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German Art Movements

These are the important German movements, styles, tendencies, groups, and schools that we currently cover. More are on the way!

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German: 28 of 108 Total Movements
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Started: 1900

Ended: 1945

Art Deco was an eclectic style that flourished in the 1920s and '30s and influenced art, architecture and design. It blended a love of modernity - expressed through geometric shapes and streamlined forms - with references to the classical past and to exotic locations.

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Started: 1890

Ended: 1905

Art Nouveau was a movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries. Artists drew inspiration from both organic and geometric forms, evolving elegant designs that united flowing, natural forms with more angular contours.

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Started: 1584

Ended: 1723

Baroque art and architecture emerged in late sixteenth-century Europe after the Renaissance, and lasted into the eighteenth century. In contrast to the clarity and order of earlier art, it stressed theatrical atmosphere, dynamic flourishes, and myriad colors and textures.

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Started: 1919

Ended: 1933

Bauhaus is a style and movement associated with the Bauhaus school, an extremely influential art and design school in Weimar Germany that emphasized the functionality and efficiency of design alongside its material properties. Prominent teachers include Josef Albers, Walter Gropius, Wassily Kandinsky, Ludwig Mies van der Rohe, and Paul Klee.

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Started: 1961

Ended: 1980

Many Performance artists used their bodies as the subjects, and the objects of their art and thereby expressed their distinctive views in the newly liberated social, political, and sexual climate of the 1960s.>From different actions involving the body, to acts of physical endurance, tattoos, and even extreme forms of bodily mutilation are all included in the loose movement of Body art.

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Started: Mid 1960s

The practice of Conceptual art became popular after the 1960s and presented people with an idea about art, which was more significant than the completion of a tangible and traditional work of 'art'. The aim was to create a concept that obliged people to consider the nature of art itself, and decide for themselves whether what was present was a work of art.

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Started: 1916

Ended: 1924

Dada emerged in the early twentieth century as a literary and artistic movement that celebrated random chance, readymade artworks, and outragous performances. Its practitioners, including Hugo Ball, Tristan Tzara, and Marcel Duchamp, scorned bourgeois conventions of high culture, especially the appreciation for artistic intention and skill.

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Started: 1919

Ended: 1960s

This ground-breaking practice of photography was inspired by Dada's improvisational practices and the Surrealist's foray into the unconscious, dream, and fantasy realms. Many artists contributed various works that ultimately stretched the possibilities of the medium.

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Started: 1911

Ended: 1914

Der Blaue Reiter (The Blue Rider) was a group of Expressionist painters in Munich, Germany consisting principally of Wassily Kandinsky, Alexej von Jawlensky,Germans Auguste Macke, and Franz Marc. Key interests among them were the aesthetics of primitivism and spiritualism, as well as growing trends in Fauvism and Cubism, which led Kandinsky, chief among the Expressionist artists, to experiment more with abstract art.

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Started: 1905

Ended: 1913

Die Brücke (The Bridge) was a group of German Expressionist artists that banded together in Dresden in 1905. The group, which includes artists such as Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde, had a major impact on the evolution of modern art in the twentieth century and the creation of Expressionism. Die Bruke artists' used bold colors to depicts gritty scene of city life.

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Started: 1905

Ended: 1933

Expressionism is a broad term for a host of movements in early twentieth-century Germany, from Die Brücke (1905) and Der Blaue Reiter (1911) to the early Neue Sachlichkeit painters in the 20s and 30s. Many German Expressionists used vivid colors and abstracted forms to create spiritually or psychologically intense works, while others focused on depictions of war, alienation, and the modern city.

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Started: 1960s

Feminist art emerged in the 1960s and '70s to explore questions of sex, power, the body, and the ways in which gender categories structure how we see and understand the world. Developing at the same time as many new media strategies, feminist art frequently involves text, installation, and performance elements.

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Started: 1120

Ended: 1400

Gothic art flourished in Western Europe with monumental sculptures and stained-glass window decorated cathedrals - marked by the pointed Gothic arch.

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Started: 1970s

Installation art is a genre of contemporary art-making in which two- and three-dimensional materials are used to transform a particular site into an immersive space for the visitor. Installations may include sculptural, found, sound-based, and performance elements, and can be permanent or ephemeral.

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Started: 1914

Ended: 1970

The International Style was a style of modern architecture that emerged in the 1920s and '30s. It emphasized balance, the importance of function, and clean lines devoid of ornamentation. Glass and steel buildings, with less emphasis on conrete, is the most common and pure realization of structures in this style.

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Started: 1925

Ended: Current

Magic Realist art plays off subtle strangeness, merges present and past, invents strange objects, and juxtaposes unlike things.

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Started: 1520

Ended: 1620

Mannerism is an artistic style which developed in the late Renaissance which exaggerated empahisis on proportion, balance, and ideal beauty.

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Started: 1820s

Ended: 1880s

Naturalism is a movement within painting where the human subject is depicted in natural habitats and social milieus, with an emphasis on visual accuracy.

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Started: Late 1970s

Ended: Early 1990s

Neo-Expressionism began as a movement in German art in the early 1960s with the emergence of Georg Baselitz. It gained momentum, and drew in painters from Germany and the United States - often bringing artists back to painting as a serious and contemporary medium for artistic exploration.

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Started: 1919

Ended: 1933

New Objectivity, or Neue Sachlichkeit, was a style of German art that emerged in the 1920s in reaction to post World War I trauma and difficulties. Artists such as Otto Dix were savagely satirical and critical of society, while others evolved a cool and classical style that echoes other European art movements at this time.

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German: 28 of 108 Total Movements

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