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Artists Vincent van Gogh

Vincent van Gogh

Dutch Draftsman and Painter

Movement: Post-Impressionism

Born: March 30, 1853 - Groot-Zundert, The Netherlands

Died: July 29, 1890 - Auvers-sur-Oise, France

Quotes

"Instead of trying to reproduce exactly what I see before me, I make more arbitrary use of color to express myself more forcefully."
Vincent van Gogh
"It is not the language of painters but the language of nature which one should listen to, the feeling for the things themselves, for reality, is more important than the feeling for pictures."
Vincent van Gogh
"Dying is hard, but living is harder still."
Vincent van Gogh
"I know for sure that I have an instinct for color, and that it will come to me more and more, that painting is in the very marrow of my bones."
Vincent van Gogh

"real painters do not paint things as they are... they paint them as they themselves feel them to be."

Synopsis

The iconic tortured artist, Vincent Van Gogh strove to convey his emotional and spiritual state in each of his artworks. Although he sold only one painting during his lifetime, Van Gogh is now one of the most popular artists of all time. His canvases with densely laden, visible brushstrokes rendered in a bright, opulent palette emphasize Van Gogh's personal expression brought to life in paint. Each painting provides a direct sense of how the artist viewed each scene, interpreted through his eyes, mind, and heart. This radically idiosyncratic, emotionally evocative style has continued to affect artists and movements throughout the twentieth century and up to the present day, guaranteeing Van Gogh's importance far into the future.

Key Ideas

Van Gogh's dedication to articulating the inner spirituality of man and nature led to a fusion of style and content that resulted in dramatic, imaginative, rhythmic, and emotional canvases that convey far more than the mere appearance of the subject.
Although the source of much upset during his life, Van Gogh's mental instability provided the frenzied source for the emotional renderings of his surroundings and imbued each image with a deeper psychological reflection and resonance.
Van Gogh's unstable personal temperament became synonymous with the romantic image of the tortured artist. His self-destructive talent that was echoed in the lives of many artists in the twentieth century.
Van Gogh used an impulsive, gestural application of paint and symbolic colors to express subjective emotions. These methods and practice came to define many subsequent modern movements from Fauvism to Abstract Expressionism.

Most Important Art

Starry Night (1889)
Artist: Vincent van Gogh
Starry Night is often considered to be Van Gogh's pinnacle achievement. Unlike most of his works, Starry Night was painted from memory, and not out in the landscape. The emphasis on interior, emotional life is clear in his swirling, tumultuous depiction of the sky - a radical departure from his previous, more naturalistic landscapes. Here, Van Gogh followed a strict principal of structure and composition in which the forms are distributed across the surface of the canvas in an exact order to create balance and tension amidst the swirling torsion of the cypress trees and the night sky. The result is a landscape rendered through curves and lines, its seeming chaos subverted by a rigorous formal arrangement. Evocative of the spirituality Van Gogh found in nature, Starry Night is famous for advancing the act of painting beyond the representation of the physical world.
Oil on canvas - The Museum of Modern Art
More Art Works


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Biography

Childhood

Vincent Van Gogh was born the second of six children into a religious Dutch Reformed Church family in the south of the Netherlands. His father, Theodorus Van Gogh, was a clergyman and his mother, Anna Cornelia Carbentus, was the daughter of a bookseller. Van Gogh exhibited unstable moods during his childhood, and showed no early inclination toward art-making, though he excelled at languages while attending two boarding schools. In 1868, he abandoned his studies and never successfully returned to formal schooling.

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Early Training

Vincent van Gogh Biography

In 1869, Van Gogh apprenticed at the headquarters of the international art dealers Goupil & Cie in Paris and eventually worked at the Hague branch of the firm. He was relatively successful as an art dealer and stayed with the firm for almost a decade. In 1872, Van Gogh began exchanging letters with his younger brother Theo. This correspondence continued through the end of Vincent's life. The following year, Theo himself became an art dealer, and Vincent was transferred to the London office of Goupil & Cie. Around this time, Vincent became depressed and turned to God.

After several transfers between London and Paris, Van Gogh was let go from his position at Goupil's and decided to pursue a life in the clergy. While living in southern Belgium as a poor preacher, he gave away his possessions to the local coal-miners until the church dismissed him because of his overly enthusiastic commitment to his faith. In 1880, Van Gogh decided he could be an artist and still remain in God's service, writing, "To try to understand the real significance of what the great artists, the serious masters, tell us in their masterpieces, that leads to God; one man wrote or told it in a book; another, in a picture." Van Gogh was still a pauper, but Theo sent him some money for survival. Theo financially supported his elder brother his entire career, as Vincent made virtually no money from making art.

A year later, in 1881, dire poverty motivated Van Gogh to move back home with his parents, where he taught himself to draw. He became infatuated with his cousin, Kee Vos-Stricker. His continued pursuit of her affection, despite utter rejection, eventually split the family. With the support of Theo, Van Gogh moved to the Hague, rented a studio, and studied under Anton Mauve - a leading member of the Hague School. Mauve introduced Van Gogh to the work of the French painter Jean-Francois Millet, who was renowned for depicting common laborers and peasants.

Mature Period

In 1884, after moving to Nuenen, Netherlands, Van Gogh began drawing the weathered hands, heads, and other anatomical features of workers and the poor, determined to become a painter of peasant life like Millet. Although he found a professional calling, his personal life was in shambles. Van Gogh accused Theo of not trying hard enough to sell his paintings, to which Theo replied that Vincent's dark palette was out of vogue compared to the bold and bright style of the Impressionist artists that was popular. Suddenly, on March 26, 1885, their father died from a stroke, putting pressure on Van Gogh to have a successful career. Shortly afterward, he completed the Potato Eaters (1885), his first large-scale composition and great work.

Vincent van Gogh Photo

Leaving the Netherlands for the last time, in 1885 Van Gogh enrolled at the Academy of Fine Arts in Antwerp. There he discovered the art of Baroque painter Peter Paul Rubens, whose swirling forms and loose brushwork had a clear impact on the young artist's style. However, the rigidity of academicism of the school did not appeal to Van Gogh and he left for Paris the following year. He moved in with Theo in Montmartre - the artist's district in northern Paris - and studied with painter Fernand Cormon, who introduced the young artist to the Impressionists. The influence of artists such as Claude Monet, Camille Pissarro, Edgar Degas, and Georges Seurat, as well as pressure from Theo to sell paintings, motivated Van Gogh to adopt a lighter palette.

From 1886 to 1888, Van Gogh became acutely interested in Japanese prints and began to avidly study and collect them, even curating an exhibition of them at a Parisian restaurant. In late 1887, Van Gogh organized an exhibition that included his work and that of his colleagues Emile Bernard, Louis Anquetin, and Henri de Toulouse-Lautrec, and in early 1888, he exhibited with the Neo-impressionists Georges Seurat and Paul Signac at the Salle de Repetition of the Theatre Libre d'Antoine.

Late Years and Death

Vincent van Gogh Portrait

The majority of Van Gogh's best-known works were produced during the final two years of his life. During the fall and winter of 1888, Vincent Van Gogh and Paul Gauguin lived and worked together in Arles in the south of France, where Van Gogh eventually rented four rooms at 2 Place Lamartine, which was dubbed the "Yellow House" for its citron hue. The move to Provence began as a plan for a new artist's community in Arles as alternative to Paris and came at a critical point in each of the artists' careers. While at the "Yellow House" Gauguin and Van Gogh worked closely together and developed a concept of color symbolic of inner emotion and not dependent upon nature. Despite enormous productivity, Van Gogh suffered from various bouts of mental instability, likely including epilepsy, psychotic episodes, delusions, and bipolar disorder. Gauguin left for Tahiti, partially as a means of escaping Van Gogh's increasingly erratic behavior. The artist slipped away after a particularly violent fight in which Van Gogh threatened Gauguin with a razor and then cut off part of his own right ear.

On May 8, 1889, reeling from his deteriorating mental condition, Van Gogh voluntarily committed himself into a psychiatric institution in Saint-Remy, near Arles. As the weeks passed, his mental well-being remained stable and he was allowed to resume painting. This period became one of his most productive. In the year spent at Saint-Remy, Van Gogh created over 100 works, including Starry Night (1889). The clinic and its garden became his main subjects, rendered in the dynamic brushstrokes and lush palettes typical of his mature period. On supervised walks, Van Gogh immersed himself in the experience of the natural surroundings, later recreating from memory the olive and cypress trees, irises, and other flora that populated the clinic's campus.

Shortly after leaving the clinic, Van Gogh moved north to Auvers-sur-Oise outside of Paris, to the care of a homeopathic doctor and amateur artist, Dr. Gachet. The doctor encouraged Van Gogh to paint as part of his recovery, and he happily obliged. He avidly documented his surroundings in Auvers, averaging roughly a painting a day over the last months of his life. However, after Theo disclosed his plan to go into business for himself and explained funds would be short for a while, Van Gogh's depression deepened sharply. On July 27, 1890, he wandered into a nearby wheat field and shot himself in the chest with a revolver. Although Van Gogh managed to struggle back to his room, his wounds were not treated properly and he died in bed two days later. Theo rushed to be at his brother's side during his last hours and reported that his final words were: "The sadness will last forever."

Legacy

Clear examples of Van Gogh's wide influence can be seen throughout art history. The Fauves and the German Expressionists worked immediately after Van Gogh and adopted his subjective and spiritually inspired use of color. The Abstract Expressionists of the mid-twentieth century made use of Van Gogh's technique of sweeping, expressive brushstrokes to indicate the artist's psychological and emotional state. Even the Neo-Expressionists of the 1980s, like Julian Schnabel and Eric Fischl, owe a debt to Van Gogh's expressive palette and brushwork. In popular culture, his life has inspired music and numerous films, including Vincente Minelli's Lust for Life (1956), which explores Van Gogh and Gauguin's volatile relationship. In his lifetime, Van Gogh created 900 paintings and made 1,100 drawings and sketches, but only sold one painting during his career. With no children of his own, most of Van Gogh's works were left to Theo.

Influences and Connections

Influences on artist

Artists, Friends, Movements

Influenced by artist

Artists, Friends, Movements

Vincent van Gogh
Interactive chart with Vincent van Gogh's main influences, and the people and ideas that the artist influenced in turn.
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Artists

Jean-Francois Millet
Anton Mauve
Claude Monet
Honoré Daumier
Eugène Delacroix

Friends

Henri de Toulouse-Lautrec
Paul Signac
Theo van Gogh

Movements

Impressionism
Pointillism
Japonisme
Vincent van Gogh
Vincent van Gogh
Years Worked: 1886 - 1900

Artists

Pablo Picasso
Henri Matisse
Paul Klee
Willem de Kooning

Friends

Paul Gauguin
Albert Aurier
Camille Pissarro

Movements

Fauvism
Symbolism
Expressionism

Original content written by The Art Story Contributors

Edited and published by The Art Story Contributors

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Useful Resources on Vincent van Gogh

Books
Websites
Articles
Videos
More
The books and articles below constitute a bibliography of the sources used in the writing this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.
biography
Vincent Van Gogh: A Biography

By Julius Meier-Graefe

Stranger On The Earth: A Psychological Biography Of Vincent Van Gogh

By Albert J. Lubin

Vincent Van Gogh: Portrait of an Artist

By Jan Greenberg, Sandra Jordan

Dear Theo: The Autobiography of Vincent Van Gogh

By Irving Stone, Jean Stone

The Vincent Van Gogh Museum

The Vincent Van Gogh Gallery

Comprehensive image gallery of the artist's works

Vincent Van Gogh: The Letters

Archives of Van Gogh's complete letters

Van Gogh and the Colors of the Night

Interactive website for the 2008 MoMA Exhibition

Van Gogh's Ear and Modern Painting

By Adam Gopnik
The New Yorker
January 4, 2010

Van Gogh's Night Visions

By Paul Trachtman
Smithsonian Magazine
January 2009

Nocturnal Van Gogh, Illuminating the Darkness

By Roberta Smith
The New York Times
September 18, 2008

The Evolution of a Master Who Dreamed on Paper

By Michael Kimmelman
The New York Times
October 14, 2005

The Power of Art: Van Gogh

BBC Documentary

Vincent Van Gogh's art themes

Video series created by The Van Gogh Museum on the styles and motifs of the artist's work

Inside Van Gogh's mind

Explanation of temporal lobe epilepsy, the "terrifying illness" that possibly affected Van Gogh

in pop culture
Lust for Life

Book by Irving Stone

Vincent & Theo

Robert Altman's film about the brothers Van Gogh

Don McLean's song 'Vincent (Starry Starry Night)'

Fauvism
Fauvism
Fauvism
Fauvism was an early twentieth-century art movement founded by Henri Matisse and André Derain. Labeled as "wild beasts", Fauve artists favored vibrant colors and winding gestural strokes across the canvas.
ArtStory: Fauvism
Abstract Expressionism
Abstract Expressionism
Abstract Expressionism
A tendency among New York painters of the late 1940s and '50s, all of whom were committed to an expressive art of profound emotion and universal themes. The movement embraced the gestural abstraction of Willem de Kooning and Jackson Pollock, and the color field painting of Mark Rothko and others. It blended elements of Surrealism and abstract art in an effort to create a new style fitted to the postwar mood of anxiety and trauma.
ArtStory: Abstract Expressionism
Jean-Francois Millet
Jean-Francois Millet
Jean-Francois Millet
Jean-Francois Millet was a Realist painter in nineteenth-century France, and a founder of the Barbizon School. He is especially known for his depictions rural life and peasant labor.
Jean-Francois Millet
Impressionism
Impressionism
Impressionism
A movement in painting that first surfaced in France in the 1860s, it sought new ways to describe effects of light and movement, often using rich colors. The Impressionists were drawn to modern life and often painted the city, but they also captured landscapes and scenes of middle-class leisure-taking in the suburbs.
ArtStory: Impressionism
Peter Paul Rubens
Peter Paul Rubens
Peter Paul Rubens
Peter Paul Rubens was a seventeenth-century Baroque artist who painted richly-toned allegories, history cycles, and religious scenes. His works are often populated by fleshy female nudes and figures in dramatic, twisting postures.
Peter Paul Rubens
Claude Monet
Claude Monet
Claude Monet
Claude Monet was a French artist who helped pioneer the painterly effects and emphasis on light, atmosphere, and plein air technique that became hallmarks of Impressionism. He is especially known for his series of haystacks and cathedrals at different times of day, and for his late Waterlilies.
ArtStory: Claude Monet
Camille Pissarro
Camille Pissarro
Camille Pissarro
Camille Pissarro was a French Impressionist and Post-Impressionist painter. Known as the "Father of Impressionism," he used his own painterly style to depict urban daily life, landscapes, and rural scenes.
ArtStory: Camille Pissarro
Edgar Degas
Edgar Degas
Edgar Degas
Edgar Degas was a French Impressionist painter, printmaker and sculptor with an extraordinarily long career from the mid-nineteenth century until after WWI. As one of the original group of Impressionists, although he preferred to be called a Realist, he traveled widely and employed the use of photography in his creative process. He is most renowned for his painting and drawings of ballet dancers in rehearsal and performances in the theatre.
ArtStory: Edgar Degas
Georges Seurat
Georges Seurat
Georges Seurat
Georges-Pierre Seurat was a French painter who gave rise to the Post- and Neo-Impressionist artistic styles of the late nineteenth century. Seurat's greatest contribution to modern art was his development of Pointillism, a style of painting in which small dots of paint were applied to create a cohesive image. Combining the science of optics with painterly emotion, Pointillism evoked a visual harmony never before seen in modern art.
ArtStory: Georges Seurat
Emile Bernard
Emile Bernard
Emile Bernard
Emile Bernard was a Post-Impressionist painter who had artistic friendships with Van Gogh, Gauguin, Eugene Boch, and Cézanne. He is also associated with Cloisonnism and Synthetism, two late nineteenth century art movements. Bernard also produced plays, poetry, art criticism, as well as art historical statements.
Emile Bernard
Henri de Toulouse-Lautrec
Henri de Toulouse-Lautrec
Henri de Toulouse-Lautrec
Henri de Toulouse-Lautrec was a Post-Impressionist artist who depicted the dancers, prostitutes, drinkers, and other characters of fin-de-siecle Paris. He is known for his paintings, his caricatures of friends, and his well-designed posters for Parisian dance halls.
Henri de Toulouse-Lautrec
Neo-impressionism
Neo-impressionism
Neo-impressionism
Neo-Impressionism was an art movement founded by Georges Seurat in the 1880s. It brought a new and quasi-scientific approach to the Impressionists' interests in light and color, along with new approaches to the application of paint, sometimes in dots and dashes. Its followers were drawn to modern urban scenes as well as landscapes and seascapes.
Neo-impressionism
Paul Signac
Paul Signac
Paul Signac
Paul Signac was a French painter and significant Post-Impressionist in the late nineteenth century. Along with Georges Seurat he developed the painting style known as Pointillism, in which small and precise dots of color were used to compose a larger, Impressionistic picture.
Paul Signac
Paul Gauguin
Paul Gauguin
Paul Gauguin
Paul Gauguin was a French Post-Impressionist artist who employed color fields and painterly strokes in his work. He is best known for his primitivist depictions of native life in Tahiti and Polynesia.
ArtStory: Paul Gauguin
Expressionism
Expressionism
Expressionism
Expressionism is a broad term for a host of movements in early twentieth-century Germany and beyond, from Die Brücke (1905) and Der Blaue Reiter (1911) to the early Neue Sachlichkeit painters in the 1920s and '30s. Many Expressionists used vivid colors and abstracted forms to create spiritually or psychologically intense works, while others focused on depictions of war, alienation, and the modern city.
ArtStory: Expressionism
Neo-Expressionism
Neo-Expressionism
Neo-Expressionism
Neo-Expressionism began as a movement in German art in the early 1960s with the emergence of Georg Baselitz. It gained momentum in the 1970s, with the addition of painters such as Anselm Kiefer, Markus Lüpertz and Eugen Schönebeck. Drawing inspiration from German Expressionism, many of its practitioners focused on the country's troubled modern history. In the 1980s, it inspired many successful painters across the world, including Julian Schnabel.
ArtStory: Neo-Expressionism
Julian Schnabel
Julian Schnabel
Julian Schnabel
Julian Schnabel is an American painter, interior decorator and filmmaker. In addition to being a major figure in the Neo-Expressionist movement, he is most well-known as the director of such films as Basquiat and The Diving Bell and the Butterfly.
ArtStory: Julian Schnabel
Eric Fischl
Eric Fischl
Eric Fischl
Eric Fischl is an American painter, sculptor, and printmaker, who was a seminal figure of the late twentieth-century Neo-Expressionist movement. From his colorful portraits to his iconic suburban interiors and beach scenes, Fischl's work deals largely with themes of the body, sexuality, and modern American society.
Eric Fischl
Post-Impressionism
Post-Impressionism
Post-Impressionism
Post-Impressionism refers to a number of styles that emerged in reaction to Impressionism in the 1880s. The movement encompassed Symbolism and Neo-Impressionism before ceding to Fauvism around 1905. Its artists turned away from effects of light and atmosphere to explore new avenues such as color theory and personal feeling, often using colors and forms in intense and expressive ways.
ArtStory: Post-Impressionism
Anton Mauve
Anton Mauve
Anton Mauve
Anton Mauve was a Dutch Realist painter and a founder of the late-nineteenth-century Haugue School of painting. As was the custom in Realist art, Mauve's landscapes and natural scenery paintings lacked idealist depictions of his subjects. For a brief time he tutored a young Vincent van Gogh, but believed his student too impetuous to ever become a gifted painter.
Anton Mauve
Honoré Daumier
Honoré Daumier
Honoré Daumier
Honore Daumier was a French painter, sculptor and printmaker during the mid-nineteenth century. Although an accomplished artist in several media, Daumier is most well-known for his political caricatures and satirical art. He was also a key figure in the painterly movement of French Naturalism.
Honoré Daumier
Eugène Delacroix
Eugène Delacroix
Eugène Delacroix
Eugène Delacroix was a mid-nineteenth-century French painter and pioneer of European Modernist painting. Known primarily as a Romantic, Delacroix's paintings were passionate in their depictions of love, war and human sensuality, earning the artist both praise and controversy in his time. His preoccupation with color-induced optical effects and use of expressive brushstrokes were crucial influences on Impressionism and Pointillism.
Eugène Delacroix
Theo van Gogh
Theo van Gogh
Theo van Gogh
Theo Van Gogh was a Dutch art dealer in 1880s Paris, and the brother of painter Vincent Van Gogh. He helped to promote and encourage a variety of Impressionist and Post-Impressionist artists.
Theo van Gogh
Pointillism
Pointillism
Pointillism
Pointillism is a mode of art-making, first developed in 1880s France, in which all of the paint is applied to the surface as tiny points or daubs of color. Based on the laws of color theory, pointillism relies on the viewer's eye to mix the disparate dots into the lines, shapes, shadings, and color ranges of the full scene.
Pointillism
Japonisme
Japonisme
Japonisme
Japonisme describes the influence of Japanese art, especially woodblock prints, on French artists in the second half of the nineteenth century. Many Post-Impressionists were influenced by the flat blocks of color, the emphasis on design, and the simple, everyday subject matter.
Japonisme
Pablo Picasso
Pablo Picasso
Pablo Picasso
Picasso dominated European painting in the first half of the last century, and remains perhaps the century's most important, prolifically inventive, and versatile artist. Alongside Georges Braque, he pioneered Cubism. He also made significant contributions to Surrealist painting and media such as collage, welded sculpture, and ceramics.
ArtStory: Pablo Picasso
Henri Matisse
Henri Matisse
Henri Matisse
Henri Matisse was a French painter and sculptor who helped forge modern art. From his early Fauvist works to his late cutouts, he emphasized expansive fields of color, the expressive potential of gesture, and the sensuality inherent in art-making.
ArtStory: Henri Matisse
Paul Klee
Paul Klee
Paul Klee
The Swiss-born painter Paul Klee worked in a variety of styles, including Expressionism, geometric abstraction, and collage. His most famous works have a mystical quality and make use of linear and pictorial symbols.
ArtStory: Paul Klee
Willem de Kooning
Willem de Kooning
Willem de Kooning
Willem de Kooning, a Dutch immigrant to New York, was one of the foremost Abstract Expressionist painters. His abstract compositions drew on Surrealist and figurative traditions, and typified the expressionistic 'gestural' style of the New York School.
ArtStory: Willem de Kooning
Albert Aurier
Albert Aurier
Albert Aurier
Albert Aurier was a French poet, art critic and Symbolist painter living during the late-nineteenth century. A noted collector of van Gogh paintings, Aurier gained fame for reviewing the annual Salon exhibit and writing essays on the work of van Gogh and Gauguin. He was stricken with typhus and died at the age of 27.
Albert Aurier
Symbolism
Symbolism
Symbolism
Symbolism is an artistic and literary movement that first emerged in France in the 1880s. In the visual arts it is often considered part of Post-Impressionism. It is characterized by an emphasis on the mystical, romantic and expressive, and often by the use of symbolic figures.
ArtStory: Symbolism