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Movements, Styles, and Tendencies Classical Greek and Roman Art and Architecture
Classical Greek and Roman Art and Architecture Collage

Classical Greek and Roman Art and Architecture

Started: 8th Century BCE

Ended: 393 CE

Classical Greek and Roman Art and Architecture Timeline

Quotes

"I found Rome a city of bricks and left it a city of marble."
Augustus
"Art has no end but its own perfection."
Plato
"The aim of art is to represent not the outward appearance of things, but their inward significance."
Aristotle
"Art is identical with a state of capacity to make, involving a true course of reasoning."
Aristotle
"Art not only imitates nature, but also completes its deficiencies."
Aristotle
"The statue must render the action of the soul equally with bodily form"
Socrates
"In the conquest of the Greeks they in return conquered the conquerors."
Virgil
"We are all Greeks. Our laws, our literature, our religion, our arts have their root in Greece."
Percy Bysshe Shelley
"Man is the measure of all things."
Protagoras

"The right thing is achieved by small steps."

Polycleitus

Synopsis

Classical art encompasses the cultures of Greece and Rome and endures as the cornerstone of Western civilization. Including innovations in painting, sculpture, decorative arts, and architecture, classical art pursued ideals of beauty, harmony, and proportion, even as those ideals shifted and changed over the centuries. While often employed in propagandistic ways, the human figure and the human experience of space and their relationship with the gods were central to classical art.

Over the span of almost 1200 years, ideals of human beauty and proportion occupied art's subject. Variations of those ideals were later adopted during the Renaissance in Italy and again during the 18th and 19th century Neoclassical trend throughout Europe. Connotations of moral virtue and stability clung to classical art, making it attractive to new nations and republics trying to find an aesthetic vocabulary to convey their power, while, later, in the 20th century it came under attack by modern artists who sought to disrupt and overturn power and traditional ideals.

Key Ideas

The idealized human form soon became the noblest subject of art in Greece and was the foundation for a standard of beauty the dominated many centuries of Western art. The Greek ideal of beauty was grounded in a canon of proportions, based on the golden ratio and the ratio of lengths of body parts to each other, which governed the depictions of male and female figures.
While ideal proportions were paramount, classical art strove for ever greater realism in anatomical depictions. This realism also came to encompass emotional and psychological realism that created dramatic tensions and drew in the viewer.
Greek temple designs started simply and involved into more complex and ornate structures, but later architects translated the symmetrical design and columned exterior into a host of governmental, educational, and religious building over the centuries to convey a sense of order and stability.
Perhaps a coincidence, but just as increased archaeological digs turned up numerous examples of Greek and Roman art, the field of art history was being developed as a scientific course of study by the likes of Johann Winkelmann. Winkelmann, often considered the father of art history, based his theories of the progression of art on the development of Greek art, which he largely knew only from Roman copies. Since the middle of the 18th century, art historical and classical tradition have been intimately entwined.
While Greek and Roman sculpture and ruins are linked with the purity of white marble in the Western mind, most of the works were originally polychrome, painted in multiple, lifelike colors. 18th-century excavations unearthed a number of sculptures with traces of color, but noted art historians dismissed the findings as anomalies. It was only in the late 20th century that scholars accepted that life-size statues and entire temple friezes were, in fact, brightly painted with numerous colors and decorations, raising many new questions about the assumptions of Western art history and revealing that centuries of classical imitations were not in fact imitations but rather based on nostalgic ideals of the past.

Beginnings

Classical Greek and Roman Art and Architecture Image

Mycenaean Influences 1600-1100 BCE

Considered the first Greeks, the Mycenaeans had a lasting influence on later Greek art, architecture, and literature. A bronze age civilization that extended through modern day southern Greece as well as coastal regions of modern day Turkey, Italy, and Syria, Mycenaea was an elite warrior society dominated by palace states. Divided into three classes - the king's attendants, the common people, and slaves - each palace state was ruled by a king with military, political, and religious authority. The society valorized heroic warriors and made offerings to a pantheon of gods. In later Greek literature, including Homer's The Iliad and The Odyssey, the exploits of these warriors and gods engaged in the Trojan War had become legendary and, in fact, appropriated by later Greeks as their founding myths.

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Classical Greek and Roman Art and Architecture Overview Continues

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Content compiled and written by Rebecca Seiferle

Edited and published by The Art Story Contributors

" Movement Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Rebecca Seiferle
Edited and published by The Art Story Contributors
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