Allan Kaprow

Summary

Allan Kaprow was a pivotal figure in the shifting art world of the 1960s; his "happenings," a form of spontaneous, non-linear action, revolutionized the practice of Performance Art. While Kaprow began as a painter, by the mid 1950s his interest turned to the theoretical, based primarily on the shifting concepts of space as subjectively experienced by the viewer. Kaprow emerged from the group of artists known as the Rutgers Group, based out of Rutgers University where Kaprow taught art history and studio art. Kaprow was among the many artists and critics who focused on an intellectual and theorized view of art, rejecting the monumental nature of Abstract Expressionist works and instead focusing on the act of their production. In particular, his influential essay, "The Legacy of Jackson Pollock," (1956), called for an end to craftsmanship and permanence in art and instead demanded that artists shift their attention to "non-concrete," or ephemeral, modes of production.

Key Ideas

Allan Kaprow was born in 1927 in New Jersey. During his early years, he experienced chronic illness that forced him to move from New York to Tuscon, Arizona where he spent the rest of his childhood. There, separated from his Jewish, middle-class roots, he experienced life on a ranch, giving him a sense of the communal activity that came to dominate his later artistic career. Ill and often bed-bound, Kaprow began to develop an interest in arts and crafts, and eventually returned to New York to attend New York University and study Philosophy and Art History.

Allan Kaprow's childhood, life, career, and various anecdotes

Read Allan Kaprow's Biography

And, the artists and movements that built upon Allan Kaprow's art

Read Allan Kaprow's Artistic Legacy