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Claude Monet

French Painter

Movement: Impressionism

Born: November 14, 1840 - Paris, France

Died: December 5, 1926 - Giverny, France

Claude Monet Timeline

Quotes

"Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love."
Claude Monet
"I am driven more and more frantic by the need to render what I experience. Working so slowly I become desperate, but the further I go the more I see that one must work very hard to succeed in rendering what I am looking for: 'Instantaneity', especially the envelope, the same light that diffuses everywhere and, more than ever, things come easily and at once disgust me."
Claude Monet
"The motif is insignificant for me; what I want to represent is what lies between the motif and me."
Claude Monet
"Once more I have undertaken things which are impossible to do; water with grasses waving in depths...It's wonderful to see but it drives you mad to want to do it. But I am always trying things like that."
Claude Monet
When you go out to paint try to forget what object you have before you - a tree, a house, a field or whatever. Merely think, here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact colour and shape, until it emerges as your own naive impression of the scene before you.
Claude Monet
"I tell myself that anyone who says he has finished a canvas is terribly arrogant. Finished means complete, perfect, and I toil away without making any progress, searching, fumbling around, without achieving anything much."
Claude Monet
"Everything that is painted directly and on the spot always has a force, a power, a vivacity of touch that cannot be re-created in the studio."
Claude Monet
"Since the appearance of Impressionism, the official salons, which used to be brown, have become blue, green, and red... But peppermint or chocolate, they are still confections."
Claude Monet
"Monet is just an eye - but God, what an eye!"
Paul Cézanne

"For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value."

Claude Monet Signature

Synopsis

Claude Monet was the leader of the French Impressionist movement, literally giving the movement its name. As an inspirational talent and personality, he was crucial in bringing its adherents together. Interested in painting in the open air and capturing natural light, Monet would later bring the technique to one of its most famous pinnacles with his series paintings, in which his observations of the same subject, viewed at various times of the day, were captured in numerous sequences of paintings. Masterful as a colorist and as a painter of light and atmosphere, his later work often achieved a remarkable degree of abstraction, and this has recommended him to subsequent generations of abstract painters.

Key Ideas

Monet's early work is indebted to the Realists' interests in depicting contemporary subject matter, without idealization, and in painting outdoors in order to capture the fleeting qualities of nature.
Inspired in part by Edouard Manet, Monet departed from the clear depiction of forms and linear perspective, which were prescribed by the established art of the time, and experimented with loose handling, bold color, and strikingly unconventional compositions. The emphasis in his pictures shifted from representing figures to depicting different qualities of light and atmosphere in each scene.
In his later years, Monet also became increasingly sensitive to the decorative qualities of color and form. He began to apply paint in smaller strokes, building it up in broad fields of color, and exploring the possibilities of a decorative paint surface of harmonies and contrasts of color. The effects that he achieved, particularly in the series paintings of the 1890s, represent a remarkable advance towards abstraction and towards a modern painting focused purely on surface effects.
An inspiration and a leader among the Impressionists, he was crucial in attracting Pierre-Auguste Renoir, Alfred Sisley, Edouard Manet and Camille Pissarro to work alongside each other in and around Paris. He was also important in establishing the exhibition society that would showcase the group's work between 1874 and 1886.

Most Important Art

Claude Monet Famous Art

Woman with a Parasol - Madame Monet and Her Son (1875)

One of Monet's most popular figure paintings, Lady with a Parasol showcases the women's accessory. The parasol itself makes many appearances in his work, primarily because when painting from real life outdoors, most women would use one to protect their skin and eyes. But the object also creates a contrast of light and shadows on the figure's face and clothing, indicating which direction the actual light is coming from. Quite uniquely, Monet paints into the light letting the model's features fade into the shadow. Most artists would avoid such a positioning of their subject as it is difficult to reproduce any detail - and even hard to simply look at your subject. But Monet is interested in light itself, and captures it in the scene in an unmatched way.
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Claude Monet Artworks in Focus:

Biography

Childhood

Born in Paris, Oscar Claude Monet moved at the age of five to Le Havre, a seaside town in northern France. His father was a successful grocer that later turned to shipping. His mother died when he was 15. The ocean and rugged coastline of Northern France had a profound affect on him at an early age, and he would often run away from school to go for walks along the cliffs and beaches. As a youth, he received instruction at the College du Havre from a former pupil of the famous Neo-Classical artist Jacques-Louis David. Creative and enterprising from an early age, he drew caricatures in his spare time and sold them for 20 francs apiece. Capitalizing on his early aptitude for art, he managed to save a good bit of money from his art sales.

Early Training

Claude Monet (1860-1861) Photograph by Etienne Carjat
Claude Monet (1860-1861) Photograph by Etienne Carjat

A pivotal experience occurred in 1856 when Monet became friends with Eugene Boudin, a landscape painter famous for his scenes of northern French coastal towns. Boudin encouraged him to paint outdoors, and this plein air technique changed Monet's concept of how art could be created: "It was as if a veil was torn from my eyes; I had understood. I grasped what painting could be."

Despite being rejected for a scholarship, in 1859 Monet moved to Paris to study with help from his family. However, instead of choosing the more customary career path of a Salon painter, by enrolling at the Ecole des Beaux-Arts, Monet attended the more avant-garde Académie Suisse, where he met fellow artist Camille Pissarro.

Mature Period

Portrait of Claude Monet (1860-1861) by Gilbert de Severac
Portrait of Claude Monet (1860-1861) by Gilbert de Severac

Obliged to serve in the military, in 1861 Monet was sent to Algiers. Like Eugene Delacroix before him, the north African environment stimulated Monet and affected his artistic and personal outlook. Coming home to Le Havre after his service, his "final education of the eye" was provided by the Dutch landscape and marine artist Johan Jongkind. Following this, Monet again left for Paris, attending the studio of Swiss artist Charles Gleyre, which included such students - and future Impressionists - as Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley.

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Claude Monet Biography Continues

In 1865, the Paris Salon accepted two of Monet's seascapes for exhibition. However, the artist was feeling confined by working in a studio, preferring his earlier experience of painting in nature, so he moved just outside Paris to the edge of the Fontainebleau forest. Using his future wife, Camille Doncieux, as his sole model, his ambitiously large Women in the Garden (1866-67) was a culmination of the ideas and themes in his earlier work. Monet was hopeful that the work would be included in the Paris Salon, but his style kept him at odds with the jurors and the picture was refused, leaving the artist devastated. The official salon at this time still valued Romanticism. (In 1921, to assuage the 50-year-old insult, Monet made the French government purchase the painting for the enormous sum of 200,000 francs.)

To escape the Franco-Prussian War in 1870, Monet took refuge in London, producing many scenes such as Westminster Bridge (1871). His wife and their new baby boy Jean joined him. He visited London museums and saw the works of John Constable and J.M.W. Turner, whose romantic naturalism clearly influenced his use of light. Most importantly, he met Paul Durand-Ruel, who ran a new modern art gallery on Bond Street. Durand-Ruel became a major supporter of Monet and Pissarro, and later Renoir, Degas, and other French Impressionists.

Returning to France after the war, Monet settled his family in Argenteuil, a suburb of Paris along the Seine River. Over the next six years he developed his style and documented the changes in the growing town in over 150 canvases. His presence also attracted Parisian friends including Renoir and Manet. While Manet was 10 years older and established artist much earlier than Monet, by the 1870s each influenced the other in significant ways, and Monet had successfully won Manet over to plein air painting by 1874.

Claude Monet Photo by Theodore Robinson
Claude Monet Photo by Theodore Robinson

In a continued effort to protest the salon system, Monet and his friends organized their own exhibition in 1874, held in the vacated studio of photographer and caricaturist Felix Nadar. This became known as the first Impressionist exhibition. These artists, including Renoir, Degas, and Pissarro, were the first artists to collectively respond to the changes in their city. The modernization of Paris was evident in the wider boulevards needed to accommodate the expanding fashions of public life and growing traffic of consumerism. Not only was their subject matter new, but the way they portrayed this reality was unique as well. Intuitive feeling and the essence of spontaneity, of the moment, were impressed upon the canvas. It was through the 1873 work Impression, Sunrise that Monet inadvertently gave the movement its name, although that name was actually initially used by writers to criticize these types of works.

While Monet's upbringing was rather middle class, his extravagant tastes led him to live much of his life in varying degrees of poverty and debt. His paintings were not a decent source of income and he often had to borrow money from his friends. After receiving several commissions throughout the 1870s, Monet enjoyed some financial success, but was in dire straits by the end of the decade.

Claude Monet Self-Portrait with a Beret - 1886
Claude Monet Self-Portrait with a Beret - 1886

In 1877, the Monet family was living in the town of Vetheuil with Alice Hoschede and her six children. Actually, the Hoschede family were great friends and patrons of Monet's work, but the husband's business went bankrupt, and he ended up basically abandoning his family. Thus, Monet had to find an inexpensive house for the large household. Camille gave birth to their second son, Michel in 1878. But when Camille died about a year and a half later, there was a change in Monet's work, focusing more on the flux of experiential time and the mediating effects of atmosphere and personality on subject matter. Alice continued living with Monet, and she became his second wife in 1892 (after Ernest Hoschede passed away).

Claude Monet near his lily pond
Claude Monet near his lily pond

In 1883, Monet was looking for a house for Alice and their (combined) eight children. He happened on a property in a sleepy town Giverny, that had a total of 300 inhabitants at the time. He fell in love with a house and garden that he as able to rent, and later buy (and greatly expand) in 1890.The property at Giverny was Monet's primary inspiration for the last three decades of his life. He created a Japanese garden for contemplation and relaxation, making a pond filled with water lilies with an arched bridge. He famously said: "My garden is my most beautiful masterpiece. I work at my garden all the time and with love. What I need most are flowers. Always. My heart is forever in Giverny, perhaps I owe it to the flowers that I became a painter."

It was at Giverny that Monet found his ultimate success. His paintings began to sell in the United States, England, and locally. He became quite the gentlman employing a large staff in his house, including six gardeners that maintained his beloved garden and lily pond.

Monet was less concerned with modernity in his works and more with atmosphere and environment. His series of grainstacks, painted at different times throughout the day, received critical acclaim from opinion-makers, buyers, and the public when exhibited at Durand-Ruel's gallery. He then turned his sights to Rouen Cathedral, making similar studies of the effects of changing mood, light, and atmosphere on its facade at different times of the day. The results were dozens of canvases of brilliant, slightly exaggerated colors that formed a visual record of accumulated perceptions.

Late Years and Death

Claude Monet with large paintings
Claude Monet with large paintings

Ultimately, Monet preferred to be alone with nature, creating his paintings rather than participating in theoretical or critical battles within the artistic and cultural scene of Paris. Whereas he traveled throughout the 1880s and 1890 to places like London, Venice, Normay, and around France - in 1908 he settled for the remainder of his life in Giverny. The year 1911 saw the death of his second wife Alice, followed by the passing on of his son Jean. Shattered by these deaths, the ragings of the First World War, and even a cataract forming over one of his eyes, Monet essentially ceased to paint.

At time, the French statemen Georges Clemenceau who happened to also be Manet's friend asked Manet to create an artwork that would lift the country out of the gloom of the Great War where millions of people died. At first, Monet said he was too old and not up to the task, but eventually Clemenceau lifted him out of his mourning by encouraging him to create a glorious artwork - what Monet called "the great decoration". Monet conceived a continuous sequence of waterscapes situated in an oval salon as a world within a world. A new studio with a glass wall facing the garden was built for this purpose, and despite having cataracts (that he had surgically removed), Monet was able to move a portable easel around to different places within the studio to capture the ever-changing light and perspective of his water lilies. He continued to work on his water paintings right up until the end of his life.The L'Orangerie museum was ultimately built with two eliptical rooms constructed to house Monet's water lillies. The all-over compositions of the canvases and the designed rooms allowed the viewer to feel as if they were within the water surrounded by the foliage. The ultimate installation was loved by many critics, and was most famously proclaimed "the Sistine Chapel of Impressionism" by the Surrealist writer Andre Masson.


Legacy

Claude Monet in Garden
Claude Monet in Garden

Monet's extraordinarily long life and large artistic output befit the enormity of his contemporary popularity. Impressionism, for which he is a pillar, continues to be one of the most popular artistic movement as evidenced by its massive popular consumption in the form of calendars, postcards, and posters. Of course, Monet's paintings command top prices at auctions and some are considered priceless, in fact, Monet's work is in every major museum worldwide.

Even though his works are now canonized, for a number of years after Monet's death, he was only known in select circles of art lovers. The major renaissance of his work occurred in New York by the Abstract Expressionists. Artists like Mark Rothko and Jackson Pollock, and critics such as Clement Greenberg learned much from Monet's large canvases, and semi-abstract, all-over compositions. Pop artists also referred to Monet's haystacks in pieces like Andy Warhol repeating portraits. Similarly, many Minimalists used the same technique in their serial display of objects. In fact, Impressionism and Monet are now considered the basis for all of modern and contemporary art, and are thus quintessential to almost any historical survey.

Influences and Connections

Influences on artist

Artists, Friends, Movements

Influenced by artist

Artists, Friends, Movements

Claude Monet
Interactive chart with Claude Monet's main influences, and the people and ideas that the artist influenced in turn.
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View Influences Chart

Artists

Eugéne BoudinEugéne Boudin
Gustave CourbetGustave Courbet
Jean-François MilletJean-François Millet
Édouard ManetÉdouard Manet
J.M.W. TurnerJ.M.W. Turner

Friends

Pierre-Auguste RenoirPierre-Auguste Renoir
Frédéric BazilleFrédéric Bazille
Charles BaudelaireCharles Baudelaire
Alfred SisleyAlfred Sisley
Émile ZolaÉmile Zola

Movements

RealismRealism
NeoclassicismNeoclassicism
JaponismeJaponisme
Claude Monet
Claude Monet
Years Worked: 1852 - 1926

Artists

Vincent van GoghVincent van Gogh
Paul CézannePaul Cézanne
Edgar DegasEdgar Degas
Georges SeuratGeorges Seurat
Camille PissarroCamille Pissarro

Friends

Paul Durand-RuelPaul Durand-Ruel
Stéphane MallarméStéphane Mallarmé
James WhistlerJames Whistler
Georges ClemenceauGeorges Clemenceau

Movements

ImpressionismImpressionism
Post-ImpressionismPost-Impressionism
SymbolismSymbolism
PointillismPointillism
FauvismFauvism

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Useful Resources on Claude Monet

Videos

Special Features

Books

Websites

Articles

More

Mini-Bio of Monet by Bio.com ► 4:14 Mini-Bio of Monet by Bio.com


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Mad About Monet ► 49:18 Mad About Monet

Life of Monet, and all the fanfair around a major London exhibition by the artist
126k views

Impressionism Revenge of the Nice (2004) ► 1:40:44 Impressionism Revenge of the Nice (2004)

Monet in focus, within a look at the Origins and Overview of Impressionism by critic Matthew Collings
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More Interesting Videos with Claude Monet

artist features

Defining Modern Art

Take a look at the big picture of modern art, and Monet's role in it.

The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.

biography

Claude Monet: Water Lilies Recomended resource

By Ann Temkin, Nora Lawrence, Claude Monet

Mad Enchantment: Claude Monet and the Painting of the Water Lilies Recomended resource

By Ross King
Details Monet's process of painting the Water Lilies series.

Monet: His Life & Works in 500 Images Recomended resource

By Susie Hodge
Monet's life depicted by groupings of works he painted.

Monet or the Triumph of Impressionism

By Daniel Wildenstein

More Interesting Books about Claude Monet
Monet's Water Lillies at the Musée de l'Orangerie Recomended resource

Includes a virtual tour of the 2 rooms and background information

Monet at the Galeries Nationales, Grand Palais: Interactive Website Recomended resource

The Claude Monet Foundation

Official Website

Monet Website

Organized by Giverny government

More Interesting Websites about Claude Monet
Inside His Sketchbooks, Clues to Monet

By Benjamin Genocchio
The New York Times
August 10, 2007

Monet Arrives and Ripens Recomended resource

By Roberta Smith
The New York Times
May 4, 2007

15 Things You Might Not Know Aout Monet's Water Lillies

By Kristy Puchko
MentalFloss.com

in pop culture

Monet: Shadow and Light (1999) Recomended resource

Feature Film

Monet mentioned in Clueless (1995) Recomended resource

Very popular movie mentions the Impressionist master (37th second of clip)

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