Born: December 29, 1896 - Chihuahua, Mexico
Died: January 6, 1974 - Mexico City, Mexico
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"Our primary aesthetic aim is to propagate works of art which will help destroy all traces of bourgeois individualism."
Summary of David Alfaro Siqueiros
Siqueiros was the youngest of "los tres grandes" (three greats) of Mexican muralism, along with Diego Rivera and José Clemente Orozco. He was also the most radical of the three in his technique, composition and political ideology. Informed by revolutionary Marxist ideology, his career was dedicated to fostering change through public art. Over the course of five decades, he integrated avant-garde styles and techniques with traditional iconography and local histories. He, like Rivera, firmly believed that technology was a means to a better world and he sought to combine traditions of painting with modern political activism.
Key Ideas
Born in the small town of Santa Rosalia, Mexico, José de Jesús Alfaro Siqueiros was raised from the age of four by his paternal grandparents after his mother died. His grandfather, Antonio 'Siete Filos,' was a conservative man of harsh temperament and Siqueiros later remembered him as the very incarnation of Mexican machismo, taking it upon himself to toughen up the young Jose and his little brother by unexpectedly throwing rocks at them or waking them up in the middle of the night by tickling them. Such "games" were part of his "School of Men" and continued until Siqueiros was sent to a religious boarding school at age 11.
Important Art by David Alfaro Siqueiros | |
 Artwork Images | The Elements (1922-24)Artwork description & Analysis: On the ceiling over the staircase in the small courtyard of the National Preparatory School, Siqueiros depicted a monumental winged female surrounded by representations of the four elements. Reflecting Siqueiros's study in Europe, the work combines elements of Byzantine icons in the sandy-colored background, with a sculpturesque figure inspired by Renaissance painter Masaccio. Around this figure are symbolic representations of fire (vivid red abstract flames), wind (horizontal spirals that balance the vertical of fire), water (the seashells) and earth ("two giant bones of a tropical fruit"). In relying on these abstract notations of the elements, Siqueiros creates a timeless depiction of Mother Nature and her realm. Encaustic - National Preparatory School, Mexico City |
 Artwork Images | Tropical America (1932)Artwork description & Analysis: The original commission for this outdoor mural was intended to show the abundance of tropical America, however Siqueiros created a highly politicized critique of American imperialism. A crucified American Indian appears in the very center of the work. A menacing eagle, a clear symbol for the United States, is perched atop the cross. Behind the Indian, a Mayan temple in the process of being engulfed by tropical plants, forever to be forgotten. On the top right, watching the tragic spectacle, a Mexican and a Peruvian, are shown armed and ready to defend their land and culture from the apparently inevitable victory of American capitalism culture over their own heritage. Perhaps unsurprisingly, the mural was hostilely received and whitewashed within two years. Fresco applied with Airgun on Cement - Plaza Art Center, Los Angeles, California |
 Artwork Images | Death to the Invader (1941-42)Artwork description & Analysis: This large fresco, located in a relatively small library, spans two facing walls and the ceiling to create a single vault-like shape that dwarfs the viewer with its impressive, larger-than-life figures. The south wall (shown) depicts the Chilean indigenous peoples in their struggle for freedom and independence from the European Conquistadores; the north wall echoes this with representations of indigenous Mexicans. In the center appear historic fighters, most visibly the 16th-century Mapuche warrior, Galvarino, who raises his maimed hands. Attached to his body is the head of 19th-century Chilean philosopher Franciso Bilbao. Combined, this joint figure symbolizes the need for both physical and mental force in combat. Around them are gathered other figures of resistance and independence, including Lautaro, Luis Emilio Recabarren, Bernardo O'Higgins and President José Manuel Balmaceda. Siqueiros also depicts the Old Chilean flag, the new flag, and the current one. The energy and pathos of the scene is shown through the tense muscles, Galvarino's battle cry, the extreme foreshortening and the merging quality of the figures and the background that appear as a nebulous ensemble of bodies and projectiles. Fresco - Escuela Mexico, Chillán, Chile |
More David Alfaro Siqueiros Artwork and Analysis:
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Content compiled and written by The Art Story Contributors
Edited and revised, with Synopsis and Key Ideas added by Sarah Archino
" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by The Art Story Contributors
Edited and revised, with Synopsis and Key Ideas added by Sarah Archino
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First published on 22 Nov 2016. Updated and modified regularly. 
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