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Artists Keith Haring
Keith Haring Photo

Keith Haring

American Graffiti Artist, Sculptor, and Muralist

Movements and Styles: Graffiti Art, Neo Pop Art

Born: May 4, 1958 - Reading, Pennsylvania

Died: February 16, 1990 - New York, New York

Keith Haring Timeline


"Art is life and life is art."
Keith Haring
"...I think that in a way some [critics] are insulted because I didn't need them. Even [with] the subway drawings I didn't go through any of the 'proper channels' and succeeded in going directly to the public and finding my own audience...I bypassed them and found my public without them. They didn't have the chance to take credit for what I did. They think that they have the role of finding the artist...and then teaching the public....I sort of stepped on some toes..."
Keith Haring
"The person who created these works certainly experienced his share of anxiety and euphoria, and certainly cared deeply about the connections between living things, but he also cared about the connections between color and line, open and defined space, chaos and clarity. He put all his experience of the world into his art - in the hope that he could communicate at both a visceral and intellectual level with the broadest possible audience".
Julia Gruen, Director, Keith Haring Foundation
"Keith made works that can hang in museums alongside masterpieces by Jackson Pollock and Andy Warhol and hold their own as art-historically important pieces. But there's also the art world you see on the streets, and Keith helped make that happen. He took what he learned from Warhol and connected it to street culture-punk-rock posters, graphics on sports equipment, kids' clothing, the music scene, and the club scene-and created a counter art world."
Jeffery Deitch
"He has been misunderstood by more conservative people in the art establishment who can't see past the Haring images on kids' T-shirts and knapsacks and acknowledge his drawings and paintings as works in the tradition of the modern masters. In the past few years, he has begun to be accepted and valued on a par with other major contemporary artists. But there's still a gap. You don't walk in and see a Keith Haring hanging prominently in most American museums. I think that the art establishment has a hard time reconciling someone who is a great painter or sculptor and also really embraces popular culture."
Jeffery Deitch

"In all my work there is some degree of content that is more obvious, communicating a specific or a general idea that people will get. But a lot of times the work is ambiguous enough that it can interpreted by whoever."

Keith Haring Signature


Keith Haring joined a long but sporadic lineage of 20th-century artists who brought elements of popular culture, "low art" and non-art elements into the formerly exclusive "high art" spaces of museums and galleries. He drew on the techniques and locales of street-based art such as graffiti and murals, employed bright and artificial colors, and kept imagery accessible in order to grab the eyes and minds of viewers and get them both to enjoy themselves and to engage with important concerns. Along with his artist contemporaries Jean-Michel Basquiat and Kenny Scharf, Haring opened the field of possibility for how seemingly simple and even cartoony elements by self-taught or less-schooled artists might be appreciated.

Key Ideas

Haring's deceptively simple imagery and text provided poignant and cutting cultural commentary on issues including AIDS, drug addiction, illicit love, and apartheid. As both an artist and an activist he established that depicting serious issues could be fun or at least lively when communicated through highly cartoony images and fresh and vivid choices of colors.
Haring's commitment to clean lines and simple images gave new life to figuration in painting, in contrast to the more abstract and conceptual approaches of the previous generation, and the more expressionistic gestural painting of his contemporaries.
Haring provided proof of the possibilities of using public sites that were not usually dedicated to art to share artistic and political messages to multiple audiences. He lent street art credibility and legitimacy and took it into fine art galleries and museums, inspiring a new generation of street-to-gallery artists.


Keith Haring Photo


Keith Haring was born on May 4, 1958 in Reading, Pennsylvania, but grew up in nearby Kutztown, Pennsylvania. He discovered a love for drawing at an early age, learning basic cartooning skills from his father who drew comics for a hobby. Like many children of his generation he was an admirer of the popular animation of Disney, Dr. Seuss and Looney Toons.

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Keith Haring Biography Continues

Important Art by Keith Haring

The below artworks are the most important by Keith Haring - that both overview the major creative periods, and highlight the greatest achievements by the artist.

Untitled (1982)
Artwork Images

Untitled (1982)

Artwork description & Analysis: One of his early works, this radiant heart-love motif would show up in many paintings and drawings throughout the rest of his career. This innocent yet controversial image of two men in love is mild in comparison with Haring's later sexually explicit images., but the boldness of representing homosexual love at this point in time was already a significant statement and a marked achievement in the larger cultural realm. As his art career unfolded, and his confidence grew, it gave him the courage to generate more sexually explicit images of gay figures and scenes. In the above image, two people are depicted in love, with Haring's often-used lines of energy emphasizing this euphoric state as much as the kinetic movement of these figures' bodies in space. This image in many ways distills the optimistic attitude of Haring, who was, at heart, in many ways a Romantic, believing in humanity and the power of love.

Visually, the image is classic Haring in its flat, two-dimensional surface, cartoon-like simplicity and the use of vibrant, saturated colors. He often outlined his characters and scenes with thick black lines reminiscent of many earlier modern artists (such as Picasso), as well as from the Pop art movement (Warhol), in addition to Haring's contemporaries the 1980s New York City graffiti artists. Haring used vibrant lines in and around his subjects to convey energy, both positive and negative. Some attribute his adoption of this visual sign to the influence of Hip Hop music, where the visual imagery of dark lines was used to represent the impact of sound on listeners.

Acrylic on Vinyl - Brooklyn Museum Exhibit 2012

Untitled (1984)
Artwork Images

Untitled (1984)

Artwork description & Analysis: A more graphic appreciation of the male form, this distorted rendering of a single large male figure gripping his own enormous, life-engendering penis suggests as much ambivalence as affirmation. The seemingly full-grown "offspring" of smaller figures spurt out of the phallic shape and fall precariously to earth, while the head of the main figure with its almost cubistically offset features is curled behind its own back to snap fiercely, mouth open, at that backside. The large size (114 x 157 inches) carries forward Haring's approach to the spectacular, immersive, larger-than-life outdoor mural into the wall-hung interior medium of drawing on paper. This sort of portrayal by Haring of not male nudity and sexuality helped usher in an era where previously taboo subjects could be brought forcefully to viewer's attention in both bold and nuanced ways. Haring's artistic productions called for radical new cultural possibilities and greatly expanded social understanding.

Acrylic On Paper

Free South Africa (1985)
Artwork Images

Free South Africa (1985)

Artwork description & Analysis: Free South Africa was a political response to the conditions of apartheid that still existed in South Africa. The black figure is intentionally much larger than the white figure to express the irony of a post-colonial era where a white minority continued to suppress the majority native black population. The use of black lines makes for a sense of dynamic movement of the figures. Black outlines also express a heightened awareness of more psychologically charged elements - like the aura hovering around the restraining collar around the neck of the black figure.

Popular protest poster campaigns by artists such as Haring, using accessible images that lent themselves to circulation in posters, t-shirts and postcards. combined with world-wide public pressure from celebrities, politicians, and citizens, to raise awareness and influence change in South Africa. This wave of protests eventually led to Nelson Mandela - the lawyer/activist and 30-year prisoner of the South African Government - to be released from jail and elected president. Almost a decade later President Mandela ended apartheid for good in 1994.

Editions Poster

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Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Keith Haring
Interactive chart with Keith Haring's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart


Pierre AlechinskyPierre Alechinsky
Pablo PicassoPablo Picasso
Joan MirĂ³Joan MirĂ³
Andy WarholAndy Warhol

Personal Contacts

Jean-Michel BasquiatJean-Michel Basquiat
Kenny ScharfKenny Scharf
Andy WarholAndy Warhol


Graffiti ArtGraffiti Art

Influences on Artist
Keith Haring
Keith Haring
Years Worked: Late 1970s-1990
Influenced by Artist


Kenny ScharfKenny Scharf
Matt GroeningMatt Groening
Shepard FaireyShepard Fairey

Personal Contacts

Jeffrey DeitchJeffrey Deitch
Kenny ScharfKenny Scharf


Graffiti ArtGraffiti Art
Neo Pop ArtNeo Pop Art

Useful Resources on Keith Haring






The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.


Keith Haring (2014) Recomended resource

By Jeffrey Deitch

Keith Haring (2008)

By Elisabeth Sussman

written by artist

Keith Haring - Journals (2010) Recomended resource

By Keith Haring

Body Language: Keith Haring and the Renaissance of Figurative Painting in the Eighties Recomended resource

By Andreas Schalhorn

Keith Haring Paints the Berlin Wall

NY Times
October 24, 1986

Haring & Warhol

By Chris Barsanti
November 6, 2008

Keith Haring: Rebel With Many Causes Recomended resource

By David Galenson
The Huffington Post
July 17, 2013

More Interesting Articles about Keith Haring
Keith Haring: The Message (6 parts) Recomended resource

Context and Overview of Haring including footage of Keith painting

From the archives: Keith Haring was here Recomended resource

Shown on CBS Evening News on October 20, 1982

Kenny Scharf on Keith Haring

Panel Discussion: Keith Haring's Artistic Language

Brooklyn Museum's Exhibit: Keith Haring: 1978-1982

More Interesting Videos with Keith Haring
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Edited and published by The Art Story Contributors

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