Born: February 23, 1931 - Cincinnati, Ohio
Died: December 17, 2004 - New York City
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"I find sometimes I get so excited working, especially when starting new ideas; I get so excited that I get uncomfortable. It almost feels dangerous, like I'm flirting with something dangerous."
Summary of Tom Wesselmann
Initially a cartoonist for men's magazines, Tom Wesselmann reduced the classical female nude to her essential components: lips, nips and pubes. His Venuses have tan lines. Cigarettes dangle from their rocket-red mouths. Their crisp outlines resonate with the immediacy of a neon sign. Like the nudes of Titian, Velasquez, or Rubens, Wesselmann's mid-century modern nudes sprawl across furniture in suggestive poses, awaiting a lover the viewer naturally assumes is him. Wesselmann's chief interest was not to draw attention to the subject, but "to make figurative art as exciting as abstract art." He succeeded brilliantly at this, and his work engages our senses - as Jim Dine told him before Wesselmann's first show in New York, "You may be one of America's great painters."
Key Ideas
Wesselmann was born in Cincinnati, Ohio on February 23, 1931. While little about his early years is a matter of public record, he has stated emphatically that his hometown was not a place he felt he could develop as an artist: "Cincinnati was a negative influence on me as far as art is concerned. In Cincinnati, I was unaware of the existence of art. I thought all artists painted like Norman Rockwell." Elsewhere, he elaborated, "You can look back and see how dreadfully commonplace I was." He would not develop a particularly strong interest in art until well into adulthood.
Important Art by Tom Wesselmann | |
 Artwork Images | Great American Nude #21 (1961)Artwork description & Analysis: Wesselmann's earliest and best-known series positions a time-honored theme in juxtaposition with contemporary signs of consumer culture and politics. After a dream concerning the phrase "red, white, and blue", he decided to paint nudes in this patriotic palette, incorporating gold and khaki (colors with military overtones). This resulted in the series now known as the "Great American Nudes." Over-the-top patriotic decor introduces a comic element (the insistent red white and blue palette, star and stripe motifs on the wall, red curtain, and blue and white sheets. On the wall behind her is a portrait of the recently elected President John F. Kennedy (a magazine clipping). Wesselmann's then-girlfriend, later-wife Claire Selley modeled for this painting. Casein, Enamel, Graphite, Printed Paper, Fabric, Linoleum and Embroidery on Board - Mugrabi Collection / Estate of Tom Wesselmann |
 Artwork Images | Still Life #35 (1963)Artwork description & Analysis: Though Wesselmann rejected the label of Pop art, this piece is an iconic work of the 1960s that fits squarely within the movement. Pop art consciously moved away from the Abstract Expressionism of the 1950s, instead embracing cultural specificity. From just a glance, we know this is an image of mid-20th century America. Yet it also references traditional European still lifes that depicted commonplace objects - fruit, vegetables, or flowers - in a manner that highlighted their unique beauty. In this canvas, Royal Crown cola, factory-made white bread, canned stew, and a packet of cigarettes appear in brilliant colors on a table with a striped cloth. On the left, a window affords us a view of a commercial jet soaring over an emerald sea against a clear blue sky. Almost all of the goods are cheap, generic foods, manufactured and packaged with distinct branding and logos. Even the lemons, with their artificial hue, seem as though they could have been produced in a factory. A literal feast for the eyes, this painting allows us to indulge in the fantasy that all these things taste as good as they look. Oil and Collage on Canvas - Estate of Tom Wesselmann |
 Artwork Images | Smoker, 1 (Mouth, 12) (1967)Artwork description & Analysis: Wesselmann began his series of Mouth paintings in 1965. This large canvas depicts a monumental mouth with a cigarette dangling from the lower lip. A large trail of gray smoke wafts from the tip, and the full red lips contrasts sharply with the white teeth. The image is at once inviting, remote, and unsettling, and everything is too perfect to be real. In its focus on one part of the body, this enhances the element of fetishism present in Wesselmann's earlier work. He would continue this line of inquiry into the 1970s in both his Smoker Study and Seascapes series - in which a single body part, such as a foot or breast, is the primary focus of the composition. Oil on canvas, in two parts - Metropolitan Museum of Art |
More Tom Wesselmann Artwork and Analysis:
Influences and Connections
Artists
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Influences on Artist
Artists
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Content compiled and written by Jen Glennon
Edited and revised, with Synopsis and Key Ideas added by Ruth Epstein
" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Jen Glennon
Edited and revised, with Synopsis and Key Ideas added by Ruth Epstein
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First published on 22 Mar 2016. Updated and modified regularly. 
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