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Artists Piet Mondrian
Piet Mondrian Photo

Piet Mondrian

Dutch Painter

Movements and Styles: De Stijl, Neo-Plasticism

Born: March 7, 1872 - Amersfoort, The Netherlands

Died: February 1, 1944 - New York, New York

Piet Mondrian Timeline


"The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture."
Piet Mondrian
"To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual."
Piet Mondrian
"The position of the artist is humble. He is essentially a channel."
Piet Mondrian
"I don't want pictures, I want to find things out."
Piet Mondrian
"Even where the elements are perfectly regular, the order of the whole may be extremely elisuve. The precise grid of black lines in a painting by Mondrian, so firmly ordered, is an open and unpredictable whole without symmetry or commensurable parts. The example of his austere art has educated a younger generation in the force and niceties of variation with the minimum of elements."
Meyer Schapiro

"I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects."

Piet Mondrian Signature


Piet Mondrian, one of the founders of the Dutch modern movement De Stijl, is recognized for the purity of his abstractions and methodical practice by which he arrived at them. He radically simplified the elements of his paintings to reflect what he saw as the spiritual order underlying the visible world, creating a clear, universal aesthetic language within his canvases. In his best known paintings from the 1920s, Mondrian reduced his shapes to lines and rectangles and his palette to fundamental basics pushing past references to the outside world toward pure abstraction. His use of asymmetrical balance and a simplified pictorial vocabulary were crucial in the development of modern art, and his iconic abstract works remain influential in design and familiar in popular culture to this day.

Key Ideas

A theorist and writer, Mondrian believed that art reflected the underlying spirituality of nature. He simplified the subjects of his paintings down to the most basic elements, in order to reveal the essence of the mystical energy in the balance of forces that governed nature and the universe.
Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine. The dynamic balance of his compositions reflect what he saw as the universal balance of these forces.
Mondrian's singular vision for modern art is clearly demonstrated in the methodical progression of his artistic style from traditional representation to complete abstraction. His paintings evolve in a logical manner, and clearly convey the influence of various modern art movements such as Luminism, Impressionism, and most importantly, Cubism.
Mondrian, and the artists of De Stijl, advocated pure abstraction and a pared down palette in order to express a utopian ideal of universal harmony in all of the arts. By using basic forms and colors, Mondrian believed that his vision of modern art would transcend divisions in culture and become a new common language based in the pure primary colors, flatness of forms, and dynamic tension in his canvases.
Mondrian's development of Neo-Plasticism became one of the key documents of abstract art. In the movement he detailed his vision of artistic expression in which "plasticism" referred to the action of forms and colors on the surface of the canvas as a new method for representing modern reality.

Most Important Art

Piet Mondrian Famous Art

Broadway Boogie-Woogie (1942-43)

This canvas presents the viewer with the culmination in Mondrian's life-long pursuit of conveying the order that underlies the natural world through purely abstract forms on a flat picture plane. Broadening the use of his basic pictorial vocabulary of lines, squares and primary colors, the black grid has been replaced by lines of color interspersed with blocks of solid color. This, and his other late abstract paintings, show a new, revitalized energy that was directly inspired by the vitality of New York City and the tempo of jazz music. The asymmetrical distribution of the brightly colored squares within the yellow lines echoes the varied pace of life in the bustling metropolis, one can almost see the people hurrying down the sidewalk as taxi cabs hustle from stop-light to stop-light. Broadway Boogie-Woogie not only alludes to life within the city, but also heralds New York's developing role as the new center of modern art after World War II. Mondrian's last complete painting demonstrates his continued stylistic innovation while remaining true to his theories and format.
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Piet Mondrian Artworks in Focus:



Piet Mondrian, born Pieter Cornelis Mondriaan, Jr. grew up as the second of five children in a devoutly Calvinist home in central Holland. Art and music were encouraged in his household. His father, the headmaster of the local primary school, was an enthusiastic amateur artist who gave drawing lessons to his son, while Mondrian's uncle, Fritz Mondriaan, was an accomplished artist who taught his nephew to paint.

Early Training

Piet Mondrian Biography

In 1892, Mondrian enrolled in the Rijksakademie van Beeldende Kunsten, or the Royal Academy of Visual Arts in Amsterdam. His three years of academic training focused on drawing from the model, copying old masters and genre painting. In the following years, he would rely on these skills to support himself by producing scientific drawings and copies of museum paintings, as well as giving private drawing lessons in his studio.

"Always further," is how Mondrian termed his drive to transform his artwork. Starting in 1905, his traditional landscape compositions began to reveal a new sense of drama and light. Jan Toorop, a leading artist of Dutch Luminism, introduced Mondrian to the French Post-Impressionists. Mondrian's paintings changed dramatically as a result, integrating, for example, the bold color and brushwork of Vincent van Gogh and the pointillist technique of Georges Seurat. Even in these early works, it is apparent that Mondrian had a tendency to work in series, focusing on a singular subject. Both of these facets would be invaluable to the development of his mature, abstract style.

For Mondrian, art and philosophy were deeply intertwined. He was a prolific writer and theorist, and was drawn to spiritual and philosophical studies. In 1909, he joined the Theosophical Society, a spiritual organization with widespread influence in Europe in the early decades of the 20th century, based on the teachings of Buddhism. Theosophy directly influenced his representational style, expressed in paintings of flowers, and more specifically, the work Evolution (1910-1911) that echo the Buddhist and Theosophist cycle of death and rebirth. Mondrian explains the role of spirituality in his artwork, "All the time I'm driven to the spiritual. Through Theosophy I became aware that art could provide a transition to the finer regions, which I will call the spiritual realm." Though he later disagreed with some members of the group, Theosophy influenced Mondrian's goal of representing complete, pure harmony, which he expressed by the balance and tension of form and color in his paintings.

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Piet Mondrian Biography Continues

Mature Period

The influence of Cubism marks a turning point in Mondrian's career. In 1912, he moved to Paris, which was the thriving center of the avant-garde art world, and became fully conversant in the works of Picasso, Braque, and others, shifting from a representational, Neo-Impressionistic style to modern abstractions. Analytic Cubism gave Mondrian the structure necessary to distill his landscapes to their sparest elements of line and shape: he made use of the Cubist grid, reducing his images of trees and buildings to a schematized framework. During his first years in Paris, Mondrian temporarily adopted the Cubist muted grey and yellow/brown palette, as in The Gray Tree (1912). However, unlike the Cubists, Mondrian wished to stress the flatness of the painting surface, rather than allude to three-dimensional illusionistic depth, as the Cubists depicted.

In 1914, Mondrian was visiting his sick father in Holland when World War I broke out. He was unable to return to Paris until 1919. Despite being separated from the avant-garde in Paris, Mondrian continued to develop his style toward pure abstraction. Curved lines gradually disappeared from his paintings along with all references to objects or nature. During this key period, Mondrian and artist and architect Theo van Doesburg founded the journal De Stijl in 1917. De Stijl, or "the style," was a movement among Dutch artists, architects, and designers that presented an ideal of total abstraction as a model for harmony and order across the arts. Mondrian and these artists developed a vision of modernism independently from that found in Paris.

Mondrian termed the resulting artistic style Neo-Plasticism, or the new plastic art. For Mondrian, "plastic" merely referred to a novel way of representing reality, found upon the surface of the painting itself. Dedicated to the "absolute devaluation of tradition" the artists of De Stijl emphasized "the need for abstraction and simplification" and limited the elements in their paintings to straight horizontal and vertical lines, right angles, the three primary colors (red, yellow, blue) and the three achromatic colors (grey, white, and black). The De Stijl movement proved to have a major international influence on architecture, art, typography, and interior design throughout the 20th century.

Late Years and Death

Piet Mondrian Photo

After the end of World War I, Mondrian moved back to Paris and at the age of forty-seven began creating the iconic abstract paintings for which he is best known. Within the milieu of 1920s Paris, he created a unique mode of abstraction compared to the contemporary movements of Surrealism and Paris Dada. Mondrian's paintings of the 1920s are the clearest expression of his ideal of purity and universal harmony in Neo-Plastic expression. It was only around 1925 that Mondrian began to receive recognition for his contribution to modernism, with his paintings entering the collections of wealthy Europeans and Americans.

Prior to the start of World War II, Mondrian moved to London for two years before settling in New York City in 1940. While in London in 1938, Mondrian met and became friends with Peggy Guggenheim, an amity that led to Guggenheim's staunch support of the Dutch expatriate, both within London and later in New York where she exhibited Mondrian's works at her "Art of This Century" Gallery. Mondrian was introduced to the burgeoning New York avant-garde art scene and joined the American Abstract Artists - additionally legitimizing the new group's role in modern art through his mentorship in European abstraction.

At the time, he expanded his pictorial vocabulary - introducing double lines, then color lines, and finally his black grid was replaced with pulsating lines of color squares. Inspired by his new surroundings within the American metropolis, his late paintings show a new energy and complexity of composition as evidenced in Broadway Boogie-Woogie (1943). Devoted to his work, Mondrian's life reflected the purity and discipline of his art. He remained unmarried and lived simply with few possessions. He died of pneumonia in 1944 at the age of 71.


The refinement of Mondrian's abstractions as well as the utopian ideals behind his work had an immense impact on the development of modern art, both while he was still alive as well as after his death. His work was immediately referenced by the Bauhaus, particularly in the simplified lines and colors of the school's aesthetic, as well as its ideal in which the arts could bring concord to all aspects of life. Later on, Mondrian's style can be seen in the developments of the Minimalists of the late 1960s, who also opted for reduced forms and a pared down palette. Not only influential within modern art, Mondrian's far-reaching impact can be seen across all aspects of modern and postmodern culture, from Yves Saint Laurent's color-blocking in his "Mondrian" day-dress, to the use of Mondrian's Neo-Plastic style and palette by the rock band the White Stripes for the cover of their 2000 album, De Stijl, as well as his name as the moniker for three hotels, the "Mondrian" hotel in New York, Los Angeles, and Miami.

Influences and Connections

Influences on artist

Artists, Friends, Movements

Influenced by artist

Artists, Friends, Movements

Piet Mondrian
Interactive chart with Piet Mondrian's main influences, and the people and ideas that the artist influenced in turn.
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View Influences Chart


Vincent van GoghVincent van Gogh
Paul CézannePaul Cézanne
Pablo PicassoPablo Picasso
Jan TooropJan Toorop


Theo van DoesburgTheo van Doesburg
Bart van der LeckBart van der Leck


Piet Mondrian
Piet Mondrian
Years Worked: 1895 - 1944


Ilya BolotowskyIlya Bolotowsky
Leon Polk SmithLeon Polk Smith
Ad ReinhardtAd Reinhardt


Theo van DoesburgTheo van Doesburg
Bart van der LeckBart van der Leck
Peggy GuggenheimPeggy Guggenheim


De StijlDe Stijl
Abstract ExpressionismAbstract Expressionism
Color Field PaintingColor Field Painting

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Useful Resources on Piet Mondrian


Special Features






Piet Mondrian: Mister Boogie Woogie Man ► 0:00 Piet Mondrian: Mister Boogie Woogie Man

Mondrian moves to Paris and creates new art. Includes commentary by Robert Hughes

Artists of the 20<sup>th</sup> Century: Piet Mondrian ► 55:17 Artists of the 20th Century: Piet Mondrian

Longer video exploring pregression of Mondrian's art

Art History Videos:

Mondrian at Tate Liverpool and Turner Contemporary ► 4:34 Mondrian at Tate Liverpool and Turner Contemporary

Art Historian Rosie Rockel describes Mondrian's artistic development

"Victory Boogie Woogie" at The Getty Conservation Institute ► 54:56 "Victory Boogie Woogie" at The Getty Conservation Institute

Detailed and technical video. Discussion by expert historians

More Interesting Videos with Piet Mondrian

artist features

Mark Rothko and Piet Mondrian

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The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.


Piet Mondrian: 1872-1944; Structures in Space Recomended resource

By Susanne Deicher

Mondrian Recomended resource

By Hans L. C. Jaffe, Piet Mondrian

Piet Mondrian: Color, Structure And Symbolism

By Hans Locher, Piet Mondrian

Piet Mondrian: 1872-1944

By Yve-Alain Bois, Angelica Zander Rudenstine, Joop Joosten, Hans Janssen

More Interesting Books about Piet Mondrian
Gemeentemuseum Website Recomended resource

The museum is launching a major exhibition to commemorate 100 years of De Stijl.

Mondrian Trust - Official Foundation Recomended resource

Mondrian and De Stijl at the Pompidou Centre, Paris Recomended resource

By Philippe Dagen
The Guardian
January 11, 2011

Artist Piet Mondrian in London: the forgotten years Recomended resource

By Simon Grant
The Guardian
June 25, 2010

Great Works: Composition in White, Black and Red (1936)

By Tom Lubbock
The Independent
November 27, 2009

Slicing and Dicing the Bright Colors of Mondrian's Boogie-Woogies

By Holland Cotter
The New York Times
June 29, 2001

More Interesting Articles about Piet Mondrian
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