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Artists Kara Walker
Kara Walker Photo

Kara Walker

American Artist

Movement: Conceptual Art

Born: 26 November, 1969 - Stockton, California

Kara Walker Timeline

Quotes

"I make art for anyone who's forgot what it feels like to put up a fight..."
Kara Walker
"One theme in my artwork is the idea that a Black subject in the present tense is a container for specific pathologies from the past and is continually growing and feeding off those maladies."
Kara Walker
"I never learned how to be adequately black. I never learned how to be black at all."
Kara Walker
"The whole gamut of images of black people, whether by black people or not, are free rein my mind...They're acting out whatever they're acting out in the same plane: everybody's reduced to the same thing. They would fail in all respects of appealing to a die-hard racist. The audience has to deal with their own prejudices or fear or desires when they look at these images."
Kara Walker
"I have no interest in making a work that doesn't elicit a feeling."
Kara Walker
"I really love to make sweeping historical gestures that are like little illustrations of novels."
Kara Walker

"I think really the whole problem with racism and its continuing legacy in this country is that we simply love it. Who would we be without the 'struggle'?"

Synopsis

Fresh out of graduate school, Kara Walker succeeded in shocking the nearly shock-proof art world of the 1990s with her wall-sized cut paper silhouettes. At first, the figures in period costume seem to hearken back to an earlier, simpler time. That is, until we notice the horrifying content: nightmarish vignettes illustrating the history of the American South. Drawing from sources ranging from slave testimonials to historical novels, Kara Walker's work features mammies, pickaninnies, sambos and other brutal stereotypes in a host of situations that are frequently violent and sexual in nature. Initial audiences condemned her work as obscenely offensive, and the art world was divided about what to do. Was this a step backward or forward for racial politics? Several decades later, Walker continues to make audacious, challenging statements that question and challenge. From her breathtaking and horrifying silhouettes to the enormous crouching sphinx cast in white sugar and displayed in an old sugar factory in Brooklyn, Walker demands that we examine the origins of racial inequality, in ways that transcend black and white.

Key Ideas

Kara Walker is essentially a history painter (with a strong subversive twist). She almost single-handedly revived the grand tradition of European history painting -creating scenes based on history, literature and the bible, making it new and relevant to the contemporary world. Walker's grand, lengthy, literary titles alert us to her appropriation of this tradition, and to the historical significance of the work.
Walker's form - the silhouette - is essential to the meaning of her work. It is a potent metaphor for the stereotype, which, as she puts it, also "says a lot with very little information." The silhouette also allows Walker to play tricks with the eye. There is often not enough information to determine what limbs belong to which figures, or which are in front and behind, ambiguities that force us to question what we know and see.
Walker's images are really about racism in the present, and the vast social and economic inequalities that persist in dividing America. More like riddles than one-liners, these are complex, multi-layered works that reveal their meaning slowly and over time.
While Walker's work draws heavily on traditions of storytelling, she freely blends fact and fiction, and uses her vivid imagination to complete the picture.

Biography

Kara Walker Photo

Childhood

A painter's daughter, Walker was born into a family of academics in Stockton, California in 1969, and grew interested in becoming an artist as early as age three. When her father accepted a position at Georgia State University, she moved with her parents to Stone Mountain, Georgia, at the age of 13. In sharp contrast with the widespread multi-cultural environment Walker had enjoyed in coastal California, Stone Mountain still held Klu Klux Klan rallies. At her new high school, Walker recalls, "I was called a 'nigger,' told I looked like a monkey, accused (I didn't know it was an accusation) of being a 'Yankee.'" Walker felt unwelcome, isolated, and expected to conform to a stereotype in a culture that did not seem to fit her. She escaped into the library and into books, where illustrated narratives of the South helped guide her to a better understanding of the customs and traditions of her new environment.

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Kara Walker Biography Continues

Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Kara Walker
Interactive chart with Kara Walker's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

Adrian PiperAdrian Piper
Andy WarholAndy Warhol
Otto DixOtto Dix

Personal Contacts

Chuck CloseChuck Close

Movements

Pop ArtPop Art
Conceptual ArtConceptual Art
SurrealismSurrealism

Influences on Artist
Kara Walker
Kara Walker
Years Worked: 1987 - present
Influenced by Artist

Artists

Clifford OwensClifford Owens
Wangechi MutuWangechi Mutu

Personal Contacts

Mickalene ThomasMickalene Thomas

Movements

Conceptual ArtConceptual Art

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Cite this page

Content compiled and written by Janet Oh

Edited and revised, with Synopsis and Key Ideas added by Ruth Epstein

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Janet Oh
Edited and revised, with Synopsis and Key Ideas added by Ruth Epstein
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