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Artists John Currin
John Currin Photo

John Currin

American Painter

Born: 1962 - Boulder, Colorado

John Currin Timeline

Quotes

"The mystique of painting is both very macho and of course as elegant as bubble bath - it can be as luxuriating as you care to be. The studio really is my boudoir; that's something I've always cherished about painting."
John Currin
"As soon as I could think rationally about it, I wanted to be an artist. I guess I thought I was gonna be an illustrator or something, because I didn't really know that art still existed. I think I had this idea that it had kind of turned into naked hippies hangin' out in their lofts."
John Currin
"I got my macho painting out of my way in art school. It wasn't me. I feel like I am one of the only feminine male artists, that I am the only one who cares about things being pretty, about elegance and other feminine qualities."
John Currin
"Often, I find myself attracted to ideas that are ill-advised and bad. It's not because I want to shock people or show how open-minded I am, but for some reason stupidity is a theme for me in painting and I find it liberating."
John Currin
"I've always felt insecure about being a figurative artist, and about being an American painter. To me, oil painting is inherently European. My technique is in no way comparable with that of a mid-level European painter of the 19th century. They had way more ability and technical assurance. It's like learning to play tennis when you're four or five years old - you know things you don't even know you know."
John Currin

"I find I can't get rid of my trashiness as an artist."

John Currin Signature

Synopsis

Since the 1990s, John Currin has reigned as one of the art world's greatest provocateurs residing on the double-edged sword of desire and disgust. His work, which mingles an early training in classical painting with a decidedly American palate for the absurdity found in kitsch, presents figurative portraits, often nude, that reflect the perversity within our culture's obsession with beauty and perfection. Although he is often accused of misogynistic tendencies due to his jarring subject matter, he contends his presentations are intended as satirical references to society's ever-present barrage of the elusive "ideal" fed to us through art history, media, advertising, and the glossy pages of magazines. This exploration into vanity continues to inform his work today.

Key Ideas

By combining classical tropes of beauty, such as the lounging Renaissance nude, with contemporary images such as those found in today's porn and women's fashion magazines, Currin posits that our fascination with vanity is eternal.
Upon first glance, Currin's paintings may seem like realistic figurative portrayals of the beautiful, yet upon closer inspection something goes awry. A body part emerges larger than its otherwise symmetrical parts, the neck on a graceful vixen might stretch inordinately long, or the female nude central to our observation turns out to be old enough to be our grandmother. The pleasure of voyeurism turns into discomfort and we are asked to reflect upon the original motivations within our glance.
Currin's use of thick brushstrokes on a face amongst an otherwise smooth plane or darker shades within a paler sea of flesh hint at the underlying morbidity expressed through our desire for perfection.

Biography

John Currin Photo

Childhood

Currin was born in Colorado to a physics professor father and piano teacher mother, the third of four children. Shortly after his birth, the family moved to Northern California, first settling in Palo Alto, and later, Santa Cruz. They finally moved to Connecticut when he was ten.

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John Currin Biography Continues

Important Art by John Currin

The below artworks are the most important by John Currin - that both overview the major creative periods, and highlight the greatest achievements by the artist.

Bea Arthur Naked (1991)
Artwork Images

Bea Arthur Naked (1991)

Artwork description & Analysis: Before achieving his current level of fame, Currin painted this portrait of the popular television actress as part of a series of images focusing on mature, well-to-do women. At the time, Arthur would have been in her late sixties, while he was in his late twenties. He told New York magazine in 2007, "The Bea Arthur painting is from Maude, which I used to watch as a kid. In the eighties, I didn't have TV for, like, a whole decade. When I started watching again in the nineties, The Golden Girls was in syndication. When I had a loft with Sean and Kevin Landers, we'd always take a break in the afternoon and watch The Golden Girls. When I made the painting, I was living in Hoboken and still making abstract paintings, and I was very frustrated. I was walking back from the PATH train and this vision of Bea Arthur just came to me."

With her biting wit, matronly hairstyle, and deep voice, the television comedienne is an unconventional choice for this type of portrait, which typically features a very feminine, youthful subject. Currin does not depict Arthur in a particularly erotic or sexualized manner, but instead presents a thought-provoking challenge to the viewer. By presenting the plainspoken Arthur in the nude on a flat yellow background, he interrogates the ageism associated with sexuality in much of late-20th-century popular culture, as well as long-standing artistic conventions.

Oil on Canvas - Private Collection

Skinny Woman (1992)
Artwork Images

Skinny Woman (1992)

Artwork description & Analysis: Many of Currin's early works focus on older women, exemplified by the figure depicted here. Her pose and gaze recall that of a fashion model, but the artist complicates this association by giving the woman an aging body and close-cropped gray hair. The portrait merges the aesthetic of popular fashion magazines with that of early Renaissance and Mannerist paintings. The image of this woman is not taken from life, nor meant to depict any actual person. As Currin explains, "The people I paint don't exist. The only thing that is real is the painting. It's not like a photograph where there's another reality that existed in a certain moment in time in the past." Even so, the painting unsettles expectations about what physical types of women are considered suitable subjects for art (or even advertisements). The skinny woman's regal face and posture are striking and captivating, leaving the viewer to wonder about the remarkably narrow standards of beauty prized by contemporary culture.

Oil on Linen - Whitney Museum of American Art

The Bra Shop (1997)
Artwork Images

The Bra Shop (1997)

Artwork description & Analysis: In this iconic work, we find two women engaged in the seemingly ordinary act of bra shopping. The redhead helps the blonde take an accurate measurement in what could be construed as an act of communal sisterhood. Yet the overblown size of their breasts hints at the pair's entrapment within a society that values individual physical endowments in warped disproportion to the whole. Their body parts are magnified as distracting objects of attention. The crude rendering of the women's faces presents an antagonistic contrast to the other elements in the painting to which we are drawn instead, participating unconsciously in the act of sexism.

Currin has remarked about this painting, "I had already received a small amount of criticism about my sexism, and I wanted to make something that I wouldn't have to worry about being termed sexist - because the image is so sexist that it's sort of beyond repair."

Oil on Canvas - Whitney Museum of American Art

More John Currin Artwork and Analysis:

Honeymoon Nude (1998) Nude on a Table (2001) Thanksgiving (2003) The Teenagers (2008)


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Influences and Connections

Influences on Artist
Artists, Friends, Movements
Influenced by Artist
Artists, Friends, Movements
John Currin
Interactive chart with John Currin's main influences, and the people and ideas that the artist influenced in turn.
View Influences Chart

Artists

Francis BaconFrancis Bacon
Willem de KooningWillem de Kooning
Norman RockwellNorman Rockwell

Personal Contacts

Rachel FeinsteinRachel Feinstein

Movements

RenaissanceRenaissance
MannerismMannerism
RealismRealism

Influences on Artist
John Currin
John Currin
Years Worked: 1989 - present
Influenced by Artist

Artists

Cindy ShermanCindy Sherman
Lisa YuskavageLisa Yuskavage

Personal Contacts

Marc JacobsMarc Jacobs
Francesco ClementeFrancesco Clemente
Sofia CoppolaSofia Coppola
Dave EggersDave Eggers

Movements

Neo-ExpressionismNeo-Expressionism

Useful Resources on John Currin

Books

Websites

Articles

Videos

More

The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.

biography

John Currin: New Paintings (2006) Recomended resource

By Norman Bryson, Alison M. Gingeras and Dave Eggers

John Currin (2003)

By Robert Rosenblum

artworks

John Currin: The Dogwood Thieves (2012)

By John Currin

John Currin

By Wells Tower and Angus Cook

More Interesting Books about John Currin
Sadie Coles Gallery artist page Recomended resource

Photographs of past exhibitions from 1997-2012

Gagosian Gallery artist page

'I'm Certainly Not An Idealist': A Talk With John Currin Recomended resource

By Bill Powers
ARTnews
March 30, 2015

'I Can't Get Rid of My Trashiness' - John Currin

Phaidon.com
February 23, 2015

V.F. Portrait: John Currin

By A. M. Homes
Vanity Fair
September 2011

Rachel Feinstein and John Currin, Their Own Best Creations Recomended resource

By David Colman
The New York Times
March 11, 2011

More Interesting Articles about John Currin

in pop culture

Would You Pay $2 Million for This Painting of Naked Bea Arthur? [NSFW]

By Max Rivlin-Nadler
Gawker
May 15, 2013

Did Jimmy Kimmel Spend $1.9 Million On This Nude Portrait of Bea Arthur?

By David McCormack and Meghan Keneally
The Daily Mail
May 23, 2013

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Cite this page

Content compiled and written by Jen Glennon

Edited and published by The Art Story Contributors

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Jen Glennon
Edited and published by The Art Story Contributors
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