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Pictorialism Collage

Pictorialism

Started: 1885

Ended: 1915

Pictorialism Timeline

Quotes

"What is focus and who has the right to say what focus is the legitimate focus?"
Julia Margaret Cameron
"Beauty, you're under arrest. I have a camera, and I'm not afraid to use it."
Julia Margaret Cameron
"It must be confessed that it takes considerable skill to produce the best kind of lies. It is in the hands of first-class photographers only - and perhaps the indifferent ones - that photography can lie."
Henry Peach Robinson
"In photography there is a reality so subtle that it becomes more real than reality."
Alfred Stieglitz
"A portrait is not made in the camera but on either side of it."
Edward Steichen
"A work of art must be a transcription, not a copy, of nature..."
Robert Demachy

KEY ARTISTS

Julia Margaret CameronJulia Margaret Cameron
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George DavisonGeorge Davison
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Alfred StieglitzAlfred Stieglitz
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Clarence WhiteClarence White
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Robert DemachyRobert Demachy
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Edward SteichenEdward Steichen
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"As music is only sound under governance of certain laws, so is pictorial effect only the combination of certain forms and lights and shadows in like manner harmoniously brought together."

Henry Peach Robinson

Synopsis

Pictorialists took the medium of photography and reinvented it as an art form, placing beauty, tonality, and composition above creating an accurate visual record. Through their creations, the movement strove to elevate photography to the same level as painting and have it recognized as such by galleries and other artistic institutions. Photography was invented in the late 1830s and was initially considered to be a way in which to produce purely scientific and representational images. This began to change from the 1850s when advocates such as the English painter William John Newton suggested that photography could also be artistic.

Although it can be traced back to these early ideas, the Pictorialist movement was at its most active between 1885 and 1915 and during its heyday it had an international reach with centers in England, France, and the USA. Proponents used a range of darkroom techniques to produce images that allowed them to express their creativity, utilizing it to tell stories, replicate mythological or biblical scenes, and to produce dream-like landscapes. There is no straightforward definition of what a Pictorialist photograph is, but it is usually taken to mean an image that has been manipulated in some way to increase its artistic impact. Common themes within the style are the use of soft focus, color tinting, and visible manipulation such as composite images or the addition of brushstrokes.

Key Ideas

Pictorialism was closely linked to prevailing artistic movements, as the photographers took inspiration from popular art, adopting its styles and ideas to demonstrate parity between it and photography. Movements that were particularly influential were Tonalism, Impressionism and, in some instances, Victorian genre painting.
Pictorialists were the first to present the case for photography to be classed as art and in doing so they initiated a discussion about the artistic value of photography as well as a debate about the social role of photographic manipulation. Both of these matters are still contested today and they have been made ever more relevant in the last decades through the increasing use of Photoshop in advertising and on social media.
The movement led to great innovation in the field of photography with a number of the photographers associated with it responsible for developing new techniques to further their artistic vision. This laid the foundations for later advances in color photography and other technical processes.

Beginnings

Pictorialism Image

Early Pioneers

Early photographers such as Julia Margaret Cameron, David Octavius Hill, and Robert Adamson greatly influenced the development of Pictorialism. Hill, who was a successful painter of Romantic landscapes, worked with Adamson, a photographer and printer, between 1843 and 1847, to make over 1500 portraits of people in Newhaven, a small British fishing village. The portraits were compared by some critics of the time to those of Rembrandt. Alfred Stieglitz later dubbed Hill "the father of pictorial photography" and featured his and Adamson's photographs in his publications and at the Little Galleries of the Photo-Secession in 1906.

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Pictorialism Overview Continues

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Cite this page

Content compiled and written by Rebecca Seiferle

Edited and revised, with Synopsis and Key Ideas added by Kate Stephenson

" Movement Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Rebecca Seiferle
Edited and revised, with Synopsis and Key Ideas added by Kate Stephenson
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