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Hard-edge Painting Collage

Hard-edge Painting

Started: 1959

Ended: Early 1970s

Hard-edge Painting Timeline

Quotes

"The form of my painting is the content."
Ellsworth Kelly
"A picture is a flat surface with paint on it - nothing more."
Frank Stella
"Even my most recent paintings, my abstract paintings, essentially are dealing with instability of color, instability of line, to make the things move psychologically."
Lorser Feitelson
"The structure making is of prime importance. Until this is right nothing further can be done. After the picture works in line the shapes become colors. I answer the hunch as it comes."
Frederick Hammersley

KEY ARTISTS

Karl BenjaminKarl Benjamin
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Lorser FeitelsonLorser Feitelson
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Frederick HammersleyFrederick Hammersley
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Ellsworth KellyEllsworth Kelly
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Frank StellaFrank Stella
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Kenneth NolandKenneth Noland
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More Top Artists

"Abstract Classicist painting is hard-edged painting. Forms are finite, flat, rimmed by a hard, clean edge. These forms are not intended to evoke in the spectator any recollections of specific shapes he may have encountered in some other connection. They are autonomous shapes, sufficient unto themselves as shapes."

Jules Langsner

Synopsis

Hard-edge painting is a tendency in late 1950s and 1960s art that is closely related to Post-painterly abstraction and Color Field Painting. It describes an abstract style that combines the clear composition of geometric abstraction with the intense color and bold, unitary forms of Color Field Painting. Although it was first identified with Californian artists, today the phrase is used to describe one of the most distinctive tendencies in abstract painting throughout the United States in the 1960s.

Key Ideas

Hard-edge abstraction was part of a general tendency to move away from the expressive qualities of gestural abstraction. Many painters also sought to avoid the shallow, post-Cubist space of Willem de Kooning's work, and instead adopted the open fields of color seen in the work of Barnett Newman.
Hard-edge painting is known for its economy of form, fullness of color, impersonal execution, and smooth surface planes.
The term "hard-edge abstraction" was devised by Californian art critic Jules Langsner, and was initially intended to title a 1959 exhibition that included four West Coast artists - Karl Benjamin, John McLaughlin, Frederick Hammersley and Lorser Feitelson. Although, later, the style was often referred to as "California hard-edge," and these four artists became synonymous with the movement, Langsner eventually decided to title the show Four Abstract Classicists (1959), as he felt that the style marked a classical turn away from the romanticism of Abstract Expressionism.

Beginnings

Hard-edge Painting Image

In the late 1950s, the Californian art critic, poet and psychiatrist Jules Langsner began to observe an emerging trend in abstract art that stemmed from Color Field Painting, yet tended to employ clean lines and contrasting hues. He chose to highlight this by staging an exhibition at the Los Angeles County Museum of Art, in 1959, which included artists Frederick Hammersley, Karl Benjamin, John McLaughlin and Lorser Feitelson. It was titled Four Abstract Classicists.

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Hard-edge Painting Overview Continues

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Content compiled and written by Justin Wolf

Edited and published by The Art Story Contributors

" Movement Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Justin Wolf
Edited and published by The Art Story Contributors
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