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Artists Georges Braque

Georges Braque

French Painter, Collagist, Draftsman, Printmaker, and Sculptor

Movement: Cubism

Born: May 13, 1882 - Argenteuil, France

Died: August 31, 1963 - Paris, France

Quotes

"One must not imitate what one wants to create."
Georges Braque
"To work from nature is to improvise."
Georges Braque
"One must beware of an all-purpose formula that will serve to interpret the other arts as well as reality, and that instead of creating will only produce a style, or rather a stylization."
Georges Braque
"Art is made to disturb, science reassures."
Georges Braque

"Truth exists, only falsehood has to be invented."

Synopsis

Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still lifes and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.

Key Ideas

Though Braque started out as a member of the Fauves, he began developing a Cubist style after meeting Pablo Picasso. While their paintings shared many similarities in palette, style and subject matter, Braque stated that unlike Picasso, his work was "devoid of iconological commentary," and was concerned purely with pictorial space and composition.
Braque sought balance and harmony in his compositions, especially through papier collés, a pasted paper collage technique that Picasso and Braque invented in 1912. Braque, however, took collage one-step further by gluing cut-up advertisements into his canvases. This foreshadowed modern art movements concerned with critiquing media, such as Pop art.
Braque stenciled letters onto paintings, blended pigments with sand, and copied wood grain and marble to achieve great levels of dimension in his paintings. His depictions of still lifes are so abstract that they border on becoming patterns that express an essence of the objects viewed rather than direct representations.

Most Important Art

Bottle and Fishes (1910-12)
Braque depicted both bottles and fishes throughout his entire painting career, and these objects stand as markers to differentiate his various styles. Bottle and Fishes is an excellent example of Braque's foray into Analytic Cubism, while he worked closely with Picasso. This painting has the restricted characteristic earth tone palette rendering barely perceptible objects as they disintegrate along a horizontal plane. While there are some diagonal lines, Braque's early paintings tended to work vertically or horizontally.
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Georges Braque Artworks in Focus:

Biography

Childhood

Georges Braque was guided from a young age toward creative painting techniques. His father managed a decorative painting business and Braque's interest in texture and tactility perhaps came from working with him as a decorator. In 1899, at age seventeen, Braque moved from Argenteuil into Paris, accompanied by friends Othon Friesz and Raoul Dufy.

Early Training

Braque's earliest paintings were made in the Fauvist style. From 1902-1905, after giving up work as a decorator to pursue painting full-time he pursued Fauvist ideas and coordinated with Henri Matisse. He contributed his colorful Fauvist paintings to his first exhibition at the Salon des Independants in 1906. However, he was extremely affected by a visit to Pablo Picasso's studio in 1907, to see Picasso's breakthrough work - Les Demoiselles d'Avignon. After this encounter, the two artists forged an intimate friendship and artistic camaraderie. "We would get together every single day," Braque said, "to discuss and assay the ideas that were forming, as well as to compare our respective works". The drastic change in Braque's painting style can be directly attributed to Picasso. Once he understood Picasso's goals, Braque aimed to strengthen "the constructive elements in his works while foregoing the expressive excesses of Fauvism". His landscape paintings in which scenes were distilled into basic shapes and colors inspired French art critic, Louis Vauxcelles, to coin the term Cubism by describing Braque's work as "bizarreries cubiques."

Mature Period

Georges Braque Biography

Braque and Picasso worked in synchronicity until Braque's return from war in 1914. When Picasso began to paint figuratively, Braque felt his friend had betrayed their Cubist systems and rules, and continued on his own. However, he continued to remain influenced by Picasso's work, especially in regards to papier collés, a collage technique pioneered by both artists using only pasted paper. His collages featured geometric shapes interrupted by musical instruments, grapes, or furniture. These were so three-dimensional that they are considered important in the development of Cubist sculpture. By 1918, Braque felt he had sufficiently explored papier collés, and returned to still life painting.

Viewers noted a more limited palette at Braque's first post-war solo show in 1919. Yet he steadfastly adhered to Cubist rules about depicting objects from multi-faceted perspectives in geometrically patterned ways. In this, he continued as a true Analytical Cubist longer than did Picasso, whose style, subject matter and palettes changed continuously. Braque was most interested in showing how objects look when viewed over time in different temporal spaces and pictorial planes. As a result of his dedication to depicting space in various ways, he naturally gravitated towards designing sets and costumes for theater and ballet performances, doing this throughout the 1920s.

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Georges Braque Biography Continues
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Late Years and Death

In 1929, Braque took up landscape painting once again, using new, bright colors influenced by Picasso and Matisse. Then in the 1930s, Braque began to portray Greek heroes and deities, though he claimed the subjects were stripped of their symbolism and ought to be viewed through a purely formal lens. He called these works exercises in calligraphy, possibly because they were not strictly about figures but more about sheer line and shape. In the latter half of the 1930s, Braque embarked on painting his Vanitas series, through which he existentially considered death and suffering. Growing increasingly obsessed with the physicality of his paintings, he explored the ways in which brushstrokes and paint qualities could enhance his subject matter.

The objects used in his still lifes were highly personal to Braque, however, he did not reveal these meanings. Skulls, for example, were objects he painted repeatedly at the onset of World War II. In 1944, when World War II ended, Braque began to embrace lighter subjects like flowers, billiard tables, and garden chairs. His final series of eight canvases made from 1948-1955, each titled Atelier, or Studio, depicted imagery that represented the artist's inner thoughts on each object rather than clues to the outside world. At the very end of his life, Braque painted birds repeatedly, as the perfect symbol of his obsession with space and movement.


Legacy

Georges Braque Photo

Braque is remembered as a progenitor of Cubism, who was both rational and sensuous in his still life paintings. He was a classic painter in this sense, and has influenced the likes of Jim Dine and Wayne Thiebaud, who focused on still life painting. Braque is also a celebrated colorist, and can be traced through contemporary art to those painters who work with color in similar ways. Perhaps Braque is most remembered for his use of collage, as many contemporary artists, from sculptors like Jessica Stockholder to painters like Mark Bradford, apply paper to their works as a means to comment on society and its products.

Influences and Connections

Influences on artist

Artists, Friends, Movements

Influenced by artist

Artists, Friends, Movements

Georges Braque
Interactive chart with Georges Braque's main influences, and the people and ideas that the artist influenced in turn.
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View Influences Chart

Artists

Paul Cézanne
Camille Corot
Henri Matisse
Gustave Courbet
Édouard Vuillard

Friends

Pablo Picasso
Juan Gris
André Derain
Henri Laurens
Erik Satie

Movements

Impressionism
Post-Impressionism
Fauvism
African Art
Expressionism
Georges Braque
Georges Braque
Years Worked: 1899 - 1962

Artists

Marsden Hartley
Arthur Dove
Wayne Thiebaud
Peter Doig

Friends

Leonide Massine
Paul Rosenberg
Ambroise Vollard
Daniel-Henry Kahnweiler

Movements

Cubism
Abstract Expressionism
Pop Art

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Content compiled and written by The Art Story Contributors

Edited and published by The Art Story Contributors

" Artist Overview and Analysis". [Internet]. . TheArtStory.org
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Useful Resources on Georges Braque

Videos
Books
Articles
More
The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.
biography
Georges Braque, A Life

By Alex Danchev

Picasso and Braque Pioneering Cubism

By William Rubin

paintings
Braque (Modern Masters Series)

By Karen Wilkin

Braque Cameo

By Jose Maria Faerna

More Interesting Books about Georges Braque
Georges Braque: He Changed Western Painting For Ever

By Richard Dorment
The Telegraph
September 23, 2013

The Other Father of Cubism

By Roberta Smith
The New York Times
October 13, 2011

After Him, Who?

By Alex Danchev
The Guardian
May 6, 2005

From Braque's Later Years, The Products of Slow Time

By John Russell
The New York Times
February 16, 1997

documentary films
Picasso and Braque Go to the Movies

By Martin Scorsese

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