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Movements, Styles, and Tendencies Post-Painterly Abstraction
Post-Painterly Abstraction Collage

Post-Painterly Abstraction

Started: Early 1950s

Ended: Mid 1970s

Post-Painterly Abstraction Timeline

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Helen FrankenthalerHelen Frankenthaler
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Morris LouisMorris Louis
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Kenneth NolandKenneth Noland
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Jules OlitskiJules Olitski
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Frank StellaFrank Stella
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"A picture is a flat surface with paint on it - nothing more."

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Summary

Post-painterly abstraction is a broad term that encompasses a variety of styles that evolved in reaction to the painterly, gestural approaches of some Abstract Expressionists. Coined by Clement Greenberg in 1964, it originally served as the title of an exhibition that included a large number of artists who were associated with various tendencies, including color field painting, hard-edge abstraction, and the Washington Color School.

Key Ideas

Greenberg believed that, during the early 1950s, Abstract Expressionism (or, as he preferred to call it, "Painterly Abstraction") had degenerated into a weak school, and, in the hands of less talented painters, its innovations had become nothing but empty devices. But he also believed that many artists were advancing in some of Abstract Expressionism's more fruitful directions - principally those allied to color field painting - and these were yielding to a range of new tendencies that he described as "post-painterly."
Greenberg characterized post-painterly abstraction as linear in design, bright in color, lacking in detail and incident, and open in composition (inclined to lead the eye beyond the limits of the canvas). Most importantly, however, it was anonymous in execution: this reflected the artists' desire to leave behind the grandiose drama and spirituality of Abstract Expressionism.
Some critics, including Clement Greenberg and Barbara Rose, remarked on the decorative character of some post-painterly abstraction. In the past, Harold Rosenberg had described failed Abstract Expressionist paintings as "apocalyptic wallpaper," suggesting that decorative qualities were to be avoided. The new tendency suggested a change in attitudes.
Post-Painterly Abstraction Image

Beginnings:

In 1964, critic Clement Greenberg was recruited by the Los Angeles County Museum of Art (LACMA) to curate an exhibition devoted to young abstractionists. He was a natural choice to curate such a show, as by the late 1950s he had a prominent reputation as a defender of contemporary abstract art. Greenberg called the exhibition Post-Painterly Abstraction, although in the essay he wrote for the exhibition catalog he never actually referred to the style by name. Instead, he defined it by what it was not - "painterly abstraction," or the style of the Abstract Expressionists.

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Content compiled and written by Justin Wolf

Edited and published by The Art Story Contributors

" Movement Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Justin Wolf
Edited and published by The Art Story Contributors
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First published on 22 Jan 2012. Updated and modified regularly.
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