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Modern Artists in Surrealism
Below are biographies and analysis of the work of the artists central to the Surrealism movement. Read more about the movement on the Surrealism Overview page.
Arp, Hans (Jean)
Joseph Cornell was an American artist, best known for his collage work and "shadow boxes," which were highly complex diorama-like constructions. Cornell incorporated found objects, old photos, newspaper clippings and other objects into these boxes, resulting in uniquely surreal, three-dimensional worlds. Cornell was one of the few American artists associated with Surrealism.
Salvador Dalí was a Spanish Surrealist painter who combined a hyperrealist style with dream-like, sexualized subject matter. His collaborations with Hollywood and commercial ventures, alongside his notoriously dramatic personality, earned him scorn from some Surrealist colleagues.
De Chirico, Giorgio
Giorgio de Chirico was a Greek-Italian painter and sculptor commonly associated with Surrealism. Initially discovered by Picasso and Apollinaire in France, de Chirico's best-known Surrealist paintings incorporated metaphysical subject matter and sculptural still-life. Instead of land- or cityscapes, de Chirico's art is more emblematic of a dreamscape.
Arshile Gorky was an Armenian-born American painter and was a major influence on the development of Abstract Expressionism. In his own art he fused elements of Cubism, Surrealism and Expressionism, and was close with key figures central to New York's burgeoning abstrct art scene, such as John Graham, Stuart Davis and Willem de Kooning.
John Graham was a Ukrainian-born American painter and a key figure in the development of Abstract Expressionism. Never adopting a singular style in his own art, Graham tutored many young abstract artists on the tenets of Cubism and Surrealism, of which he was an expert. Willem de Kooning credited Graham as the person who discovered Jackson Pollock.
Barbara Hepworth was an English sculptor. She helped develop modern sculpture, along with her contemporaries Henry Moore and Naum Gabo. She won a scholarship and studied at the Leeds School of Art in 1920, where she met Moore.Feminist Art Modern Sculpture Surrealism Abstraction British