his theory on abstract painting and proved enormously influential on the budding painters of the New York School.

Biography

John Graham Photo

Early Life

John Graham was born Ivan Gratianovich Dombrowsky in Kiev, Ukraine, to parents of minor Polish nobility. The date of his birth is disputed, though usually cited as anywhere between 1886 and 1888. After studying law, he became a cavalry officer during the First World War, winning a St. George's Cross for bravery. After the war, he supported the tsarist White Army and was consequently imprisoned by the victorious Reds. Upon his release in 1920, he immigrated to the United States with his wife and child.

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John Graham Biography Continues

Important Art by John Graham

The below artworks are the most important by John Graham - that both overview the major creative periods, and highlight the greatest achievements by the artist.

Still Life with Recorder and Cards (1923)
Artwork Images

Still Life with Recorder and Cards (1923)

Artwork description & Analysis: This painting was produced only a few years after Graham arrived in New York and began studying under John Sloan at the Art Students League. While Graham was already familiar with the work of artists like Kandinsky, Malevich and Picasso, this canvas is still representational and shows the influence of the still life work of painters like Cézanne, especially in the treatment of the folds of the tablecloth. The tablecloth, like the other objects, is arranged deliberately rather than naturally to provide an opportunity to foreground the transitions between light and shodow. Graham extends the table to the extreme lower edge of the picture plane, which flattens the composition into a series of geometric shapes, and consequently negates realistic depiction of pictorial space. As Graham's frequent transatlantic travels exposed him to the European avant-garde, his style grew significantly more abstract, and by the end of the decade his paintings strongly resembled those of Picasso.

Oil on canvas - Mark Borghi Fine Art Inc.

Iron Horse (1927)
Artwork Images

Iron Horse (1927)

Artwork description & Analysis: Iron Horse clearly reflects Graham's interest in Surrealism, in particular the work of Giorgio de Chirico. Graham aggressively incorporated the styles of the European avant-gardes whom he met on frequent trips to Paris. Here, Graham placed a horse, suggestive of a sculpture or a carousel, in a deserted streetscape of nondescript geometric buildings cast in shadows under eerie, threatening skies. Though not present in this work, Graham often arranged additional objects around the central figure that seem discordant with the setting and contribute to the surreal, dreamlike mood of the image. Graham's absorption of European trends was hardly limited to de Chirico, and though Surrealist imagery continued to influence him for decades, within a year of Iron Horse his work began to reflect a growing obsession with Picasso.

Oil on Canvas - Michael Rosenfeld Gallery

Harlequin in Gray (1928)
Artwork Images

Harlequin in Gray (1928)

Artwork description & Analysis: During the 1920s, Graham traveled frequently to Paris and absorbed the styles of its most progressive painters, turning eagerly from de Chirico to Picasso. Though Picasso had developed cubism almost twenty years earlier, Graham began his emulation of Picasso's Blue and Rose Periods, of which the Harlequin was a major figure. For Picasso, the Harlequin was a kind of alter-ego whom he painted numerous times between 1901 and 1905, and periodically for the rest of his career. In Graham's Harlequin in Gray, the artist clearly adopted the subject matter of Picasso but additionally employed some of the distinctive techniques that would characterize his own portraiture of the 1940s and 1950s. The heavily shadowed face of the Harlequin is more abstract than the Picasso characters who inspired it, for example, and Graham set the Harlequin against a sparse, almost monochromatic background interrupted by a single geometric shape, a feature common in his later work.

Oil on Canvas - The Phillips Collection

More John Graham Artwork and Analysis:



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Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
John Graham
Interactive chart with John Graham's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

André DerainAndré Derain
Paul CézannePaul Cézanne
Pablo PicassoPablo Picasso
Georges BraqueGeorges Braque
Giorgio de ChiricoGiorgio de Chirico

Personal Contacts

John SloanJohn Sloan
Stuart DavisStuart Davis
Arshile GorkyArshile Gorky

Movements

SurrealismSurrealism
FauvismFauvism
Primitive ArtPrimitive Art
CubismCubism

Influences on Artist
John Graham
John Graham
Years Worked: Years
Influenced by Artist

Artists

Adolph GottliebAdolph Gottlieb
Willem de KooningWillem de Kooning
Jackson PollockJackson Pollock
John CurrinJohn Currin

Personal Contacts

Harold RosenbergHarold Rosenberg
David SmithDavid Smith
Stuart DavisStuart Davis
Arshile GorkyArshile Gorky

Movements

Abstract ExpressionismAbstract Expressionism
MinimalismMinimalism

Useful Resources on John Graham

Books

Websites

Articles

The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.

biography

John Graham, artist and avatar

By Eleanor Green

The New York School: A Cultural Reckoning

By Dore Ashton

paintings

John Graham: Sum Qui Sum

By Harry Rand

Collection of Graham papers at the Smithsonian Recomended resource

Includes his writings, correspondences, and business documents

John Graham at the Metropolitan Museum of Art

John Graham: Sum Qui at Allan Stone Gallery Recomended resource

By James Kalm
The Brooklyn Rail
December 10, 2005

A Charismatic Artist Who Was Known for Talk

By Roberta Smith
The New York Times
December 2, 2005

John Graham

By Phong Bui
The Brooklyn Rail
August 1, 2002

John Graham: A Brilliant Scoundrel

By Viven Raynor
The New York Times
July 3, 1987

More Interesting Articles about John Graham
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Edited and published by The Art Story Contributors

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
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