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Artists Gary Hume
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Gary Hume

British Painter

Movements and Styles: Young British Artists, Post-Minimalism

Born: 9 May 1962 - Tenterden, Kent, England

Gary Hume Timeline

Quotes

"People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's."
Gary Hume
"One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image."
Gary Hume
"I don't make political work. I don't make work that criticises the state. I make as human work as I can."
Gary Hume
"It's not part of my ambition to become fabulously rich. My plan was always to make my pictures, and hopefully people would buy them, and then I'd buy a studio, buy a house, help friends out, do bits and bobs - but I've no idea after that."
Gary Hume
"I want to paint something that's gorgeous, something that's perfect. So that it's full of sadness."
Gary Hume
"I'd like to give people leaden boots in galleries, so they'd be a bit slower in front of my paintings. And that's because I spend so much time looking at them. I can look at them a long, long time without getting bored. I disappear."
Gary Hume
"I like things that are just about to go. Everything's leaving. Death is never far away from me. When you make something, death can't help but be in it."
Gary Hume
"If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is."
Gary Hume
"Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space."
Gary Hume
"I'm more and more fascinated in my own work. I work from 10 A.M. until about 9 P.M., but it's not an obsession, it's a pleasure. There's never enough time."
Gary Hume
"Sometimes I can see the whole painting from the outset in my mind's eye. But more often than not, that idea doesn't last the duration of the painting. Sometimes it comes out easy, just as I had envisaged. But that is reasonably rare."
Gary Hume
"The door paintings ... they aren't really a door, they are a couple meeting in a hospital corridor, knowing that one of them is going to die."
Gary Hume
"Line and colour are crucial."
Gary Hume
"Sometimes if I run out of colour I will go into a litter bin and grab the litter and then go and make all those colours."
Gary Hume
"I wanted to make a painting love light - I don't paint light, I don't do light effects, but I want it."
Gary Hume
"But ... in the end it's what the painting looks like ... I'm a slave to it."
Gary Hume
"It's the great pleasure and pain of life that you really are stuck as yourself and however much you wish you were capable of making someone else's work, you can't. So you don't."
Gary Hume

"A painting should be tough; it should have muscle, but I have to find some tenderness in it, too. There has to be that dynamic."

Synopsis

Gary Hume is a British artist whose membership of the notorious Young British Artists (YBA) movement in the 1990s first brought his paintings to public attention. But unlike several of his YBA contemporaries, Hume avoided much of the extreme partying and tabloid notoriety that characterised the movement throughout the decade by preferring to focus on the development of his abstract, minimal, and often wryly narrative visual artworks. Using broad planes of colour and household gloss paint to suggest familiar objects (such as hospital doors), his artwork came to be championed by international art dealers like Charles Saatchi as an innovative contemporary minimalism.

Hume later moved away from this established and commercially successful abstract formula in order to explore new modes of representation, foregrounding more recognizable objects and imagery within his paintings and branching out into sculpture and photography. No matter what the medium though, Hume's work uses abstraction to ask subtle questions about the world around his viewers, the cultures invisible to those embedded within them, and the nature of visual representation.

Key Ideas

Hume's work is inherently postmodern in its influence by, and combination of aspects of, several different art-historical precedents. It combines ideas of audience engagement and relation with the art object drawn from early 20th century Minimalism, images of recognisable and familiar objects that reflect Pop Art, and formal aesthetic experimentation and visual subversion with roots in the Op-Art and Neo-Geo artistic movements.
The choice of materials in Hume's work is both technical and conceptual. Through industrial and household gloss paint, the materials most often associated with his practice, he is able to reproduce a high depth of color field and shine, allowing the viewer to see themselves literally reflected within his abstract paintings. But these paints also suggest industrial activity and institutional conformity, as well as accessibility and familiarity. They therefore embody conceptually ideas that Hume represents abstractly, such as the ubiquity of institutional design (as in his images of hospital doors).
Hume produces art in easily discernible series of work, creating a number of pieces that adhere to a particular set of rules or formal principles before abandoning those in favour of his next project series. This process of focused experimentation and development has remained characteristic of his activity since his time as a student at Goldsmiths University in the 1990s.
Related to this process is Hume's remarkably driven and un-self-conscious character, producing artworks with little regard for fashion or commercial success. This is most apparent in his early commitment to abstract painting, but also to his later move away from it. Hume has throughout his career shifted gears, embarking on new projects outside of the strict limits he had previously placed on himself and often against the advice of gallerists or peers.

Biography

Gary Hume Photo

Childhood

Gary Hume was born in 1962 in Tenterden, a leafy middle-class town near Ashford in the English county of Kent. He says that he often felt attuned to the natural rhythms of the countryside around him, recalling, "I love to see a wood full of bluebells. Growing up in the Kent countryside, I have special memories of this brief annual spectacle." He was the second youngest in a family of five siblings, raised by his mother alone, after his father left when Hume was 18 months old. His mother worked as a National Health Service (NHS) surgery manager but also had a love for art and poetry. As Hume recalls, "My mum always liked poetry, and she had pictures on the wall, so there was this visual stuff around."

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Gary Hume Biography Continues

Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Gary Hume
Interactive chart with Gary Hume's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

Andy WarholAndy Warhol
Donald JuddDonald Judd
Julian SchnabelJulian Schnabel
Brice MardenBrice Marden
Michael Craig-MartinMichael Craig-Martin

Personal Contacts

Sarah LucasSarah Lucas
Damien HirstDamien Hirst
Fiona Rae
Tracey EminTracey Emin
Rachel WhitereadRachel Whiteread

Movements

Neo-GeoNeo-Geo
MinimalismMinimalism
Neo-ExpressionismNeo-Expressionism
Young British ArtistsYoung British Artists

Influences on Artist
Gary Hume
Gary Hume
Years Worked: 1988 - Current
Influenced by Artist

Artists

Ian Davenport
Tony Swain
Jim Lambie
Elizabeth PeytonElizabeth Peyton
Chantal Joffe

Personal Contacts

Peter DoigPeter Doig
Jenny SavilleJenny Saville
Fiona Rae
Michael LandyMichael Landy
Matthew BarneyMatthew Barney

Movements

Post-MinimalismPost-Minimalism
The Glasgow Miracle
Second Wave YBAs

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Cite this page

Content compiled and written by Rosie Lesso

Edited and revised, with Synopsis and Key Ideas added by Lewis Church

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Rosie Lesso
Edited and revised, with Synopsis and Key Ideas added by Lewis Church
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