Tamara de Lempicka

Summary of Tamara de Lempicka

Tamara de Lempicka was the lone traditional easel painter in the entirety of the Art Deco style. Her sources of inspiration ranged dramatically: she adored Italian Renaissance painting; she was characterized by critics as a sort of modern-day Ingres, although the comparisons were more often not intended to flatter; she absorbed the avant garde art of the era - particularly post-cubist abstraction but of a "softened" style. Perhaps most influential was Lempicka's desire to capitalize on her social connections to create a niche for her portraiture, which most often featured well-to-do, cosmopolitan types. The Art Deco style, lavish in a less visually complex way than its predecessor, Art Nouveau, was probably the ideal vehicle for her trendy style. Most notably, despite its decorative quality, her work provided her with an outlet for unconventional self-expression: truly a product of her era, the libertine golden age between the two world wars, Lempicka, a bisexual, made bold, liberated female sexuality the linchpin of her art.

Key Ideas

Tamara de Lempicka was born Maria Gorska in Warsaw (then part of Russia). Her father was a Russian-Jewish lawyer and her mother was a Polish socialite. As a child of a well-off family, she went to boarding school in Lausanne, Switzerland. In 1911, she spent the summer with her grandmother in Italy, where she was introduced to the work of the great Italian painters, sparking a love of art that would inform the rest of her life.

Tamara de Lempicka's childhood, life, career, and various anecdotes

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And, the artists and movements that built upon Tamara de Lempicka's art

Read Tamara de Lempicka's Artistic Legacy