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Artists Julia Margaret Cameron
Julia Margaret Cameron Photo

Julia Margaret Cameron

British Photographer

Movements and Styles: The Pre-Raphaelites, Pictorialism

Born: June 11th, 1815 - Calcutta, British India

Died: January 26th, 1879 - Kalutara, British Ceylon

Julia Margaret Cameron Timeline

Quotes

"The capacity for delight is the gift of paying attention."
Julia Margaret Cameron
"What is focus and who has the right to say what focus is the legitimate focus?"
Julia Margaret Cameron
"From the first moment I handled my lens with a tender ardour."
Julia Margaret Cameron
"Beauty, you're under arrest. I have a camera, and I'm not afraid to use it."
Julia Margaret Cameron
"People frequently believe the creative life is grounded in fantasy. The more difficult truth is that creativity is grounded in reality, in the particular, the focused, the well observed or specifically imagined."
Julia Margaret Cameron
"When we are angry or depressed in our creativity, we have misplaced our power. We have allowed someone else to determine our worth, and then we are angry at being undervalued."
Julia Margaret Cameron
"The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all."
Julia Margaret Cameron
"The capacity for delight is the gift of paying attention."
Julia Margaret Cameron
"When I have had such men before my camera my whole soul has endeavoured to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer."
Julia Margaret Cameron
"My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the real and Ideal and sacrificing nothing of the Truth by all possible devotion to Poetry and beauty."
Julia Margaret Cameron
"Art is born in attention. Its midwife is detail."
Julia Margaret Cameron

"Growth is a spiral process, doubling back on itself, reassessing and regrouping."

Synopsis

Julia Margaret Cameron was a mighty talent with a mighty heart; her photographs typically have a soft focus whilst her mind and eye have an acute sharpness, the combination of which created a pioneering quality in her work that still endures today. Unlike other early practitioners of the medium, Cameron did not seek technical perfection in her work as a means to "capture" or document reality. She appreciated the scientific processes behind her pursuit but privileged instead the creation of an otherworldly sense of beauty using props, allegory, and slight blurriness. As such, Cameron was intensely aware that she was an 'artist', trying ultimately to expose the emotional internal lives of her sitters. At the time, her experimental style was better received by the Pre-Raphaelite painters than by fellow Victorian photographers. Surrounded by impressive figures, mostly men, Cameron photographed them accordingly with great respect but rejected hierarchy and gave equal attention and importance to passing strangers, children, and nursing mothers.

Key Ideas

Cameron has become an influential mother-figure for subsequent generations of modern and contemporary photographers with particular interest in making images born out of heightened levels of communication. Following the creation of spaces of trust, consent, and reciprocity it is arguably possible to make more sensitive and revealing portraits, particularly of children. Such was also the endeavour of Diane Arbus, Dorothea Lange, and Sally Mann.
The notion of showing something of the reflective inner life of the sitter - an interest in the unconscious, the dream, and the imagination as the vehicles through which to explore identity - are the founding principles of Surrealism. Photographers Duane Michals and Francesca Woodman inherit Cameron's use of soft focus, shadow, and the trace as devices to highlight the more magical and ethereal aspects of human existence.
Cameron upheld a long-term relationship with Sir Henry Cole, the director/curator of the South Kensington Gallery (now the V&A museum), and was even given a studio space in the gallery from 1868 qualifying her as the gallery's first artist in residence. She was at the epicentre an intellectual and artistic movement (connected to the Pre-Raphaelites) and this was unusual for a British woman at the time.
Due to her interest in experimenting with special characteristics particular to the medium (for example long exposure and soft focus), Cameron's oeuvre supports key theoretical debates surrounding the relationship between photography and time. Her photographs are now interestingly discussed in the context of the Belgian professor, Thierry de Duve's essay, 'Time Exposure and Snapshot', Walter Benjamin's concept of 'aura', and Roland Barthes' poetic discussions on the "punctum" of an image.

Biography

Julia Margaret Cameron Photo

Childhood

Julia Margaret Cameron was born in 1815 in Calcutta, India. She was the second of seven sisters, born into a wealthy, highly cultured, and well-educated family. Her father James Pattle was a well-respected official working for the East India Company. Her mother, Adeline Pattle was the daughter of French Royalists. As such, Cameron and her sisters spent their youth between India, Versailles, and England. All of the Pattle sisters were known for being vivacious and witty aesthetes, often noticed and commented upon for their unusual beauty and candor.

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Julia Margaret Cameron Biography Continues

Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
Julia Margaret Cameron
Interactive chart with Julia Margaret Cameron's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

Dante Gabriel RossettiDante Gabriel Rossetti
William Holman HuntWilliam Holman Hunt

Personal Contacts

George Frederick Watts
John Herschel
Alfred, Lord TennysonAlfred, Lord Tennyson

Movements

The Pre-RaphaelitesThe Pre-Raphaelites

Influences on Artist
Julia Margaret Cameron
Julia Margaret Cameron
Years Worked: 1863 - 1879
Influenced by Artist

Artists

Gertrude Käsebier
Heinrich Kühn
Dorothea LangeDorothea Lange
Francesca WoodmanFrancesca Woodman

Personal Contacts

Oscar Rejlander

Movements

PictorialismPictorialism
Modern PhotographyModern Photography
Contemporary Photography

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Content compiled and written by The Art Story Contributors

Edited and revised, with Synopsis and Key Ideas added by Rebecca Baillie

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by The Art Story Contributors
Edited and revised, with Synopsis and Key Ideas added by Rebecca Baillie
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